Poets at BRIDGES

These seven poets will be reading math-related poems at the upcoming (July 27-31) BRIDGES Conference in Enschede, the Netherlands; biographical information about the coordinator, Sarah Glaz, and each of the poets is available here. With each poet's name I have offer a date that is linked to one of my postings of his/her work:         
          Michael Bartholomew-Biggs    19 October 2012
          Tatiana Bonch-Osmolovskaya   10 March 2013
          Carol Dorf   31 May 2011
          Sarah Glaz   7 November 2011
          Emily Grosholz  24 September 2010
          Alice Major   30 December 2012
          Eveline Pye 12 April 2012
Here (and also to be offered at BRIDGES) is an elegant and thoughtful poem by Alice Major  -- "For Mary, Turning Sixty" -- that compares mathematical meanings of terms with personal ones. 

Chatting about REAL numbers

The term "real number" confuses many who are not immersed in mathematics.  For these, to whom 1, 2, 3 and the other counting numbers seem most real, the identification of the real numbers as all infinite decimals (i.e., all numbers representable by points on a number line) seems at first to go beyond intuition.  But, upon further reflection, the idea of a number as "real" iff it can represent a distance on a line to the right or left of a central origin, 0, indeed seems reasonable.

Professor Fred Richman of Florida Atlantic University takes on the questions of computability and enumerability of the real numbers in his poem, "Dialogue Between Machine and Man":

Poetry with base 10

In his collection, Rational Numbers (Truman State, 2000) Harvey Hix presents "Orders of Magnitude" -- a collection of 100 stanzas in which each stanza has ten lines and each line has ten syllables.  Beyond this numeric structure is frequent use of mathematical imagery; here are samples (stanzas 42 and 100):

From "Red Has No Reason" -- a poem about the nature of mathematics

My new poetry book, Red Has No Reason, is now available (from Plain View Press or amazon.com).  Several of the poems mention math--and one of them comments on the nature of mathematics.  Ideas for "A Taste of Mathematics" (below) came from a mathematics conference in San Antonio, TX (January 1993) where it was announced that the billionth digit in the decimal expansion of  π  is 9.  Recently an amazing  new calculation record of 5 trillion digits (claimed by Alexander J. Yee and Shigeru Kondo) has been announced.

Sense and Nonsense

     Nonsense verse has a prominent place in the poetry that mathematicians enjoy. Perhaps this is so because mathematical discovery itself has a playful aspect--playing, as it were, with non-sense in an effort to tease the sense out of it.      Lewis Carroll, author of  both mathematics and literature, often has his characters offer speeches that are a clever mix of sense and nonsense. For example, we have these two stanzas from "Fit the Fifth" of The Hunting of the Snark, the words of the Butcher, explaining to the Beaver why 2 + 1 = 3.

Poems starring mathematicians - 3

Today's poems illustrate the satirical humor and rhyme that frequently inhabit poems by mathematicians. (Previous postings of poems about mathematicians include March 23, April 14, and April 15.)

I Even Know of a Mathematician      by John L Drost

        “I even know of a mathematician who slept with his wife only
                   on prime-numbered days…” Graham said.
                            ―Paul Hoffman, The Man Who Loved Only Numbers

Poems with Fibonacci number patterns

In 21st century poetry, there are a variety of non-rhyming forms--and several of them have derived from the Fibonacci numbers.*  The Danish poet, Inger Christensen (1935-2009), wrote a book-length poem, alphabet (New Directions, 2000) in which the numbers of lines in stanzas followed the sequence of Fibonacci numbers.  "Fibonacci," shown below, by Judith Baumel is a shorter example of this form.

Queneau and the Oulipo

Raymond Queneau was one of the leaders of a group of ten--primarily writers and mathematicians, primarily French--who founded a group, "Ouvroir de Littérature Potentielle" ("Workshop of Potential Literature"), that eventually became known as the Oulipo. Queneau described potential literature as "the search for new forms and structures that may be used by writers in any way they see fit."