Too many selves

In my childhood home, numbers were used with care and precision.  There would be teasing when I would use the adverb "too" --- as if when I said "I had to walk too far" I had tried to describe an unbounded distance, greater than any possible span.  Now as an adult I continue to be cautious (and intrigued) with use of that word.  And I am drawn to the uses of "too many" and "count" in the following poem from David Orr, poetry columnist for the New York Times Book Review.

The Chameleon    by David Orr

Alone among the superheroes,
He failed to keep his life in balance.
Power Man, The Human Shark--they knew
To hold their days and nights in counterpoise,
Their twin selves divided together,
As a coin bears with ease its two faces.

Long division is difficult . . .

Last Monday included a visit with old friends of whom I see too little, Silver Spring artist Mark Behme -- with whom I did some art-poetry collaboration a few years  back -- and Chevy Chase artist-writer-economist-activist, Kyi May Kaung.  After lunch at nearby Mandalay we three walked to Mark's studio and hung out for a while, admiring and talking about his new work.  When I arrived home, I dug out several poems developed from Mark's sculpture -- finding some pieces I'd not thought about for a while.  Here is one of these, a mathy poem that partners with Mark's "Split Tales."

          Which Girl Am I?      by JoAnne Growney

          The girl who’s not forced to divide

          into the good girl and the real one

          is a lucky one.  I was eleven

          when I felt a crack begin.

A poem with two numbers

My friend Carol Ann Heckman has studied with Denise Levertov and feeds voraciously on her work.  For many years I have loved Levertov's "The Secret" and today, rereading an email from Carol Ann, I went looking for a mathy poem by this beloved poet.  I found the following -- with two numbers (and a hint of recursion):

     The Mockingbird of Mockingbirds     by Denise Levertov

     A greyish bird
     the size perhaps of two plump sparrows,
     fallen in some field,
     soon flattened, a dry
     mess of feathers--
     and no one knows
     this was a prince among his kind,
     virtuoso of virtuosos,
     lord of a thousand songs,
     debonair, elaborate in invention, fantasist,
     rival of nightingales.

This poem rests on my bookshelf in Levertov's collection, Breathing the Water (New Directions, 1987).

Variations of a line

In mathematics a line plays many roles -- as in this fine poem (which is a sonnet, more or less).

     Lines     by Martha Collins

     Draw a line. Write a line. There.
     Stay in line, hold the line, a glance
     between the lines is fine but don't
     turn corners, cross, cut in, go over
     or out, between two points of no
     return's a line of flight, between
     two points of view's a line of vision.

Little Infinite Poem

   Little Infinite Poem       by Federico Garcia Lorca

               For Luis Cardoza y Aragón

      To take the wrong road
   is to arrive at the snow,
   and to arrive at the snow
   is to get down on all fours for twenty centuries and eat
         the grasses of the cemeteries.

Counting on things -- a prose poem

Russell Edson is one of the contemporary masters of the prose poem (a poem whose words are organized into paragraphs rather than stanzas). A selection from May Swenson's prose poem (and short novel) "Giraffe" is available in the October 19 blog posting. Here is Edson's poem "One Two Three, One Two Three" -- which considers the secrets hidden inside one's head.  Another mind, even that of one of our children, is a mystery incompletely known to any of us.

"The Reckoning" by M. Sorescu (Romania,1936-96)

Works by poet and playwright  Marin Sorescu (1936-1996) continue to be popular with Romanian readers--and he is one of the most-frequently translated of Romanian poets.  In "The Reckoning" we see and hear his irony twisting among images chosen from mathematics.

A wedding song -- shaped by mathematics

This posting includes a stanza from of "A Wedding on Earth" by Annie Finch.  In the poet's words: the poem has 11 stanzas with 11 lines for a total of 121 lines, this number symbolizing the two single members of a pair joining into a 2, which is the prevailing theme of the poem; and each stanza combining [averaging] the stanza of Spenser's epithalamion (18 lines)  with Sappho's stanza (4 lines).

Poets who Count

For some poets, counting is part of the language of the poem. For others, counting determines the structure. Here are two poems of the former sort -- "Counting" by British poet Philip Larkin (1922-1985) and "Adding It Up" by New England poet Philip Booth (1925-2007) -- followed by opening stanzas of a poem for which counting is part of both content and structure:  "Millennium" by mathematician Peter Cameron .

In the same family -- a poet and a mathematician

When a poet and a mathematician are members of the same family, understandings result.  Ohio poet Cathryn Essinger is a twin of a mathematician and writes about this relationship.  Here are opening stanzas of two of her poems.