As well as being National Poetry Month, April is Mathematics Awareness Month and this year's theme is "The Future of Prediction." In search of a poem on the theme, I found the following sonnet by poet Joyce Nower -- third in a section of 20 sonnets, "Meditations of Hypatia of Alexandria," in her collection, The Sister Chronicles and Other Poems (IUniverse, 2012), available in both print and electronic versions.
3. Scales Can't Calculate* by Joyce Nower
Hypatia, Math, God One, can't plot the locus
of soul and star, predict exactly where
and when you die, whose hand deals death. No hocus
Mathematical language can heighten the imagery of a poem; mathematical structure can deepen its effect. Feast here on an international menu of poems made rich by mathematical ingredients . . . . . . . gathered by JoAnne Growney. To receive email notifications of new postings, contact JoAnne at joannegrowney@gmail.com.
Thursday, March 31, 2016
Monday, March 28, 2016
Contemplating the heavens
English writer G. K. Chesterton (1874-1936) was a poet but was better known for his pithy sayings. For example, we have the following statement (originally found here).
The
difference
between the poet
and the mathematician
is that the poet tries to get
his head into the heavens
while the mathematician
tries to get the heavens
into his head.
Alas, Chesterton's comment obeys the common assumption that the male pronoun should be used for mathematicians. Another poetic comment on mathematicians is found in a poem by Anthony Hecht -- "Mathematics Considered As a Vice" -- available here at PoetryFoundation.org. Hecht's poem offers a strongly negative view of the abstract nature of mathematics.
Rivalry between mathematics and poetry comes to a head in April -- during which we will celebrate both "National Mathematics Awareness Month" and "National Poetry Month."
The
difference
between the poet
and the mathematician
is that the poet tries to get
his head into the heavens
while the mathematician
tries to get the heavens
into his head.
Alas, Chesterton's comment obeys the common assumption that the male pronoun should be used for mathematicians. Another poetic comment on mathematicians is found in a poem by Anthony Hecht -- "Mathematics Considered As a Vice" -- available here at PoetryFoundation.org. Hecht's poem offers a strongly negative view of the abstract nature of mathematics.
Rivalry between mathematics and poetry comes to a head in April -- during which we will celebrate both "National Mathematics Awareness Month" and "National Poetry Month."
Wednesday, March 23, 2016
The Shape of the World -- a dream of equality
One of the most vital components of the Washington DC poetry scene is Split This Rock -- an organization that speaks and acts against injustice. (Co-founder and Executive Director, Sarah Browning, is a long-time activist and a fine poet.) One of STR's 2016 programs has been Al-Mutanabbi Street Starts Here DC 2016, a book arts and cultural festival that commemorates the 2007 bombing of Baghdad’s historic bookselling street, and emphasizes free exchange of ideas and knowledge, in solidarity with the people of Iraq. Several weeks ago at one of these events I met poet Dunya Mikhail and her translator, Kareem James Abu-Zeid, and was involved in discussion and reading from The Iraqi Nights (New Directions, 2015). Here is a mathy poem from that collection.
The Shape of the World by Dunya Mikhail
translated from the Arabic by Kareem James Abu-Zeid)
If the world were flat
like a flying carpet,
our sorrow would have a beginning
and an end.
If the world were square,
we'd lie low in a corner
whenever the war
plays hide and seek.
If the world were round,
our dreams would take turns
on the Ferris wheel,
and we'd all be equal.
A link to the Arabic original version of this poem is shown at the bottom of Mikhail's webpage -- a link that also offers a recording of her reading this poem, set to music.
And please note that coming up soon is the 2016 Split This Rock Poetry Festival (April 14-17, 2016) with many excellent workshops and readings. Learn about it here and register (online registration closes March 31). See you there.
The Shape of the World by Dunya Mikhail
translated from the Arabic by Kareem James Abu-Zeid)
If the world were flat
like a flying carpet,
our sorrow would have a beginning
and an end.
If the world were square,
we'd lie low in a corner
whenever the war
plays hide and seek.
If the world were round,
our dreams would take turns
on the Ferris wheel,
and we'd all be equal.
A link to the Arabic original version of this poem is shown at the bottom of Mikhail's webpage -- a link that also offers a recording of her reading this poem, set to music.
And please note that coming up soon is the 2016 Split This Rock Poetry Festival (April 14-17, 2016) with many excellent workshops and readings. Learn about it here and register (online registration closes March 31). See you there.
Monday, March 21, 2016
World Poetry Day -- Celebrate favorites!
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.
Friday, March 18, 2016
Poems that Count
On January 6 of this year I attended a wonderful poetry reading (sponsored by The Word Works) that featured the work of poets Tera Ragan and James Ragan (Tera's father). Their poetry is rich in imagery of their birthplaces -- near Pittsburgh -- and Czechoslovakia (where James' parents were born and a place they visited often). Please enjoy these lovely and varied poems that include a few well-chosen numbers: "Alcove" by Tera Vale Ragan; "Beckett Had Only One Student" and "The Eskimo's Twelve Expressions of White" by James Ragan.
Alcove by Tera Vale Ragan
Brick upon stone, a growing
foundation,
he builds a new family home up
from the ground
cement and marble
tile to ceiling
beam and red oak
he paid for with cash.
Alcove by Tera Vale Ragan
Brick upon stone, a growing
foundation,
he builds a new family home up
from the ground
cement and marble
tile to ceiling
beam and red oak
he paid for with cash.
Wednesday, March 16, 2016
A poem is an equation?
Exiled Romanian poet Nina Cassian (1924-2014) spoke with a daring and imaginative voice that I have much admired. And she occasionally used mathematical imagery in her work -- as in the following poem:
Controversy by Nina Cassian
(translated from Romanian by William Jay Smith)
I wrote a poem, an oblique poem,
a kind of calligram, I mean.
Someone said it was an equation
being solved behind a screen.
Controversy by Nina Cassian
(translated from Romanian by William Jay Smith)
I wrote a poem, an oblique poem,
a kind of calligram, I mean.
Someone said it was an equation
being solved behind a screen.
Friday, March 11, 2016
Celebrate Math Women
March is Women's History Month and, although this year's theme focuses on women in public service and government, my own thoughts tend toward women in mathematics. My post on July 21, 2015 focuses on math women -- and a google search of the blog using "math women" will lead to a host of additional poems and links. Enjoy!
To celebrate math-women one must first be able to name them; here is a link to an important and relevant article by Judy Green, "How Many Women Mathematicians Can You Name?"
To celebrate math-women one must first be able to name them; here is a link to an important and relevant article by Judy Green, "How Many Women Mathematicians Can You Name?"
I am the girl voice,
Drafts scribed--thoughts stretched, smoothed, squared, sighed --
Catch here now my I.
Monday, March 7, 2016
Inspired by Pi
Last year, a few days after Pi-Day, my email had a link (Thanks, Paul Geiger!) to an example of Pilish -- this one a circle poem by Mike Keith that represents the initial 402 digits of Pi -- and I have, at last, posted the poem below. Keith's poem first appeared in the The Mathematical Intelligencer in 1986.
And here is a link to musical Pi --at the webpage of "The Derivatives" are math parodies written and performed by Bloomsburg University professors William Calhoun, Kevin Ferland, and Erik Wynters, including The Pi Song (also known as 3.14159/Circle).
Thursday, March 3, 2016
Arnold diffusion (and poets of Romania)
I have had the good fortune to attend two BIRS Math / Creative Writing workshops in Banff (most recently in January 2016) and one of the organizers of these workshops has been Florin Diacu, a Romanian-Canadian mathematician-poet at Canada's University of Victoria. (For a bit more about my interest in Romanian poets, you may visit this posting from 2012 ; for still more, use "Romania" as a blog-search term.)
Recently I discovered the following poem by Florin in the January 2014 issue of the Journal of Humanistic Mathematics and that online journal's open-access policy permits me to offer it here. I have wondered whether it is prudent of me to present a poem about Arnold diffusion, a topic about which I have scant mathematical background. But I like it, even though my understanding is incomplete; I hope you like it too.
Recently I discovered the following poem by Florin in the January 2014 issue of the Journal of Humanistic Mathematics and that online journal's open-access policy permits me to offer it here. I have wondered whether it is prudent of me to present a poem about Arnold diffusion, a topic about which I have scant mathematical background. But I like it, even though my understanding is incomplete; I hope you like it too.