Bernadette Turner teaches mathematics at Lincoln University in Missouri. And, via a long-ago email (lost for a while, and then found) she has offered this love poem enlivened by the terminology of geometry.
Parallel Lines Joined Forever by Bernadette Turner
We started out as just two parallel lines
in the plane of life.
I noticed your good points from afar,
but always kept same distance.
I assumed that you had not noticed me at all.
Monday, June 13, 2016
Thursday, June 9, 2016
Symbols shape our thoughts
In mathematics -- as in spoken languages -- we have learned to use symbols to shape our thoughts. Pioneering artist Marcel Duchamp (1887-1968) carefully expresses this important idea in terms of chess.
“The chess pieces are the block alphabet
which shapes thoughts; and these thoughts, although
making a visual design on the chess-board,
express their beauty abstractly, like a poem...
I have come to the personal conclusion
that while all artists are not chess players,
all chess players are artists.”
During these days of celebration of the life of Muhammad Ali (1942-2016) I have refreshed my memory of his notable quotes (many of which are found here). Here is one with some numbers:
“The chess pieces are the block alphabet
which shapes thoughts; and these thoughts, although
making a visual design on the chess-board,
express their beauty abstractly, like a poem...
I have come to the personal conclusion
that while all artists are not chess players,
all chess players are artists.”
―Marcel Duchamp
This and other stimulating statements from Duchamp are available here.
During these days of celebration of the life of Muhammad Ali (1942-2016) I have refreshed my memory of his notable quotes (many of which are found here). Here is one with some numbers:
A man who views the world
the same at 50
as he did at 20
has wasted 30 years of his life.
Labels:
alphabet,
artist,
chess,
Marcel Duchamp,
Muhammad Ali
Monday, June 6, 2016
A poem, a contradiction . . .
One strategy for proving a mathematical theorem is a "proof by contradiction." In such a proof one begins by supposing the opposite of what is to be proved -- and then reasons logically to obtain a statement that contradicts a known truth. This contradiction verifies that our opposite-assumption was wrong and that our original statement-to-be-proved is indeed correct. (An easily-read introduction to "proof-by-contradiction" is given here.)
Peggy Shumaker is an Alaskan poet whom I had the pleasure of meeting at a reading at Bloomsburg University where I was a math professor a few years ago. Her poem, "What to Count On," below, has a beautiful surprise after a sequence of negations -- and reminds me of the structure of a proof-by-contradiction.
What to Count On by Peggy Shumaker
Not one star, not even the half moon
on the night you were born
Not the flash of salmon
nor ridges on blue snow
Not the flicker of raven’s
never-still eye
Peggy Shumaker is an Alaskan poet whom I had the pleasure of meeting at a reading at Bloomsburg University where I was a math professor a few years ago. Her poem, "What to Count On," below, has a beautiful surprise after a sequence of negations -- and reminds me of the structure of a proof-by-contradiction.
What to Count On by Peggy Shumaker
Not one star, not even the half moon
on the night you were born
Not the flash of salmon
nor ridges on blue snow
Not the flicker of raven’s
never-still eye
Labels:
Alaska,
arc,
contradiction,
count,
Peggy Shumaker,
proof
Tuesday, May 31, 2016
Aesop's fables in verse ... the price of greed ...
The farmhouse* in which I grew up had a room we called "The Library" because of its small bookshelf with my father's books -- including selections from Kipling and Twain and Aesop's Fables. I liked to read. And a lot of the morals are now stored in my head. Recently I have found and enjoyed poetry versions of some of these in Jean de La Fontaine's Selected Fables (Dover, 2000) -- see also Project Gutenberg. Here is one about the mathematics of greed ... .
The Hen with the Golden Eggs by Jean de La Fontaine (1621-1695)
An olden maxim, which expresses
How Avarice, in search of gain,
May lose the hoard that it possesses.
The Hen with the Golden Eggs by Jean de La Fontaine (1621-1695)
translated by Walter Thornbury
My little story will explainAn olden maxim, which expresses
How Avarice, in search of gain,
May lose the hoard that it possesses.
Labels:
Aesop,
fable,
greed,
Jean de La Fontaine,
Walter Thornbury
Thursday, May 26, 2016
Mathy poems OUT LOUD
Here is a link to "Applied Mathematics" written and recited by London poet Dan Simpson. This link leads to several math-arts samples (including two poems -- the first is by Gizem Karaali and you may scroll down to hear my poem, "A Taste of Mathematics") recorded by Samuel Hansen. (The complete text of "A Taste of Mathematics" is available here.) This link connects to information about a 2014 YouTube video featuring a varied list of mathy poets.
Labels:
Dan Simpson,
Gizem Karali,
JoAnne Growney,
Samuel Hansen,
YouTube
Tuesday, May 24, 2016
The Man Who Knew Infinity
A few days ago I followed a broken link on the Poetry Foundation website and the site offered me this cryptic quatrain by American poet J. V. Cunningham (1911-1985) -- it is the final stanza of a poem I have posted here.
Error is boundless.
Nor hope nor doubt,
Though both be groundless,
Will average out.
– J.V. Cunningham, from “Meditation on Statistical Method”
Often on my mind these recent days has been the film I saw last week -- "The Man Who Knew Infinity" -- and I invite you to follow these links to poetry concerning its central characters, mathematicians Srinivasa Ramanujan (1887-1920) and G. H. Hardy (1877-1947).
Error is boundless.
Nor hope nor doubt,
Though both be groundless,
Will average out.
– J.V. Cunningham, from “Meditation on Statistical Method”
Often on my mind these recent days has been the film I saw last week -- "The Man Who Knew Infinity" -- and I invite you to follow these links to poetry concerning its central characters, mathematicians Srinivasa Ramanujan (1887-1920) and G. H. Hardy (1877-1947).
Labels:
G H Hardy,
J.V. Cunningham,
Srinivasa Ramanujan
Friday, May 20, 2016
In Wyalusing, counting pelicans
The number in the title of Robin Chapman's poem first attracted me to it and the mention of Wyalusing in the first line drew me further in -- for Wyalusing is the name of a small town in northeastern Pennsylvania (a region in which I lived and taught -- at Bloomsburg University -- for many years). But, of course, Google was able to tell me of another Wyalusing, a park in Wisconsin, home state of the poet, and a place advertised as having plentiful bird-watching. Enjoy:
One Hundred White Pelicans by Robin Chapman
Over Wyalusing, riding thermals, they shine
and disappear, vanish like thought,
re-emerge stacked, stretched,
a drifting fireworks' burst.
One Hundred White Pelicans by Robin Chapman
Over Wyalusing, riding thermals, they shine
and disappear, vanish like thought,
re-emerge stacked, stretched,
a drifting fireworks' burst.
Wednesday, May 18, 2016
A math problem or a word problem?
One of my recent poetry-finds has been the anthology Regreen: New Canadian Ecological Poetry, edited by Madhur Anand and Adam Dickinson (Scrivener Press, 2009) and in it some small mentions of mathematics. The following poem by artist and poet Erin Robinsong considers things big and small -- and observes some paradoxes. Is math the puzzle or the explanation or . . .?
SEED : CEDE by Erin Robinsong
Looking into the peach-pit, we find a vast spaciousness, as if actually looking into a pit –
A math problem:
A peach pit is weighed against
the year’s yield plus the tree:
30 g, 900 kg.
Which weighs more?
SEED : CEDE by Erin Robinsong
Looking into the peach-pit, we find a vast spaciousness, as if actually looking into a pit –
A math problem:
A peach pit is weighed against
the year’s yield plus the tree:
30 g, 900 kg.
Which weighs more?
Labels:
Adam Dickinson,
ecology,
Erin Robinsong,
Madhur Anand,
paradox,
Regreen
Monday, May 16, 2016
Squaring the Circle -- from the POETRY App
One of my smart-phone delights is the App (available from PoetryFoundation.org) that gives me a selection of poems on the go. (My posting for 15 October 2015 gives a description of how the App works.) A few days ago, spinning its dials -- matching the categories "Humor," "& Arts and Sciences"-- I found the exceptional poem "Squaring the Circle" in which poet Philip Fried has some fun with the impossible problem. ("Squaring the Circle" first appeared in the July /August 2014 issue of Poetry and Fried has given me permission to include it here.)
Squaring the Circle by Philip Fried
It’s a little-known fact that God’s headgear —
A magician’s collapsible silk top hat,
When viewed from Earth, from the bottom up —
Is, sub specie aeternitatis,
It’s a little-known fact that God’s headgear —
A magician’s collapsible silk top hat,
When viewed from Earth, from the bottom up —
Is, sub specie aeternitatis,
Labels:
circle,
impossible,
Philip Fried,
POETRY App,
square
Tuesday, May 10, 2016
A 6 x 6 syllable-square -- and links to more . . .
Last Sunday's paper had
an essay by a clown
who said as long as I
play dumb people let me
do what I want. And I
cannot stop wondering.
6, a perfect number
Find lots of mathy poems here at TalkingWriting.com; this week featuring Sarah Glaz.
At this link find poems, etc. by Spelman College math students working with Colm Mulcahy.
Labels:
6,
clown,
Colm Mulcahy,
perfect,
Sarah Glaz,
square
Friday, May 6, 2016
Poems that count: Eight Buffalo
In mid-April at the Split This Rock Poetry Festival, one of the sessions I attended and valued had the title " "Eco-Feminist Poetry, Intersectionality, & the End of the Earth." In the midst of my concern about ecology and women is my addiction to mathematics -- and a poem by Cecilia Llompart started me counting. See if you, too, count the word "buffalo" eight times during this poem; and shudder when you read the final word.
Eight Buffalo by Cecilia Llompart
An obstinacy of buffalo
is not to say that the buffalo
are stubborn. No, not like
a grass stain. More that
the very bulk of one—
Eight Buffalo by Cecilia Llompart
An obstinacy of buffalo
is not to say that the buffalo
are stubborn. No, not like
a grass stain. More that
the very bulk of one—
Labels:
buffalo,
Cecilia Llompart,
count,
ecology,
eight,
feminist,
Split This Rock
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