Counting the women

     The stimulus for this posting appeared a few weeks ago in the Washington Post -- in an article that considers the loneliness of women in STEM fields (science, technology, engineering, math). 
     For me, it was never a conscious thing -- the counting.  It simply happened.  The numbers are small and you know, if you are a woman and a mathematician in a room full of mathematicians, how many women are in the room.  Any room.  It is a small counting number.  Sometimes it is 1. 

Earthquake and Hurricane

It would not be easy to argue that a poem whose numbers merely identify its stanzas is "mathematical" but "Curriculum Vitae," found at poets.org and written by Pullitzer Prize winning poet Lisel Mueller, also contains the words "earthquake" and "hurricane" and thereby is significant on this Saturday in Silver Spring -- five days after a 5.8-magnitude earthquake damaged both the Washington Monument and the National Cathedral and on the very day that millions of us are watching the progress of Hurricane Irene as it storms north along the eastern coast of the US. In acknowledgment of these days, I invite you to read this fine poem:

The wind, counting

     Who can ever forget
     listening to the wind go by
     counting its money
     and throwing it away?

Stanescu - poetic mathematics

Today I found a link to a recent article, "Matematica şi poezia," that considers commonalities among the arts and mathematics and, therein, mentions a poem by Nichita Stanescu (1933-1984) which Gabriel Prajitura and I have translated.  The poem, "Poetic Mathematics," is dedicated to Romanian mathematician Solomon Marcus.  Here is Gabi's and my translation: 

Counting on things -- a prose poem

Russell Edson is one of the contemporary masters of the prose poem (a poem whose words are organized into paragraphs rather than stanzas). A selection from May Swenson's prose poem (and short novel) "Giraffe" is available in the October 19 blog posting. Here is Edson's poem "One Two Three, One Two Three" -- which considers the secrets hidden inside one's head.  Another mind, even that of one of our children, is a mystery incompletely known to any of us.

Two and four and eight and birds

Pennsylvanian Craig Czury works as a travelling poet in schools, homeless shelters, prisons, mental hospitals, and community centers around the world.  Czury sent me the following translation, "Writing Sheet," by Willie Westwood of a poem by Jacques Prévert (1900-1977) -- the original French version  may be found at Westwood's site (scroll down).

Counting: 1, 2, 3, 4, 5, . . .

At Peter Cameron's Blog, "Counting the things that need to be counted," the July 14, 2010 entry contains a reflective poem entitled "Millenium" which meditates on the ten digits in stanzas whose lengths count them.  Here are the opening stanzas: 

Counting rhymes -- Catalan, Bell numbers

     In mathematics, the Catalan numbers (named for Belgian mathematician Eugène Charles Catalan, 1814–1894, and beginning with 1, 1, 2, 5, 14, 42, 132, 429, . . . ) and the Bell numbers (named for the Scottish mathematician Eric Temple Bell, 1883-1960, and beginning with 1, 1, 2, 5, 15, 52, 203, 877,  . . . ),  provide answers to a variety of mathematical counting-problems, including counting the number of rhyme schemes for stanzas of poetry.  In English, earliest classification of rhyme schemes dates back to George Puttenham and his treatise, The Arte of English Poesie (published around 1590). 

Self-portrait with numbers

Visual poet Geof Huth  lives and blogs in Schenectady, NY.  In 2010 he turned 50 and early in 2011 he sent me (via snail mail, on smooth white paper) a letter.  The letter is a poem; the poem is a celebration of life, a sort of self-portrait, using numbers.  Geof gave me permission to post it here.

Celebrate Constraints -- Happy Birthday, OULIPO

Patrick Bahls and Richard Chess of the University of North Carolina at Ashville have organized a "Conference on Constrained Poetry" to be held on November 19-20 in celebration of the 50th Anniversary of OULIPO (short for French: OUvroir de LIttérature POtentielle), founded in 1960 by Raymond Queneau and François Le Lionnais. The group defines the term littérature potentielle as (rough translation): "the seeking of new structures and patterns that may be used by writers in any way they enjoy." Constraints are used to trigger new ideas and the Oulipo group is an ongoing source of novel techniques, often based on mathematical ideas -- such as counting letters and syllables, substitution algorithms,  permutations, palindromes, and even chess problems.

Giraffe -- novel (& prose poem) by May Swenson

Poet and playright May Swenson (1913-89) was born in Utah to Mormon parents and grew up in a home in which Swedish was the primary language. Swenson wrote of the experience of poetry as "based in a craving to get through the curtains of things as they appear, to things as they are, and then into the larger, wilder space of things as they are becoming." Here are the opening stanzas of Swenson's prose poem, "GIRAFFE:  A Novel," from In Other Words:  New Poems (Knopf, 1987).  I think this is FUN -- and hope you also enjoy it.

Nursing--and other vital applications of counting

     Although counting is one of the basic activities of mathematics, its importance also extends to the highest mathematical levels.  We count the solutions to systems of equations, the crossings in a diagram of a knot, the intersections of surfaces in multi-dimensional space, the necessary repititions in a circuit covering the edges of a graph. Counting likewise imposes order on some of life's difficult and non-mathematical tasks.  In Veneta Masson's poem, "Arithmetic of Nurses," we have a vivid picture of the careful alertness required of those who cares for ill patients.
     Following Masson's poem, is "Things to Count On," one of my own poems of counting--a prose poem describing the way that numbers order the life of a frugal farmer and his family, working to make ends meet in Pennsylvania in the middle of the 20th century. 

Poets who Count

For some poets, counting is part of the language of the poem. For others, counting determines the structure. Here are two poems of the former sort -- "Counting" by British poet Philip Larkin (1922-1985) and "Adding It Up" by New England poet Philip Booth (1925-2007) -- followed by opening stanzas of a poem for which counting is part of both content and structure:  "Millennium" by mathematician Peter Cameron .

In the same family -- a poet and a mathematician

When a poet and a mathematician are members of the same family, understandings result.  Ohio poet Cathryn Essinger is a twin of a mathematician and writes about this relationship.  Here are opening stanzas of two of her poems.