Word-Play with Mathematics -- On-Stage

      One of the rewards from time spent with mathematics or from time spent with poetry is the array of multiple meanings that we find . . . usually not all-at-once but accumulating.  A master of word-play with mathematical terms and ideas is Mathematics Professor Colin Adams of Williams College.  Each time I attend the annual Joint Mathematics Meetings I look on the schedule for Mathematically Bent Theater -- with a presentation by Adams and the Mobiusbandaid Players. Here is a link to an interview with Adams; and here on YouTube are videos of some of the mathy presentations; EXPLORE and ENJOY!

To add a bit of poetry to this post, I offer below a photo of a visual poem by scientist and writer Bern Porter, found in the anthology Against Infinity.

"Formula" -- by Bern Porter

Against Infinity is an anthology of mathy poems edited by Ernest Robson and Jet Wimp and published by Primary Press in 1979 -- now out of print but available at used-book websites.  Here is a link to other selections from Against Infinity in earlier postings in this blog.

Aelindromes -- and Pi

     On Twitter, I have seen frequent posts by UK-based writer Anthony Etherin -- and, encouraged by mathy poet Marian Christie, I have found it interesting to explore his work.  Etherin focuses on constrained, formal, visual, and experimental poetry -- he tweets @Anthony_Etherin; he manages Penteract Press.  AND  Etherin has invented a new type of writing-constraint called the aelindrome -- a bit like the palindrome ( such as  top spot  or  never odd or even ) except that the reversals involve more than one letter.   Here is a simple example of an aelindrome: 

melody, a bloody elm  which can be divided into   m el ody ablo ody el m

Found in a Twitter posting by @Anthony_Etherin on 10/21/21 is this aelindrome whose segment-lengths follow the first 14 digits of pi;  31415926535897

       Moonless Moonlight        by Anthony Etherin

       Low, fatal nights! Late, moonless.... Tense, we glitch.
       We swim bled sky, along the ashy glow.
       Shy glow along the ambled sky, we switch.
       We glisten -- see slate moonlight's natal flow.

Go here to learn more of Anthony Etherin and his work.

Celebrate mathematics -- and the other liberal arts!

     Before it became linked to science and engineering and computing, mathematics was one of the liberal arts.  And, in my view, it should continue in this role also. 
     In a recent posting to the WOM-PO email list-serve to which I subscribe, this provocative poem by Alicia Ostriker recently appeared -- and the poet has given me permission to post it here.  This selection, "The Liberal Arts" is found in Ostriker's latest collection, Waiting for the Light, published in February, 2017 by University of Pittsburgh Press.   Thanks, Alicia, for your poem.

The Liberal Arts      by Alicia Ostriker

In mathematics they say the most beautiful solution is the correct one
In physics they say everything that can happen must happen
In history they say the more it changes the more it is the same   

Submit math-science poetry

During the month of November, the online journal Talking Writing is seeking submission of poetry with connections to mathematics and the science.  Submit 4-6 poems to editor@talkingwriting.com.
  

          O                                T     T                 

          ON                                 E               
          ONE                           N     N                

These visual poems "One" and "Ten," above, are mine.

How much math does a math-poem need?

Poems offered in this blog vary in the levels of mathematics they contain.  One mathematical reader commented privately that in some of the poems the use of mathematical terms is "purely decorative."  Indeed, some people have particular expectations for poetry that relates to mathematics -- they want the content to use mathematical notation or to present a mathematical truth. Such as, perhaps, this abbreviated statement of the four-color theorem (formulated as a 4x4 square): 

April 22 is EARTH DAY -- Remember the TREES

Can planting billions of trees save our planet?

Trees help cleanse the air by intercepting airborne particles, reducing heat, 
and absorbing pollutants such as carbon monoxide, sulphur dioxide, and nitrogen dioxide. 

Trees are sound barriers -- as effective as stone walls in stopping sound.

     Today this blog celebrates TREES via poetry by Australian visual artist and poet, Belinda Broughton -- her performance-poem "EDGES" has been part of an exhibition, Solastalgia at Fabrik, in Lobethal, South Australia -- and here in this video she performs the poem in front of a drawing that she created with charcoal from her recently burnt home, tragically part of Australia's recent and widespread outbreak of wildfires.  
     I include below, some of the opening and closing lines of Broughton's poem;  after these, I offer a link to the print version of the complete poem.

     Edges     by Belinda Broughton

     Who will speak for the trees? Who     will speak for the trees?
     Who will speak for the forest, for that part
     of the natural world? Because it’s all nature, let’s face it,
     even this crass world with its concrete and steel,
     its plastic paint and polluted pavements.
     It   is   nature.

BRIDGES 2013 -- Math-Art in the Netherlands

Since 1998, Summer BRIDGES Conferences have been held -- enthusiastic gatherings where theater and visual art and music and poetry and mathematics engage participants in lively exchange.  This year's conference is July 27-31 in Enschede, the Netherlands, and mathematician-poet Sarah Glaz has organized an outstanding group of talented readers to share their poetry on Sunday, July 28.  Following the featured readers will be an open reading -- and interested readers are invited to email Glaz using the address found here. 
      One of  the scheduled readers on July 28 in Enschede is Scottish poet and statistician Eveline Pye; shown below is one of the poems she will read --  "Love of Algebra" : 

Poetry made visual with math terms

     As the year ends I have been revisiting books not seen for a while -- and one of them is Concert for Violin and Loneliness (Criterion Publishing, 2002) by the Romanian poet Mircea Goga (b. 1948). This collection was translated by Doru Radu and me.   Here are several samples in which Goga uses mathematical imagery to enrich his poems.

Poems by Mircea Goga

Proportions

Like an iceberg
of which only an eighth is visible --
of death we show only
life . . . 

PLAY with math words . . . find a poem

A few days ago -- playing with math words -- I found this.

Here's a link to SEARCH results for this blog's presentations of "visual" poetry
and this link leads to information about the 
 NATIONAL MATHEMATICS FESTIVAL 

in Washington, DC this coming Saturday, May 4.

They Say She Was Good -- for a Woman

      Regulars to this blog know of my appreciation and support for the Journal of Humanistic Mathematics -- an online journal that publishes poetry and fiction as well as articles that link the arts with mathematics.  Bravo to editors Gizem Karaali and Mark Huber -- a new issue (Vol. 7, Issue 2) has come online today.
     I am honored to announce that my article, "They Say She Was Good -- for a Woman," -- a collection of poems and musings about women in mathematics (and featuring a poem about Emmy Noether) -- is part of the current issue.  

     Other key items in this issue of JHM that I have already found time to enjoy include a visual poem of  geometry and numbers by Sara Katz, a collection of poems about "infinity" by Pam Lewis, a review of poetry anthologies by Robin Chapman, a call (deadline, 11/1/17) for "mathematical" Haiku; a call (deadline 1/1/2018) for papers on mathematics and motherhood.  Go to the Table of Contents and enjoy it ALL.

Surprise me!

Bob Grumman, a mathy poet whose work has appeared in this blog (21 June 2010) and a blogger, has recently been invited to write a Guest Blog for Scientific American.  Here is a wonderful sentence about poetry that I have taken from his posting on 22 September 2012 (the third of his guest postings).

           And I claim that nothing is more important for a poet 
               than finding new ways to surprise people with the familiar.

Visit Grumman's Guest Blog to find his illustrations of poetic surprise; after a pair of visual poems, ten x ten and Ellipsonnet, he discusses a poem by Louis Zukovsky in which the poet describes his poetics using the integral sign from calculus:

∫ 

Zukovsky's definite integral (which Grumman tells us is carefully copyright-protected) has the lower limit "speech" and upper limit "music."