Showing posts with label Galway Kinnell. Show all posts
Showing posts with label Galway Kinnell. Show all posts

Thursday, July 7, 2016

Remembering Reza Sarhangi

     In 1998 at Southwestern College in Winfield, KS an Iranian mathematician, Reza Sarhangi, organized the first of a series of annual Bridges conferences that celebrate the intersection of mathematics and the arts.  On July 1, 2016, this vital mathematician-artist passed away.  Many will celebrate the life of this warm and generous and talented man.
where you can learn a bit about Reza Sarhangi and about this year's conference in Finland. 
 Here is a link to an article by Sarhangi on Persian art -- indeed, it includes a poem. 
Sarhangi was at the time of his death, a professor at Towson University. 
 Here is a link to his informative Towson webpage which I hope the university will keep alive.

Wednesday, November 5, 2014

A big voice, Galway Kinnell (1927-2014)

     Last week master poet Galway Kinnell died (NYTimes obituary).  One finds a detailed bio and a baker’s dozen of his best poems at the Poetry Foundation website -- do a search using the poet's name.  Many of Kinnell's poems are about nature -- somewhat in the way that mathematics may be about science  --  that is, he uses the images of nature to speak multiply of complex issues.  Here is a poem about identity that includes several math terms.

     The Gray Heron    by Galway Kinnell (1927-2014)

     It held its head still
     while its body and green
     legs wobbled in wide arcs 

Tuesday, February 21, 2012

Universal and Particular

Poet Yves Bonnefoy (b 1923) is one of France's greatest living poets. And Bonnefoy's university studies included mathematics. I read recently of Bonnefoy in the Wall Street Journal Bookshelf posting for 11 February 2012 by Micah Mattix entitled "The Pursuit of Presence." This reminder sent me to my bookshelf to review the poet's work with mathematics in mind. I found a bit of attitude toward the subject in a prose poem entitled "Devotion" when he used the phrase "stern mathematics." And Section 1 of "Trial by Ordeal" (offered below) ends with the word "proof."
     Mattix opened his Bonnefoy article with a quote: If I had to sum up in a sentence the impression Shakespeare makes upon me," the poet Yves Bonnefoy wrote in an early essay, "I should say that, in his work, I see no opposition between the universal and the particular." This universal-particular pairing (evident in Bonnefoy, as in Shakespeare) led my thoughts to the mathematical pairing, global-local, which I explore briefly following Bonnefoy's poem.