Celebrate Math-Women -- Celebrate AWM

1   This
2   year's the
3   fiftieth
4   birthday of the
5   Association
6   for Women in Mathe-
7   matics.  Join celebrations --
8   hear lectures, game with playing cards,
9   interview, write essays that feature
10  math women you admire.  Speak up -- cheer girls
11  who do well in math class; look back, remember,
12  laud stars of the past  --  support A W M.

 The Association for Women in Mathematics (AWM) is a national organization devoted to encouraging women and girls to study and to have active careers in the mathematical sciences, and to promote equal opportunity and the equal treatment of women and girls in the mathematical sciences.  Founding in 1971 and celebrating math-women with outreach, networks and partnerships, playing cards, essay contest (for students in middle school through college) . . . and so much more.

Explore AWM's Website and their lively WOMEN DO MATH site.

Counting insects, counting on them . . .

     Recently I had the opportunity to vacation in southern Portugal with my older daughter and her family and there -- with clear, bright-blue skies and cooled-down night-time temperatures -- not only did we vacationers thrive but so do many insects.  Their busy behavior reminded me of their presence on the childhood farm in Pennsylvania on which I grew up and their important role as partners in the agricultural process -- pollinating and irrigating and . . . 
    And so -- jet lagged yet continuing in my appreciation of the population-mathematics of insects -- I offer below a poem of bees by Emily Dickinson (1830-1886), also found here.  Another bee-poem by Dickinson posted back in August 2013 is available at this link.

The most important population   (1746)   by Emily Dickinson

       The most important population
       Unnoticed dwell,
       They have a heaven each instant
       Not any hell.

       Their names, unless you know them,
       'Twere useless tell.
       Of bumble-bees and other nations
       The grass is full.

An interesting Smithsonian article, "Bees May Understand Zero . . ." may be found here and the Washington POST has featured bees at this  recent link and this earlier one.

Sonnets from The Voyage of the Beagle

 The sonnet is a song of the body as well as of the mind:

14 breaths    
5 heartbeats each breath

A few weeks ago I had the opportunity to be part of a poetry reading that also featured Rick Mullin -- who serves science as an editor of the Chemical and Engineering News -- and whose latest poetry book is a collection of sonnets that offer a magical and musical retelling of  Darwin's voyage -- in Sonnets from The Voyage of the Beagle (Dos Madres Press, 2014). Here are two selections from that collection -- the opening sonnet (first of a triptych) and a later one that features geometry of birds.

     After Uranus     by Rick Mullin
      On reading Richard Holmes 

       I

     There was an age when poetry and science
     shared the province of discovery,
     when Coleridge wished he's studied chemistry
     and Humphry Davy, in exact defiance
     of the Royal Society, blew things up.

In college she studied mathematics

     In the third paragraph of the Wikipedia bio for Marguerite Duras (1914-1996), we read "At 17, Marguerite went to France, her parents' native country, where she began studying for a degree in mathematics."  I had the opportunity, several weeks ago at AFI Silver, to enjoy a screening of an exquisite restoration of "Hiroshima Mon Amour," a 1959 film for which Duras wrote the screenplay (nominated for an academy award).
    At the website goodreads.com I found this mathy (and poetic) quote that I recognized as from the film:

Love Triangle . . ..

     One day, looking online for Edwin Abbott's 19th century classic, Flatland, I found not only Abbott's tale but some poetry.  At the website of Jerome White, a New Orleans math teacher, I found his mathy poem "Love Triangle," about which White says:    "Love Triangle" was inspired by my disappointment that Flatland: A Romance In Many Dimensions was deceptively devoid of "romance" in the modern sense of the word. 
     With White's permission, here is the poem -- offered with a preparatory remark:  the poet is sometimes explicit as he describes the geometry of sexual attraction.

Love Triangle      by  Jerome A. White

A trio of three-sided polygons sprawled across
the two-dimensional space of my notebook page
capturing my singular focus

The one on the left I tried to seduce
Only to find her obliquely obtuse
Her oversized angle symbolic
of the diverging vectors our lives would follow    

Split This Rock 2014 was great!

 Split This Rock calls poets to a greater role in public life 

and fosters a national network of socially engaged poets. 

Split this Rock's biennial 4-day poetry festival ended today and the air in Washington, DC is electric with the passion of engagement -- minds and bodies energized by fine poems that demand opportunity and justice for all.  I was glad to be there, participating in workshops and readings led by today's finest poetic voices. 

The Geometry of Winter, with Eagles

A poetry-listening opportunity in the Washington, DC area:

Poet Martin Dickinson will read from his new collection, My Concept of Time, 
on Sunday, January 11 at Arlington's Iota Cafe. 

AND -- if you 're San Antonio on January 11, 2015 you'll want to attend  

the 5:30 PM poetry-with-math reading (details here) 

at the Gonzales Convention Center, sponsored by JHM.

 

From My Concept of Time, here's a poem of the geometry of our winter world.

          Fourteen Eagles, Winter     by Martin Dickinson
                                  for Phyllis

          We spot them, first almost imaginary
          thin pencil lines or scratches on our glasses.

          The earth's disk flattens out
          where this pale land becomes the bay, 

Emily Dickinson

     Although I do not consider any of Emily Dickinson's poems "mathematical," I find that she does not shy from using the terminology of mathematics. For example, her repetition of the word "circumference" noted in an earlier posting.  (To search this blog for mentions of Dickinson (1830 - 1886) or any other poet or topic, follow the instructions offered in green in the column to the right.)
     Dickinson is on my mind these recent days following my opportunity last Saturday evening to attend a session of a conference held by the Emily Dickinson International Society.  A gracious invitation by Martha Nell Smith enabled me to attend a program that featured two long-time friends, actor Laurie McCants of the Bloomsburg Theatre Ensemble, performing a scene from her one-woman show, Industrious Angels, and Stephanie Strickland, a New York poet who, along with collaborator Nick Montfort, offered background and performance for Sea and Spar Between, a poetry generator that works with language patterns for these two writers.

Seeing the World through a dual prism . . .

     Based in Melbourne, Australia, Tom Petsinis is a mathematics adviser at Deakin University and is author of nine poetry collections as well as theatrical works and books of fiction.  He also is involved in the worldwide BRIDGES organization --which meets annually to investigate and celebrate connections between mathematics and the arts.  This year's BRIDGES conference will be held July 27-31 in Halifax, Nova Scotia and next year's conference is planned for August 1-5, 2024 at Virginia Commonwealth University in Richmond, Virginia.

     Below is "Zero" -- a mathy poem by Petsinis which is also offered as a sample at this BRIDGES link (a link that advertises and celebrates those poets participating in the 2022 conference).

Visual-mathematical poetry

      The poems that I write and most of the poems that I include in this blog use mathematical patterns to structure their lines and stanzas or mathematical terminology in their content -- but blogger Kaz Maslanka is a mathematical poet who does something different:  his creations involve mathematical operations and symbols as well as words.  For example, the following visual poem -- involving symbols for "equals" and "divided by" -- comes from a recent posting (in his blog, "Mathematical Poetry") of what Maslanka calls an orthogonal space poem.

"Winning" -- a visual poem by Kaz Maslanka in a form related to the formula for the area of a rectangle,  A = lw or, alternatively, w = A/l.  (Double-click on the image to enlarge it.)

During July 29-August 1, 2015, Kaz Maslanka and I both plan to participate 
in the BRIDGES Math-and-the-Arts Conference at the University of Baltimore -- 
sharing our poetry and enjoying the work of others.  
Join us if you can; no registration fee is required for Friday "Family Day" events 
which include a poetry reading.