Consider the geometry and community of trees . Can we learn from them?
We plant two trees.
Their trunks grow strong
and straight--and parallel.
Parallel lines don't meet.
These trees, however--
straight and tall and parallel--
reach out with branches.
Mathematical language can heighten the imagery of a poem; mathematical structure can deepen its effect. Feast here on an international menu of poems made rich by mathematical ingredients . . . . . . . gathered by JoAnne Growney. To receive email notifications of new postings, contact JoAnne at joannegrowney@gmail.com.
Wednesday, June 27, 2018
Monday, June 25, 2018
Visual, Poetical -- Mathematical Impressions
Wednesday, June 20, 2018
Our place in the universe . . .
Nanao Sakaki (1923-2009) was a Japanese poet who began to wander the world after his term in the Japanese military in WWII -- and his poems give views of these travel experiences. He met Gary Snyder and Allen Ginsberg in the 1960s and his work has been noticeably influenced by theirs. Here, from his collection Break the Mirror (Blackberry Books, 1996) is "A Love Letter" -- a poem that considers how the universe spreads out around us.
A Love Letter by Nanao Sakaki
Within a circle of one meter
You sit, pray and sing.
Within a shelter ten meters large
You sleep well, rain sounds a lullaby.
Within a field a hundred meters large
Grow rice and raise goats.
A Love Letter by Nanao Sakaki
Within a circle of one meter
You sit, pray and sing.
Within a shelter ten meters large
You sleep well, rain sounds a lullaby.
Within a field a hundred meters large
Grow rice and raise goats.
Monday, June 18, 2018
Choose the right LINE
Recently, looking through my copies of POETRY Magazine, in the September 2008 issue I found this quote (used as an epigraph) from a poet whose work I greatly admire, British poet Philip Larkin (1922-1985):
The whole point of drawing is choosing the right line.
Finding the Larkin quote led me to look back in my blog for poems that feature the concept of line -- with its multiple meanings -- and I offer this link to search-results that offer a variety of choices for poems with line for you to explore.
The whole point of drawing is choosing the right line.
And here are links to a couple of my own recent attempts to choose the right line:
The online journal TalkingWriting has recently interviewed me
The online journal TalkingWriting has recently interviewed me
and a link to their ten-minute video is available here. In it I read
a portion of my poem, "My Dance is Mathematics,"
that stars mathematician Emmy Noether.
"They Say She Was Good -- for a Woman," features that same poem
and some additional reflections on the struggles of women in mathematics.
Friday, June 15, 2018
NOTHING is SOMETHING
Thinking today about ZERO -- zero tolerance, zero fear!
These findings take me back to the 1980's and "affirmative action" at Pennsylvania's Bloomsburg University (where I was a member of the Mathematics Department). The University had an Affirmative Action Officer who worked to help faculty and staff develop behaviors and policies that endeavored to end discrimination against women and minorities. One important test of the appropriateness of an activity was a "symmetry test" -- if a remark or act did not seem proper when the roles of two participants were reversed, then the original was probably something to avoid. In those days, my male colleagues needed to reconsider some of their behaviors and I needed to overcome my fear of speaking up.
The concept of zero as "something" that signifies "nothing" is an ever-thought-provoking one. In support of ZERO TOLERANCE -- with a goal of NOTHING, I offer the following poem, "The Zero," by Israel Har.
Monday, June 11, 2018
Use MUSIC to enrich STEM teaching
Last year this blog announced an online conference involving the use of song in teaching STEM subjects. From one of the organizers, Gregory Crowther, I have this update -- announcing a second annual VOICES conference in September 2018:
Song lyrics often are poetry; here are links to several lyrics featured earlier in this blog: "The Derivative Song" by Tom Lehrer, Lines from "Mandlebrot Set" by Jonathan Coulton, "Circle Song" and lines from "Hotel Infinity" by Larry Lesser, "Questions You Can't Ever Decide" by Bill Calhoun.
featured 40 presentations on teaching STEM subjects with music.
Presentation
ideas are now being solicited for the 2018 conference
to be held on 26 September 2018. All are welcome to enter!"
Song lyrics often are poetry; here are links to several lyrics featured earlier in this blog: "The Derivative Song" by Tom Lehrer, Lines from "Mandlebrot Set" by Jonathan Coulton, "Circle Song" and lines from "Hotel Infinity" by Larry Lesser, "Questions You Can't Ever Decide" by Bill Calhoun.
Friday, June 8, 2018
More people are reading poetry!!
In an email today from Poets.org, I received a link to an article describing increases in the numbers of readers of poetry in recent years (comparing 2017 with 2012). The article, published by the National Endowment for the Arts, is available here. Although that article does not mention or credit the STEM to STEAM movement, I'd like to think it may be a factor in enlarging poetry's readership.
Wednesday, June 6, 2018
A visual poem
One of the delights of today's Internet is that it enables us to find friends with common interests all over the world. An email message from Tope Salaudeen-Adegoke of Nigeria has introduced me to one of his visual poems:
"Coding Colonisation" is a visual poem written and arranged
in the computer programming indentation of HTML/CSS.
The poem fuses what seem to be mathematics and poetry together . . ."
I have included this poem below; for those who wish background information, some explanation is given in this linked essay. Please take time to explore the meanings coded here.
/*Coding Colonisation */ by Tope Saludeen-Adegoke
#menu nativity {
africa-america-type:none;
margin:0px;
background-color:#000000;
}
"Coding Colonisation" is a visual poem written and arranged
in the computer programming indentation of HTML/CSS.
The poem fuses what seem to be mathematics and poetry together . . ."
I have included this poem below; for those who wish background information, some explanation is given in this linked essay. Please take time to explore the meanings coded here.
_______________
#menu nativity {
africa-america-type:none;
margin:0px;
background-color:#000000;
}
Monday, June 4, 2018
Nature's Examples of Fibonacci Numbers
Recently I have been reexamining some of the treasures that have been on my bookshelves for a while. One of these is Discovering Patterns in Mathematics and Poetry by Marcia Birken and Anne C. Coon (Rodopi B. V., 2008). And, on page 60 of that collection, I find "Fibonacci Time Lines" by Kansas poet Michael L.Johnson -- the poem is a lovely weave of the Fibonacci numbers with objects they count (and was originally published in The Unicorn Captured (Cottonwood Review Press, 1980)) and, with the poet's permission, is offered below.
Fibonacci Time Lines by Michael Johnson
cat's
claw's
curl, pine
cone's swirl, goat's
horn's turn, nautilus'
shell's homing out, pineapple's whorl,
sneezewort's branchings, hair's twist, parrot's beak's growth,
elephant's
tusk's curve, monkey's tail's spiral, cochlea's whirl of sound,
Vitruvius' analogies,
Parthenon's geometry, logarithms' golden sections, time's way
through form, mind's acceleration on its helical vector
to death . . .
Here is a link to a host of poems linked to the Fibonacci numbers and found in earlier postings in this blog.
Fibonacci Time Lines by Michael Johnson
cat's
claw's
curl, pine
cone's swirl, goat's
horn's turn, nautilus'
shell's homing out, pineapple's whorl,
sneezewort's branchings, hair's twist, parrot's beak's growth,
elephant's
tusk's curve, monkey's tail's spiral, cochlea's whirl of sound,
Vitruvius' analogies,
Parthenon's geometry, logarithms' golden sections, time's way
through form, mind's acceleration on its helical vector
to death . . .
Here is a link to a host of poems linked to the Fibonacci numbers and found in earlier postings in this blog.