Rhyme, beauty, and usefulness

     For many years poetry was transmitted orally and rhymes were vital because they are easily remembered.  In recent years, however, free verse and concrete/visual poems have become vital parts of what we think of as poetry.  Rhyme lost importance when printed poetry became readily available and memory was no longer needed to keep a poem available.  Now, in the 21st century, electronic devices make visual poetry also readily accessible (see, for example, UbuWeb) and poems may also be animated and interactive.

April: along with baseball we celebrate poetry and mathematics

Is it coincidence or design that

     April  is  National Poetry Month
            
           and

   April  is  Mathematics Awareness Month
          (This year's theme is  "mathematics and sports")

In my own reading, baseball is the sport for which I have found the most poetry.

Geometry of baseball

Many poems are written of baseball; a few of them involve mathematics --  see the posting for April 9, 2010 for math-related baseball poems by Marianne Moore (1877-1972) and Jerry Wemple; see the posting for September 18, 2011 for one by Jonathan Holden.
     Today I feature the opening stanza from a baseball poem by Pennsylvania poet, Le Hinton.

from   Our Ballpark    by Le Hinton

       This is the place where my father educated us:
       an open-air school of tutelage and transformation.
       This is where we first learned
       to count to three, then later to calculate the angle
       of a line drive bouncing off the left field wall.
       We studied the geometry and appreciated the ballet
       of third to second to first, a triple play.
              . . .

Mathy Double Dactyls

     The double dactyl is, like the limerick, a fixed verse form -- and one that is often humorous. From Wikipedia's, we have this initial requirement:  "There must be two stanzas, each comprising three lines of dactylic dimeter ( ¯ ˘ ˘ ¯ ˘ ˘ ) followed by a line consisting of just a choriamb ( ¯ ˘ ˘ ¯ ) . . ."   As the samples below illustrate, a double dactyl involves both nonsense and multi-syllabic words -- a non-trivial challenge; visit Wikipedia to learn more.
     The verses below are by Arthur Seiken, Emeritus Professor at Union College and I found them (with the help of editor Marjorie Senechal) in a 1995 issue of  The Mathematical Intelligencer (Vol 17, No 2, p 11). 

      If you want to see more of this poetic form, here are links to follow:  "Mathematical Double Dactyls" by Tristan Miller from the July 2015 issue of the Journal of Humanistic Mathematics and the Higgeldy Piggeldy verse collection of Robin Pemantle.  And, again, here is a Wikipedia link that supplies formal details of these verses. 

Poems with Numbers

      Hats off to the organizers and presenters at the 2012 Split This Rock Poetry Festival held in DC this past weekend.  Great poets, great programs, fantastically good company all around!!!

      Saturday at the festival,  Denny Shaw and I led a panel-workshop, "Counting On," in which we encouraged poets to use numbers to illuminate their poems of witness and protest.  Our samples of vivid effects of numbers included:  "At Arlington" by Wiley Clements, "The Idea of Ancestry" by Etheridge Knight, "Numbers for the Week" by Joan Mazza, “On Ibrahim Balaban’s Painting ‘The Prison Gates’” by Nazim Hikmet, “The Stalin Epigram” by Osip Mandlestam, “Bosnia, Bosnia” by June Jordan, “The Terrorist:  He’s Watching” by Wislawa Szymborska, and “Four Five Six” by Rosemary Winslow.

     Poetry from our workshop participants will be posted here when it is gathered.  We focused on humanitarian and political concerns -- and used our workshop writing times to try for  poems that use numbers in their imagery.  Here are two samples from me (both syllable-squares).

     Our jails hold

     5 times more 

     blacks than whites.

A proof in limericks

     The word "transcendental" is an adjective that refers to an abstract or supernatural noun.  In mathematics, the term's meaning is specified more precisely -- a transcendental number is one that cannot be a root of any algebraic equation with rational numbers as coefficients. The number π (ratio of the length of the circumference of a circle to its diameter) and the number e (base for the system of natural logarithms) are the best known examples of transcendental numbers.
     Retired Arkansas law professor (and former math teacher) Robert Laurence has fun with this pair of transcendentals using limerick stanzas.  Get out your pencil and graph paper -- and enjoy puzzling through his rhymes.

A Transcendental Proof in Six Stanzas     

by Robert Laurence   © 2018

       They are transcendent you see:

       e^π and π^e.

       The prize you’ll win when,

       With pencil or pen,

       You prove which is smaller to me. 

Limericks about Graphs -- Prize-Winners

     A couple of weeks ago I posted information about prize-winning poetry in the Writing portion of the 2021 MoMath Steven Strogatz Contest for high school students.  After finding that I began to look for the results of earlier contests.  Apparently 2020 was the first year of these contests and in that year, also, poems were winners -- limericks (with related drawings) by Sarah Thau.  “Limericks and poetry are not a typical way to convey information about math,” admits Thau, “but I think it makes it more palatable than learning functions by rote.  Who doesn’t love a limerick?”

      From her winning collection, entitled "Little Function Limericks," here is a sample of Thau's work:

The entire collection of Thau's limericks is found here.

 

 

What are the chances?

Ohioan Miles David Moore is an active participant in Washington, DC literary activities, including a reading series at Arlington's Iota Cafe.  The voice of his literary creation, Fatslug, adds jest and pathos to many readings.  In the poem below, Fatslug is victim of choice and chance:

Happy Valentine's Day

      A perfect way for math-poetry fans to celebrate Valentine's Day is to visit the anthology, Strange Attractors: Poems of Love and Mathematics (AK Peters/CRC Pres, 2008), edited by Sarah Glaz and me.  Here is a sample from that collection, a limerick;

     There Was a Young Maiden    by Bob Kurosaka*

       There was a young maiden named Lizt
       Whose mouth had a funny half-twist.
            She'd turned both her lips
            Into Mobius strips . . .
        'Til she's kissed you, you haven't been kissed!

     *Of Japanese heritage, Kurosaka was born in Lake George, NW -- he became a college teacher and author of science fiction and limericks.

     Here is a link to previous Valentine-related postings:  
this link leads to blog-search results for "Strange Attractors."

Limericks and a Cardioid -- for Valentine's Day

     Oh, math-lover most divine,

     for you this mathy Valentine --

          found when I looked
          in a calculus book --  
     a cardioid is the heart-sign. 

2013 (and prior) -- titles, dates of posts

Scroll down to find dates and titles (with links) of posts in 2013.  At the bottom are links to posts through 2012 and 2011 -- and all the way back to March 2010 when this blog was begun.   This link leads to a PDF file that lists searchable topics and names of poets and mathematicians presented herein.

Dec 30  Error Message Haiku
Dec 26  The angel of numbers . . .
Dec 23  Ah, you are a mathematician
Dec 20  Measuring Winter 

Choosing the GEOMETRIC SHAPE of a poem

      Structural constraints often govern the patterns we find in poetry -- well-known in poetic history are rhythm-and-rhyme patterns including the sonnet and the villanelle and the limerick, and the syllable-counting pattern of some Haiku.  Because many poems were shared orally, rather than in writing, patterns of counting and sound helped to ease the challenges of remembering.

     For me a wonderful source for learning about new poetic forms is the blog of poet Marian Christie -- a writer and scholar, born in Zimbawe and now living in England , who has studied and taught both mathematics and poetry.  In her very fine blog, Poetry and Mathematics, found here, Christie explores many of the influences that mathematics can have on poetry -- including, here in a recent posting, some effects transmitted by the SHAPE of a poem.

Browse Math-Poetry Links . . .

     Today I invite you to browse -- to spend a moment reading titles, clicking on a title that intrigues you.   ENJOY!

• TITLES OF POSTS (with links)
•      January, 2020
  •     We become what we think . . .
  •     With bits of mathematics, a poem for a New Year
•      December, 2019 
  •     Poetry made visual with math terms
  •     Math-poetry in support of immigrants
  •     Counted syllables --> holiday wishes . . .
  •     Where are you from?
  •     Writing to Learn -- try Haiku        

Out of 100 -- in the Klondike Gold Rush

Adding to my recent post on 19 August I note that OEDILF is seeking submissions.   
Join the project:  submit limerick definitions of  (math)  terms for OEDILF consideration.

One of my favorite poets is the 1996 Nobelist Wislawa Szymborska (1923 - 2012, Poland); one of my favorites of her poems is "A Contribution to Statistics."  Szymborska's poem served as a model for a poem of mine shown below, about Gold Rush Days in Skagway, Alaska.  Written while I was poet-in-residence at Klondike Gold Rush National Historical Park, (in Skagway), this poem draws on historical data from the park's library to paint a bleak picture of wealth and survival in those gold-mad days.  

Counting in the Klondike     by JoAnne Growney
   
                        after Wisława Szymborska

Of 100 who left Seattle for Skagway in 1898
40 made it to the gold fields
8 found gold.    

To add two and two

     Today I call attention again (as in my post for 6 January, 2015) to the extensive  Science-Poetry collection edited by Norman Hugh Redington and Karen Rae Keck. Mathy (rather than bawdy) limericks are featured in the collection; for example, this one by an unknown author:

       There was an old man who said, "Do
       Tell me how I'm to add two and two?
            I'm not very sure
            That it doesn't make four --
       But I fear that is almost too few."