The Domain of the Function . . .

     Recently I found, in The Literary Nest, the mathy poem, "Functional" by retired math teacher and active poet Carol Dorf.  Dorf's poem is a pantoum -- and the interplay of math terminology with repeated lines, gives us some new thoughts to think.  Enjoy!

     Functional     by Carol Dorf

     Fanatic is the word of the day.
     The domain of the function is the set of inputs.
     How did the programmer know in advance?
     The range is the set of outputs.  

Mathematical Modeling

My friend and colleague, University of Connecticut mathematician Sarah Glaz, is an accomplished poet and is active in coordinating math-poetry activities -- via her website, the annual BRIDGES Conference, the anthology Strange Attractors: Poems of Love and Mathematics . . . .  Here is one of her mathy poems -- this one a pantoum, first published in London Grip.

Mathematical Modelling     by Sarah Glaz

Mathematical modelling may be viewed
As an organizing principle
That enables us to handle
A vast array of information      

Power of a theorem

My poetry-math colleague Sarah Glaz has sent me the following pantoum -- which she says was inspired by Ken Yee's pantoum posted in this blog on 6 March 2013.  Thanks, Sarah, for this poem that not only involves permutations of lines but which also aptly connects the adventure of exploring mathematics with the adventure of self-exploration.  Bravo!

A pantoum for the power of theorems      by Sarah Glaz

          The power of the Invertible Matrix Theorem lies
          in the connections it provides among so many important
          concepts… It should be emphasized, however, that the
          Invertible Matrix Theorem applies only to square matrices.
                                           ―David C. Lay, “Linear Algebra”
 
The power of a theorem lies
In the connections it provides
Among many important concepts
Under a certain set of assumptions  

Many Worlds, in a Pantoum

Permutations of lines and rhymes play with sound and meaning in ways that enhance both.  I particularly like the pantoum form. Hearing each line a second time -- with a new context shifting the meaning -- is an experience I particularly enjoy. This one is by Kenton Yee, a theoretical physicist working in finance, who writes both fiction and poetry.

The Many Worlds Interpretation of Classical Mechanics 

                   by Kenton K. Yee

Everything that can happen does.
She leaves work early
as a crackhead jumps off a bus.
A drunk runs a red light, barely.   

Surprise me!

Bob Grumman, a mathy poet whose work has appeared in this blog (21 June 2010) and a blogger, has recently been invited to write a Guest Blog for Scientific American.  Here is a wonderful sentence about poetry that I have taken from his posting on 22 September 2012 (the third of his guest postings).

           And I claim that nothing is more important for a poet 
               than finding new ways to surprise people with the familiar.

Visit Grumman's Guest Blog to find his illustrations of poetic surprise; after a pair of visual poems, ten x ten and Ellipsonnet, he discusses a poem by Louis Zukovsky in which the poet describes his poetics using the integral sign from calculus:

∫ 

Zukovsky's definite integral (which Grumman tells us is carefully copyright-protected) has the lower limit "speech" and upper limit "music." 

Braided lines form a PANTOUM

The pantoum is derived from a Malaysian form of interlocking four-line stanzas in which lines 2 and 4 of one stanza are used as lines 1 and 3 of the next. The lines may be of any length, and the poem can go on for an indefinite number of stanzas; it may be completed with a final stanza that uses lines 1 and 3 of the first stanza as lines 4 and 2 of the last, closing the circle of the poem.  As with recursion, each stanza provides an impetus for the next.