Filling my coffee cup . . .

      When I am asked to give a poetry workshop that includes people who have not written poetry, I find that asking them to concentrate on syllable-counts per line helps them to lose their apprehension about finding suitable words.  And here is a silly sample that illustrates that notion.

A syllable-snowball, growing layer by layer!

Filling my new coffee cup

     My
     coffee
     cup begins
     half full – I add
     more --  one-quarter-cup   
     to make three-fourths, one-eighth
     to reach seven-eighths, next add     
     one-sixteenth, and so on, never
     overflowing  --   almost, almost full.           

A syllable-snowball is a poem built from a sequence of lines whose whose syllable-counts increase (or decrease) by one from line to line.  Here is a link to the results of a blog-search that offers additional examples of snowballs. 

One type of "mathematical" poetry

When I began (in the 1980s) collecting examples of "mathematical poetry," I sought lines of verse that included some mathematical terminology.  More recently, my view has expanded to include structual, visual, and algorithmic influcences from mathematics; however, the two samples from the work of William Blake (1757-1827), presented below, fit into that initial category -- selected as "mathematical" because of their vocabulary -- one speaks of "infinity," the other of "symmetry."  (Blake was an artist as well as poet and his volumes of poetry were illustrated with his prints.)  The following stanza is the opening quatrain for Blake's poem "Auguries of Innocence."