Emily Dickinson -- and circumference

     Great poets may be investigated from many points of view.  For Emily Dickinson (1830-1886), some have noticed that her work employs particular terms from mathematics.  Including a much-quoted line -- "My business is circumference" --  in a letter to Colonel Thomas Wentworth Higginson, Dickinson is said to have used the word "circumference" in six letters and seventeen poems.  For example, the word appears in both of the poems offered below:

     633     by Emily Dickinson

     When Bells stop ringing—Church—begins
     The Positive—of Bells—
     When Cogs—stop—that's Circumference—
     The Ultimate—of Wheels.    

Emily Dickinson

     Although I do not consider any of Emily Dickinson's poems "mathematical," I find that she does not shy from using the terminology of mathematics. For example, her repetition of the word "circumference" noted in an earlier posting.  (To search this blog for mentions of Dickinson (1830 - 1886) or any other poet or topic, follow the instructions offered in green in the column to the right.)
     Dickinson is on my mind these recent days following my opportunity last Saturday evening to attend a session of a conference held by the Emily Dickinson International Society.  A gracious invitation by Martha Nell Smith enabled me to attend a program that featured two long-time friends, actor Laurie McCants of the Bloomsburg Theatre Ensemble, performing a scene from her one-woman show, Industrious Angels, and Stephanie Strickland, a New York poet who, along with collaborator Nick Montfort, offered background and performance for Sea and Spar Between, a poetry generator that works with language patterns for these two writers.

Truth in a circle . . .

     In these days when the truth-value of so much of what I hear broadcast is difficult to assess I have been drawn back to a poem by Emily Dickinson (1830-1886), given below.  I used to agree with Dickinson; now I am less sure about how one may know the truth to tell it.

Tell all the truth but tell it slant — (1263)     by Emily Dickinson

       Tell all the truth but tell it slant —
       Success in Circuit lies
       Too bright for our infirm Delight
       The Truth's superb surprise
       As Lightning to the Children eased
       With explanation kind
       The Truth must dazzle gradually
       Or every man be blind —

This poem and many others by Dickinson may be found online at  PoetryFoundation.org where they note that Dickinson's work is reprinted by permission of the publishers and the Trustees of Amherst College from THE POEMS OF EMILY DICKINSON: READING EDITION, edited by Ralph W. Franklin, ed., Cambridge, Mass.: The Belknap Press of Harvard University Press, Copyright © 1998, 1999 by the President and Fellows of Harvard College. Copyright © 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College.  Source: The Poems of Emily Dickinson: Reading Edition (The Belknap Press of Harvard University Press, 1998).

A whole and its parts

     Aristotle may have been the first to assert that a whole is more than the sum of its parts.  Mathematics textbooks are likely to say otherwise, postulating that a whole is equal to the sum of its parts. 

     Emily Dickinson also comments on the matter.

                (1341)         by Emily Dickinson
 
     Unto the Whole -- how add?
     Has "All" a further realm --
     Or Utmost an Ulterior?
     Oh, Subsidy of Balm! 

The Cube of the Rainbow

     Later this week a scheduled screening (in nearby Takoma Park, MD) of a film about Emily Dickinson (1830-1886) has prompted me to return to some rereading of Dickinson's verse -- which is occasionally mathematical.   For example:

       We shall find the Cube of the Rainbow     by Emily Dickinson

       We shall find the Cube of the Rainbow.
       Of that there is no doubt.
       But the Arc of a Lover's conjecture
       Eludes the finding out.

The stanza above is found in many places; my source is Strange Attractors:  Poems of Love and Mathematics, ed. by S Glaz and JA Growney (AK Peters/CRC Press, 2008).  This link leads to previous postings of Dickinson's work in this blog.

Counting insects, counting on them . . .

     Recently I had the opportunity to vacation in southern Portugal with my older daughter and her family and there -- with clear, bright-blue skies and cooled-down night-time temperatures -- not only did we vacationers thrive but so do many insects.  Their busy behavior reminded me of their presence on the childhood farm in Pennsylvania on which I grew up and their important role as partners in the agricultural process -- pollinating and irrigating and . . . 
    And so -- jet lagged yet continuing in my appreciation of the population-mathematics of insects -- I offer below a poem of bees by Emily Dickinson (1830-1886), also found here.  Another bee-poem by Dickinson posted back in August 2013 is available at this link.

The most important population   (1746)   by Emily Dickinson

       The most important population
       Unnoticed dwell,
       They have a heaven each instant
       Not any hell.

       Their names, unless you know them,
       'Twere useless tell.
       Of bumble-bees and other nations
       The grass is full.

An interesting Smithsonian article, "Bees May Understand Zero . . ." may be found here and the Washington POST has featured bees at this  recent link and this earlier one.

Three poems with the word "axiom"

Poems that contain  "number" are numerous; those with "axiom" are less easily found.  Here are 3 of them -- by 19th century American poet, Emily Dickinson (1830-1886), by Canadian poet and fiction writer, Margaret Atwood (b 1939), and by a poet from Virginia, Lesley Wheeler, whose work I recently have come to know.  I particularly enjoy Lesley's poems about parenthood--because they ring true and also because when I was a parent of young children I was not finding time to write.

Poetry generators

Blogger edde addad had an undergraduate major in creative writing -- and later earned a PhD in computer science.  He has written about and created poetry-generating programs. addad is one of the contributors to the blog Gnoetry Daily -- which offers ongoing discussion and examples of collaborative human-computer poetry generation.  Here is  "Mystery" -- a poem generated by eGnoetry (assisted by addad!):

2012 posts -- titles and links

Scroll down to find titles and dates of posts in 2012 -- and, at the bottom, links to posts all the way back through 2011 to March 2010 when this blog was begun.   This link leads to a PDF file that lists searchable topics and names of poets and mathematicians presented herein.

Dec 30  A chance encounter
Dec 28  Explorers
Dec 25  Support STREET SENSE
Dec 24  Star, shine bright!
Dec 21  Skating (with math) on Christmas 

2013 (and prior) -- titles, dates of posts

Scroll down to find dates and titles (with links) of posts in 2013.  At the bottom are links to posts through 2012 and 2011 -- and all the way back to March 2010 when this blog was begun.   This link leads to a PDF file that lists searchable topics and names of poets and mathematicians presented herein.

Dec 30  Error Message Haiku
Dec 26  The angel of numbers . . .
Dec 23  Ah, you are a mathematician
Dec 20  Measuring Winter 

Girls and Mathematics

In Indiana, Pennsylvania, my senior high school advanced math teacher was Laura Church--a Barnard College graduate and a flamboyant silver-haired woman who never let any of us suppose that girls could not do mathematics. In college my science scholarship kept me from fleeing mathematics to study literature when I was the only girl in my classes.

Electronic poetry -- Stephanie Strickland

     Computers offer new opportunities for poetry -- permitting new types of poems.  Animated perhaps, or hypertext, or vast manuscripts of which we can see at most a fragment -- the possibilities are many.  Stephanie Strickland is one of the pioneers of electronic literature -- and this post was sparked by my experiences at her presentations at Georgetown University on February 1.  

Permutations and Centos

A Cento is a collage poem made of lines taken from other poems -- such as a sonnet composed of lines from fourteen of Millay's sonnets, or Shakespeare's -- or from newspaper articles or television advertisements or whatever. Here's a three-line sample from a Cento, "Patchwork," composed by Joanna Migdal to celebrate women poets.

   I dwell in Possibility.                                              (Emily Dickinson, #657)
   Yes, for that most of all.                                        (Denise Levertov, “The Secret”)
   It’s four in the afternoon. Time still for a poem.   
                                                                        (Phyllis McGinley, “Public Journal”) 

Seeing Distance -- geometry in photography

One of my favorite poem-stanza styles is a syllable-square -- it distributes the weights of the words in a way that pleases me. The poem below has squares of several sizes and I post it as a prior-to-seeing-the-exhibit opposite to my response to photography currently displayed at the Smithsonian American Art Museum -- "Pilgrimage," by Annie Leibovitz. While many photographs, my own in particular, seem particularly flat, such was not the case with these. As if I were wearing special lenses, I was able to see and feel depth – not only in a view of Niagara Falls but also in the fabric and buttons of a dress that had belonged to Emily Dickinson.