Math and Poetry and Climate

Canadian poet Madhur Anand is also an Environmental Scientist; her love of nature and concerns for preserving a habitable climate pervade her work -- and she also scatters throughout it some mathematics.  You can imagine my delight when I found in her new collection (A New Index for Predicting Catastrophes) a poem (included below) that features the identity matrix.  Read on!

No Two Things Can Be More Equal    by Madhur Anand

In undergrad I learned about the identity 
matrix. Ones on the main diagonal and zeros 
elsewhere. Anything multiplied by it is itself. 

It starts with counting . . .

Mathematical imagery is one of the many features I enjoy in the work of Canadian environmental scientist and poet Madhur Anand.  Here is a sample from her new collection (A New Index for Predicting Catastrophes).
 

Background:  In an experiment designed to test the truth of a given statement 

(often called the null hypothesis), a Type I error occurs if the experiment results in a true hypothesis 
being rejected (a "false positive") and a Type II error occurs if a false hypothesis is accepted. 

Type One Error     by Madhur Anand

I avoid news, talk to strangers, walk around the block
a thousand times and toss nickels for random samples.
I still get a few false positives.  I'm fine.  It's good. 

A Scientist's Math-Poetic Memoir

     Madhur Anand is a poet and a professor of ecology and environmental science at the University of Guelph in Ontario – her work has been noted here in earlier postings in this blog  -- and today I want to introduce readers to her memoir, This Red Line Goes Straight to Your Heart (Penguin Random House, 2020).  

     On the opening page we find these poetic lines:

     Biexponential Function     by Madhur Anand    

     The
     sharpest
     memory
     I have of a
     book from my
     childhood is one
     entitled I Know What
     I Like.  I remember the    

BRIDGES Math-Poetry in Halifax -- July 27-31, 2023

     BRIDGES, an annual conference that celebrates connections between mathematics and the arts, will be held this year in Halifax Nova Scotia, July 27-31.  (Conference information available at this link.)  A poetry reading is one of the special event at BRIDGES and Sarah Glaz, retired math professor and poet, is one of the chief organizers of the event.  Here at her University of Connecticut website, Glaz has posted information about the July 30 reading along with bios and sample poems from each of the poets.   For poets not part of this early registration, an Open Mic will be available (if interested, contact Glaz -- contact information is available here at her website.)

Here is a CENTO I have composed using a line of poetry from each of the sample poems (found online at this link) by the 2023 BRIDGES poets:

POETRY -- in the Journal of Humanistic Mathematics

     Pomona College mathematician Gizem Karaali, one of the editors of the online Journal of Humanistic Mathematics, is also a poet.  And the journal conscientiously features links between mathematics and the literary arts.  
     The current issue (online since late July) features my review of Madhur Anand's vibrant new collection, A New Index for Predicting Catastrophes (Penguin Random House, 2015) and these poems:  

       "The Greatest Integer Function" by Alanna Rae, 

              "Quantitative Literacy" by Thomas L. Moore,  

                      "Menger Sponge"  by E. Laura Golberg, 

                             "Calculus Problems" by Joshua N. Cooper, and

                                    "An Exercise on Limits" by Manya Raman-Sundström.

More from BRIDGES poets . . .

     The 2016 BRIDGES Math-Arts Conference is currently taking place at the University of Jyväskylä in Jyväskylä, Finland.  Poets on this year's program include: Manfred Stern, Vera Schwarcz, Eveline Pye, Tom Petsinis, Mike Naylor, Alice Major, Emily Grosholz, Carol Dorf, Tatiana Bonch-Osmolovskaya, Madhur Anand and the organizer, Sarah Glaz.
      Although he is not a participant in this year's BRIDGES, the name of Portuguese mathematician, poet, and translator Francisco José Craveiro de Carvalho appears near the top of the conference's poetry page for his translation of these lines that have become a sort of motto for BRIDGES poetry:

             Newton's binomial is as beautiful as Venus de Milo.
             What happens is that few people notice it.

                        --Fernando Pessoa (as Álvaro de Campos)
                          translated from the Portuguese by Francisco Craveiro  

Division by Zero

     At Victoria University in Melbourne, novelist, playwright and poet Tom Petsinis also teaches mathematics.  He participated in the 2016 Bridges Math-Arts Conference in Finland this summer:  here are two of his poems from the 2016 Bridges Poetry Anthology -- and each of them plays with mathematical ideas in new and thoughtful (sometimes amusing) ways.   "Zeno's Paradox" follows this initial poem.  (Names and links for other anthology poets are given below.)

     Division by Zero     by Tom Petsinis

     She could’ve been our grandmother
     Warning us of poisonous mushrooms ‒
     To stress her point she'd scratch
     The taboo bold with crimson chalk.
     It should never be used to divide,
     Or we'd be howled from lined yard
     To pit where cruel paradoxes ruled.
     Her warnings tempted us even more:
     Young, growing full in confidence,
     We’d prove the impossible for fun ‒
     Nothing she said could restrain us
     From showing two is equal to one.   

A math problem or a word problem?

     One of my recent poetry-finds has been the anthology Regreen:  New Canadian Ecological Poetry, edited by Madhur Anand and Adam Dickinson (Scrivener Press, 2009) and in it some small mentions of mathematics.  The following poem by artist and poet Erin Robinsong considers things big and small -- and observes some paradoxes. Is math the puzzle or the explanation or . . .?

SEED : CEDE   by Erin Robinsong  

Looking into the peach-pit, we find a vast spaciousness, as if actually looking into a pit –

A math problem:
A peach pit is weighed against
the year’s yield plus the tree: 
30 g, 900 kg.
Which weighs more?