Doing mathematics is often misunderstood as primarily computation--an error that seems equivalent to seeing poetry writing as primarily a spelling exercise.
Showing posts sorted by relevance for query hirshfield. Sort by date Show all posts
Showing posts sorted by relevance for query hirshfield. Sort by date Show all posts
Wednesday, June 23, 2010
Monday, April 24, 2017
Poetry and Science -- Allies in Discovery
Poet Jane Hirshfield read onstage as part of the March for Science in Washington, DC on Saturday April 22. Science and poetry both arise from the same desire for exploration, Hirshfield opined. “If you don’t think at all, you think of them as opposites,” she said. “They are allies in discovery.”
Hirshfield's staged poem, "On the 5th Day," appeared in the Washington Post a few days before the march. Here are its opening stanzas (visit the Post link for the complete work.)
On the Fifth Day by Jane Hirshfield
On the fifth day
the scientists who studied the rivers
were forbidden to speak
or to study the rivers.
The scientists who studied the air
were told not to speak of the air,
Hirshfield's staged poem, "On the 5th Day," appeared in the Washington Post a few days before the march. Here are its opening stanzas (visit the Post link for the complete work.)
On the Fifth Day by Jane Hirshfield
On the fifth day
the scientists who studied the rivers
were forbidden to speak
or to study the rivers.
The scientists who studied the air
were told not to speak of the air,
Monday, March 16, 2020
Keeping Track -- poetry with numbers
The very fine poetry of Jane Hirshfield has been featured in several earlier blog postings. And below, again -- with some lines from "Ledger," the title poem for her new collection, out this month. These lines find, as Hirshfield often does, both life-truths and poetry in numbers.
Ledger by Jane Hirshfield
Tchaikovsky’s Eugene Onegin is 3,592 measures.
A voice kept far from feeling is heard as measured.
What’s wanted in desperate times are desperate measures.
Pushkin’s unfinished Onegin: 5,446 lines.
Ledger by Jane Hirshfield
Tchaikovsky’s Eugene Onegin is 3,592 measures.
A voice kept far from feeling is heard as measured.
What’s wanted in desperate times are desperate measures.
Pushkin’s unfinished Onegin: 5,446 lines.
Thursday, March 19, 2015
Multiplied by Rain
There are many mathematical terms that are used in daily life -- not only multiplied and divided and negative but also closure and identity and field and commute -- and it is fun for me, a math person, to see poets use such terms in new and thoughtful ways.
Poet Jane Hirschfield weaves words into fine tapestries that give us new dimensions of meaning. The Table of Contents of her new book, The Beauty (Knopf, 2015), is scattered with mathematical terms -- we find zero, plus, subtraction, and the final title, "Like Two Negative Numbers Multiplied by Rain." This poem first appeared in Poetry (2012) and is available at the Poetry Foundation website along with more than thirty additional Hirshfield poems.
Like Two Negative Numbers Multiplied by Rain by Jane Hirshfield
Lie down, you are horizontal.
Stand up, you are not.
Poet Jane Hirschfield weaves words into fine tapestries that give us new dimensions of meaning. The Table of Contents of her new book, The Beauty (Knopf, 2015), is scattered with mathematical terms -- we find zero, plus, subtraction, and the final title, "Like Two Negative Numbers Multiplied by Rain." This poem first appeared in Poetry (2012) and is available at the Poetry Foundation website along with more than thirty additional Hirshfield poems.
Like Two Negative Numbers Multiplied by Rain by Jane Hirshfield
Lie down, you are horizontal.
Stand up, you are not.
Labels:
Jane Hirshfield,
logic,
mathematics,
multiplied,
negative,
number,
poetry
Monday, October 14, 2013
"My Proteins"
The mysteries of science are sometimes explored in poems and, in this vein, I was delighted to find "My Proteins" by Jane Hirshfield (a poet whose work I like and admire) on page 56 of the September 16, 2013 issue of The New Yorker. As she explores the riddles of who she is and where she came from, she has these lines-with-numbers (stanzas 3 and 4):
from My Proteins by Jane Hirshfield
Ninety percent of my cells, they have discovered,
are not my own person,
they are other beings inside me.
As ninety-six percent of my life is not my life.
. . .
Look for the entire poem; and enjoy!
Another exploration of what the self is and isn't may be found in Hirshfield's "My Skeleton" -- today's Poem-A-Day selection from Poets.org. Jane Hirshfield's poem "Mathematics" is available here in my post for 23 June 2010.
from My Proteins by Jane Hirshfield
Ninety percent of my cells, they have discovered,
are not my own person,
they are other beings inside me.
As ninety-six percent of my life is not my life.
. . .
Look for the entire poem; and enjoy!
Another exploration of what the self is and isn't may be found in Hirshfield's "My Skeleton" -- today's Poem-A-Day selection from Poets.org. Jane Hirshfield's poem "Mathematics" is available here in my post for 23 June 2010.
Wednesday, April 24, 2019
Zero plus anything is . . .
Poet Jane Hirshfield is an award-winning poet, essayist and translator whose work and I admire and enjoy. In her collections I have found a thoughtful share of poems with links to mathematics -- and links to my previous postings of her work may be found here. The MATH theme collection at poets.org has led me to another of her poems and I offer its opening stanzas here:
Zero Plus Anything Is a World by Jane Hirshfield
Four less one is three.
Three less two is one.
One less three
is what, is who,
remains.
Zero Plus Anything Is a World by Jane Hirshfield
Four less one is three.
Three less two is one.
One less three
is what, is who,
remains.
Wednesday, May 23, 2018
Counting What's Left
Recently at the 2018 Split This Rock Poetry Festival, I purchased a copy of ghost fishing: An Eco-Justice Poetry Anthology edited by poet Melissa Tuckey (University of Georgia Press, 2018) and, below, I offer a sad poem about "counting" from this anthology. There is much to value in this fine anthology; follow this link for more information.
As If Hearing Heavy Furniture Moved on the Floor Above Us
As things grow rarer, they enter the ranges of counting.
Remain this many Siberian tigers,
that many African elephants. Three hundred red egrets.
We scrape from the world its tilt and meander of wonder
as if eating the last burned onions and carrots from a cast iron pan.
Closing eyes to taste better the char of ordinary sweetness.
Hirshfield's poem also is found in the Split This Rock Poetry Database along with many other poems of environmental concern and protest. It was first published in Washington Square Review. This link connects to work by Jane Hirshfield featured in previous postings for this blog.
As If Hearing Heavy Furniture Moved on the Floor Above Us
As things grow rarer, they enter the ranges of counting.
Remain this many Siberian tigers,
that many African elephants. Three hundred red egrets.
We scrape from the world its tilt and meander of wonder
as if eating the last burned onions and carrots from a cast iron pan.
Closing eyes to taste better the char of ordinary sweetness.
Hirshfield's poem also is found in the Split This Rock Poetry Database along with many other poems of environmental concern and protest. It was first published in Washington Square Review. This link connects to work by Jane Hirshfield featured in previous postings for this blog.
Monday, November 11, 2019
Mathematics -- something useful ... or beautiful ...
I offer a sample below from a poem by Jane Hirshfield entitled "Mathematics" and invite you to go here to read the entire poem -- and to reflect on it. What does the poem say that is true about mathematics?
from Mathematics by Jane Hirshfield
I've envied those
who make something
useful, sturdy— or
a chair, a pair of boots.
from Mathematics by Jane Hirshfield
I've envied those
who make something
useful, sturdy— or
a chair, a pair of boots.
Wednesday, December 12, 2012
The important 1 (multiplicative identity)
On this day 12/12/12, I have heard much media discussion concerning coincidences of number. My own thoughts continue to examine the multiple meanings of "identity." Here is a lovely tanka by Izumi Shikibu (b 976?) that focuses on the importance of one:
This heart,
longing for you,
breaks
to a thousand pieces--
I wouldn't lose one.
From The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan (Vintage Books, 1990), translated by Jane Hirshfield with Mariko Aratani.
This heart,
longing for you,
breaks
to a thousand pieces--
I wouldn't lose one.
From The Ink Dark Moon: Love Poems by Ono no Komachi and Izumi Shikibu, Women of the Ancient Court of Japan (Vintage Books, 1990), translated by Jane Hirshfield with Mariko Aratani.
Labels:
identity,
Izumi Shikibu,
Jane Hirshfield,
Mariko Aratani,
math,
poetry,
tanka
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