Showing posts with label Sherman Alexie. Show all posts
Showing posts with label Sherman Alexie. Show all posts

Wednesday, August 12, 2015

Reservation Mathematics

Both a talented writer and an articulate conveyor of the culture of American Indians, Sherman Alexie is a Spokane / Coeur d’Alene Indian from Wellpinit, Washington.  Besides several collections of poetry, Alexie has published novels and short-stories; he wrote the screen-play for the 1998 film, Smoke Signals.  "Reservation Mathematics"  is from Alexie's poetry collection First Indian on the Moon, (Hanging Loose Press, 1993) and was previously posted in this blog in January 2011.

Reservation Mathematics     by Sherman Alexie

Saturday, August 27, 2011

Earthquake and Hurricane

It would not be easy to argue that a poem whose numbers merely identify its stanzas is "mathematical" but "Curriculum Vitae," found at poets.org and written by Pullitzer Prize winning poet Lisel Mueller, also contains the words "earthquake" and "hurricane" and thereby is significant on this Saturday in Silver Spring -- five days after a 5.8-magnitude earthquake damaged both the Washington Monument and the National Cathedral and on the very day that millions of us are watching the progress of Hurricane Irene as it storms north along the eastern coast of the US. In acknowledgment of these days, I invite you to read this fine poem:

Wednesday, January 5, 2011

Mathematics and race

Sherman Alexie is a Spokane / Coeur d’Alene Indian from Wellpinit, Washington. Besides several collections of poetry, Alexie has published novels and short-stories; he wrote the screen-play for the 1998 film, Smoke Signals. Here, in verse, he deals with the mathematics of racial identity:

Monday, April 19, 2010

Poems with Fibonacci number patterns

In 21st century poetry, there are a variety of non-rhyming forms--and several of them have derived from the Fibonacci numbers. The Danish poet, Inger Christensen (1935-2009), wrote a book-length poem, alphabet (New Directions, 2000) in which the numbers of lines in stanzas followed the sequence of Fibonacci numbers.  "Fibonacci," shown below, by Judith Baumel is a shorter example of this form.