Enjoy the Possibilities in a Multiple-Choice Poem

     Just as a test-taker mulls over which answer is correct, a poet mulls over word choices and what should come next.  South Dakota mathematician-poet Daniel May (professor at Black Hills State University) has broadly captured these decision choices in a poetry-form called a Digraph Poem or a Multiple Choice Poem.  I first learned of this idea several years ago at a Bridges Math-Art Conference at Waterloo, Canada when May and a colleague, Courtney Huse Wika, presented a paper entitled "The Poetics of a Cyclic Directed Graph" (available online here in the Bridges Archives).   In this paper is a poetry-creation by Huse Wika that involves various choices and orders of stanzas.

    This mixing of stanzas came to my attention again via a paper by May entitled "In the beginning all is null" which appeared in Journal of Mathematics and the Arts, Volume 14, Issue 1-2 (2020) as one of a group of "artist's statements."  In this latter paper, May thoughtfully describes his process of composing his poem --  he composed eight eight-line stanzas -- and the reader was to read a stanza, choose and read another stanza, and so on with a third.  In all, eight poems -- each sharing stanzas with others. 

     Recently a new online multidisciplinary journal, Poetrishy, has been born -- and it's first issue features another Multiple-Choice/Digraph poem by Dan May entitled "What the Body Does Next" --and available here.   Although you will need to follow the link I've offered to actually read the poem, I offer below a small screen-shot  -- so that you can get a sense of its structure.

Issue 1 of Poetrishy also contains work by these mathy poets -- Larry Lesser, Marian Christie, and  Marion Deutsche Cohen.  And several more authors whose work is fun to explore.

Mathematics and Poetry -- Arts of the Heart

      On the opening pages of a Springer Reference, Handbook of the Mathematics of the Arts and Sciences, we find a list of 107 fascinating titles -- including two that link mathematics and poetry:

     "Mathematics and Poetry -- Arts of the Heart" by Gizem Karaali and Lawrence M. Lesser

     "Poems Structured by Mathematics"  by Daniel May

     Even for those of us who lack access to the Springer volume, the abstracts found at the links above offer lots of  valuable references -- and contact information for the authors.

     AND, if you are on Twitter, you can enjoy palindromes and other constrained verse by Anthony Etherin  ( @Anthony_Etherin ) -- an author whose latest book has the title SLATE PETALS.

SUNSET poem -- guided by a Fano diagram

GEOMETRY IN POETRY

Warning:  even if you are not a mathy person, you will like the poem offered below!

     When a writer picks up her pen and starts to write, the initial phrases may be simply a ramble -- a pouring out of thoughts that might be able to be shaped into a poem.  Over the centuries, writers have used syllable-counts and patterns of rhyme to help them shape their word into the best-possible expressions.
     Earlier in this blog (in this 2016 posting) is a poem created by Black Hills State University mathematician Daniel May using a geometric structure called a Fano Plane.  I offer below another similarly-structured creation by May -- and, after the poem, a bit of explanation.

Fano Plane diagram

Sunset : October 11th      by Daniel May

it's late in the day and we’ve climbed up this rise.
i stare, too closely, into the
leaving of the light streaming through the treetops 
          from the next ridge over.

later, i'll wonder if looking into the sun makes me crazy,
or gives me secret terrible knowledge.
my last willful act will be staring directly into our star, 
          and it will be like burial at sun.

Celebrate math students -- a Fibonacci poem!

     South Dakota mathematician Dan May teaches mathematics at Black Hills State University where he also leads workshops for middle school teachers, explores musicology and the connections between poetry and discrete mathematics. He has been involved in math-poetry activities at Bridges Math-Arts conferences but, more importantly, he has been involved with BEAM (Bridge to Enter Advanced Mathematics), a program offering varied academic assistance to underserved students, including a summer residential program. The following Fibonacci poem celebrates that adventure.

BEAM: A Fibonacci Poem     by Dan May

Now
you 
are home — 
Brooklyn, Queens, 
the Bronx, your boroughs. 
Only yesterday still at camp, 
learning knots and graphs, writing proofs on infinity. 
I taught you the one hundred and sixty-eight automorphisms of the Fano plane. 
You wear hijabs, or Jordans, or both. Diverse faces 
display the doubts of twelve-year-olds. 
But each of you, when 
you get it — 
your face 
lights 
Up.

Author’s Note: The poem’s syllable line count follows the 

Fibonacci sequence numbers 1, 1, 2, 3, 5, 8, 13, 21 forward and backward.  

This poem and several others of Dan May's math-linked poems may be found here.

Using a Fano plane to create a poem

     South Dakota mathematician Daniel May enjoys finding connections between his discipline and other arts -- and herein we consider a constraint-structure for poetry that he has developed using a Fano plane.  In brief, a Fano plane (shown in the diagram below) consists of 7 points and 7 lines (the three sides of the triangle, the three altitudes of the triangle, and the circle) -- with each line containing 3 of the points. 

Fano Plane Diagram

May creates a poem by associating a word with each point of the Fano plane and then creates a three-line stanza for each line of the diagram.  Here is a template for the poem "adore" -- and the poem itself is offered below the diagram: