Digital poetry -- Stephanie Strickland et al

Stephanie Strickland writes with mastery of numbers, as we see in her poem below.  But numbers are only the beginning of her work.  A director of the Electronic Poetry Association and author of "Born Digital," Strickland is one of the leaders in the development of new types of poems that are constructed using animation and rearrangements and other visual and aural communications made possible by computers and the internet.

Electronic poetry -- Stephanie Strickland

     Computers offer new opportunities for poetry -- permitting new types of poems.  Animated perhaps, or hypertext, or vast manuscripts of which we can see at most a fragment -- the possibilities are many.  Stephanie Strickland is one of the pioneers of electronic literature -- and this post was sparked by my experiences at her presentations at Georgetown University on February 1.  

Counting for Freedom -- the Amistad trials

     Josiah Willard Gibbs (Jr, 1839 – 1903) was an American scientist who made important theoretical contributions to physics, chemistry, and mathematics.  His father, Josiah Willard Gibbs, Sr (1790 - 1861) was an American linguist and theologian, who served as professor of sacred literature at Yale University.  Although the son is well-known in scientific circles, it is the father who interests us here -- he is the subject of a poem by New York poet Stephanie Strickland.
     The senior Gibbs was an active abolitionist and he played an important role in the Amistad trials of 1839–40. By visiting the African passengers in jail, he was able to learn to count to ten in their language, and he then searched until he located a sailor, James Covey, who recognized the words --the language was Mende -- and was able to serve as an interpreter for the Africans during their subsequent trial for mutiny. 

Hypertext poetry

     We computer-screen readers all know hypertext; when we read along in Wikipedia or some other online document and come across an underlined term whose font color is light blue -- at such a point we may decide to keep on reading as if we had not noticed the light blue "hyperlink," or we may locate our cursor on that text, click our mouse, and link to a new screen of visual information.
     My first encounter with hypertext poetry was the work of Stephanie Strickland -- in her 1999 love poem, "The Ballad of Sand and Harry Soot," available at this link.  If you, however, are someone who is not yet comfortably familiar with hypertext poetry, I invite you to gain some experience with hyperlinked reading via a prose essay -- reading it first as a traditional essay and then exploring ways that hypertext can vary the experience of reading.

Speaking, understanding . . . where is truth?

     A review in the Washington Post of a new book about Oscar Wilde opens with this quote:

"Man is least himself when he talks in his own person."

and Wilde's words have gotten me thinking again about subtleties of language.
     Also in recent news, the death of Nobelist V. S. Naipaul (1932-2018) -- and here is one of  this writer's thought-provoking statements:

            Non-fiction can distort;
            facts can be realigned.
            But fiction never lies.            V.S. Naipaul, A Bend in the River

My own thoughts about language most often focus on the condensed languages of mathematics and poetry -- and the need for frequent re-readings before understanding arrives.  Here, below, I include a poem by Stephanie Strickland that speaks eloquently of the struggles in which our minds engage concerning objects and the symbols that represent them -- struggles that are involved in creating and reading both mathematics and poetry . . .

     Striving All My Life     by Stephanie Strickland

     Maxwell said: There is no more powerful way
     to introduce knowledge to the mind than … as many different
     ways as we can, wrenching the mind   

Which order is best -- or should I try them all?

This posting celebrates a new poetry collection -- 

Ringing the Changes by Stephanie Strickland 
(Counterpath, 2020).

This new collection starts with an idea from bell-ringing.  Some city towers have marvelous-sounding bells -- and sometimes these bells ring wonderful concerts for nearby inhabitants.  One of the traditional bell-ringing activities is called "ringing the changes" in which a collection of n bells are rung, in sequence, in all of the possible n-factorial bell-orders.  (Here, at Strickland's website, are some links to information about the art of bell-ringing.)

BUT, what if the goal were not to ring bells in sequence 

but to generate (for a reader) sequences of words (thoughtful poetic phrases)?

This sort of art is what Strickland brings to us in Ringing the Changes.

Number gives things a body . . .

Poet Stephanie Strickland majored in mathematics as an undergraduate and she uses mathematical imagery freely in her work  -- in a career that has included pioneering leadership in creating and understanding electronic literature.  The following paper-and-ink poem, "Numberbody," is part of a collection that celebrates and illuminates the French philosopher Simone Weil.

     Numberbody     by Stephanie Strickland

     The world stained to the bone raven blue
     with mathematics as an embryo 

Mathematicians are not free to say . . .

The poetry of a mathematician is constrained by the definitions she knows from mathematics.  Even though all but one of the prime integers is odd, she cannot use the words "prime" and "odd" as if they are interchangeable.  She cannot use the words "rectangle" and "box" as synonyms.  But the ways that non-math poets dare to engage with math words can be delightful to mathematical ears and eyes.  For example:

       The Wasp on the Golden Section     by Katy Didden

Emily Dickinson

     Although I do not consider any of Emily Dickinson's poems "mathematical," I find that she does not shy from using the terminology of mathematics. For example, her repetition of the word "circumference" noted in an earlier posting.  (To search this blog for mentions of Dickinson (1830 - 1886) or any other poet or topic, follow the instructions offered in green in the column to the right.)
     Dickinson is on my mind these recent days following my opportunity last Saturday evening to attend a session of a conference held by the Emily Dickinson International Society.  A gracious invitation by Martha Nell Smith enabled me to attend a program that featured two long-time friends, actor Laurie McCants of the Bloomsburg Theatre Ensemble, performing a scene from her one-woman show, Industrious Angels, and Stephanie Strickland, a New York poet who, along with collaborator Nick Montfort, offered background and performance for Sea and Spar Between, a poetry generator that works with language patterns for these two writers.

Poetry generators

Blogger edde addad had an undergraduate major in creative writing -- and later earned a PhD in computer science.  He has written about and created poetry-generating programs. addad is one of the contributors to the blog Gnoetry Daily -- which offers ongoing discussion and examples of collaborative human-computer poetry generation.  Here is  "Mystery" -- a poem generated by eGnoetry (assisted by addad!):

A Vector Space Poem

     As a Columbia undergraduate, media artist Millie Niss (1973-2009) majored in mathematics and was enrolled in a math PhD program at Brown University when she decided to make writing her full-time career.  Before her untimely death in 2009 Niss was well-established in Electronic Literature.   Here is a link to "Morningside Vector Space," one of the poems at Niss's website Sporkworld (at Sporkworld, click on the the E-poetry link).
     Niss's electronic poem retells a story (inspired by the Oulipian Raymond Queneau's Exercises de Style) in many different styles and following many different constraints. The computer is central to the retelling as the text varies almost smoothly along two dimensions, controlled by the position of the mouse pointer in a colored square (to the right in the screen-shot below).  Behind this poetry is the mathematical concept of a two-dimensional vector space, in which each point (or text) has a coordinate with respect to  each basis vector (version of the text, or dimension along which the text can change).

Talking-Writing offers Math Poems

     In recent weeks, the online journal Talking-Writing has been featuring math poems and last Monday they posted my "Skagway Study" -- which follows a style explored in one of my favorite poems by Wislawa Szymborska.
      Carol Dorf, poetry editor of Talking-Writing, is a math teacher as well as a poet and her work as well as those of others with math interest are explored in "Wild Equations," the Spring 2016 Issue of Talking-Writing.   Here are some links:

By Giavanna Munafo    "Twenty-Four Hours"

By JoAnne Growney    "Skagway Study" 

By Alice Major     "Euclid's Iron Hand" and "Bird Singularities"

By Amy Uyematsu   "Three Quick Studies of Math-Art"

By Carol Dorf   "Action Potential" and "e"

By Eveline Pye   "Celestial Navigation," "Three," and "The Law of Statistics"

By Larry Lesser    "Margins" 

By Katie Manning   "28, 065 Nights" and "Week by Week" (Fibonacci poem)

By Stephanie Strickland   "Doomed calculations which God acknowledged

                                                Islands (Invaginated by Saltwater
                                           Bays with a Stream and Another Both Flowing
                                              All Through Them along Enfolded Paths)" 

Earlier this week in an American Mathematical Society blog posting entitled "Math and Verbal Gymnastics," Duquesne University mathematician Anna Haensch also celebrated the join of mathematics and poetry.

New issue -- Journal of Humanistic Mathematics

     The online, open-access Journal of Humanistic Mathematics (JHM) publishes new issues twice each year -- and the first issue for 2022 is now available and is rich with math-poetry offerings.  One of the fun items is a folder of Fibs, featuring contributions (with email contact information) from:

Tatiana Bonch-Osmolovskaya, Gerd Asta Bones, Robin Chapman,
Marian Christie, Marion Deutsche Cohen, Stephen Day,
Carol Dorf, Susan Gerofsky, Sarah Glaz,
David Greenslade, Emily Grosholz, JoAnne Growney,
Kate Jones, Gizem Karaali, Lisa Lajeunesse,
Cindy Lawrence, Larry Lesser, Alice Major,
Kaz Maslanka, Dan May, Bjoern Muetzel,
Mike Naylor, Doug Norton, Eveline Pye,
Jacob Richardson, S. Brackett Robertson,
Stephanie Strickland, Susana Sulic,
Connie Tettenborn, Racheli Yovel.

And the current JHM issue contains five more poems -- thoughtful and thought-provoking: "What's So Great About Non-Orientable Manifolds?" by Michael McCormick, "Wrong Way" by Joseph Chaney, "The Solipsist’s First Paper" by Sabrina Sixta, "Heuristic or Stochastic?" by E Laura Golberg, and "So Long My Friend" by Bryan McNair.

In closing, I offer here a sample from the folder of Fibs, this one written by Gizem Karaali, one of the editors of JHM.

               Where does math come from?
                         If
                         You
                         Want to
                         Do some math,
                         Dive into the depths
                         Of your mind, climb heights of your soul.

Thank you, Gizem Karaali, for your work in humanizing mathematics!

Forecasting snow and poetry

Snowbound

is that other world
in which no schedules sit
and no ambitions flare
to interrupt the bluest sky
and whitest field
and coldest air

Six Million

       Sometimes numbers become labels for particular events.  When I was growing up, all of us knew 1492 as a label for the discovery of America.  And 1941 recognized Pearl Harbor.  The following selection from a poem by Israeli poet Yehuda Amichai (1924-2000) reminds us of the awful importance of 6 million. 
       While mentioning this poem of witness and remembering, I want also to remind you of the very special Split This Rock Poetry Festival: Poems of Provocation & Witness, to held in Washington, DC, March 27-30, 2014. (Early-bird registration ends on Valentine's Day, February 14th at midnight.)  Hope to see you there. 

Visit BRIDGES -- for (art and) poetry

This growing-then-melting syllable-snowball poem is offered in recognition of mathematician-and-poet Sarah Glaz and as a reminder of the poetry reading Glaz is organizing --  to be held at the 2012 BRIDGES Math-Art conference at Towson University, July 25-29.

Bridges 2024 -- in Richmond, VA

      As she had done in numerous preceding years, mathematician-poet Sarah Glaz is once again an organizer for a poetry reading at the BRIDGES Math-Arts Conference -- this year to be held in Richmond, Virginia, August 1-5.

Bridges Poetry Reading Website

  Poetry Reading Sunday, August 4, 3:00 - 5:00 pm     

Science Museum of Virginia , Room: RF& P Forum

2500 West Broad Street    Richmond, Virginia

Math-Poetry for a virtual BRIDGES Conference

     Due to the COVID-19 pandemic this year's 2020 Bridges Math-Arts Conference will not be held.  One of the regular events at this international conference has been a poetry reading organized by mathematician and poet Sarah Glaz.  This year, Glaz has prodded math-poets to develop on-line videos of their poems and offers a wonderful program of poetry here at this link.  (Brief poet-bios and links to more info about each are also found at the preceding link.)

Participating poets, with links to their poetry videos are: 

Sarah Glaz,  Tatiana Bonch-Osmolovskaya,   Robin Chapman,  Marian Christie,  Carol Dorf,  Susan Gerofsky,  Emily Grosholz,  Gizem Karaali,  Lisa Lajeunesse,  Marco Lucchesi,   Alice Major,   Mike Naylor,   Eveline Pye,  Stephanie Strickland,  Ursula Whitcher,

Marion Cohen,   Maria Mannone reads Federico Favali's poem,   JoAnne Growney    Hedy Hempe,   Philip Holmes,    Lawrence (Larry) Lesser,  Kaz Maslanka,  Daniel May,   Iggy McGovern,   Tom Petsinis,   Susan Sulic.

Thank you, Sarah Glaz, for organizing and presenting all of this poetry!

We look forward to the forthcoming BRIDGES 2020 Poetry Anthology

Poetry-with-math, Jan 17, Baltimore

Please join us!

 A Reading of Poetry with Mathematics

  Friday,  January 17, 2014   4:30 - 6:30 PM
 Room 308  Baltimore Convention Center 

At the national Joint Mathematics Meetings in Baltimore, the Journal of Humanistic Mathematics is sponsoring a poetry reading.  Following participation by these poets,who have submitted work in advance, there will be an open reading in which interested audience members will be invited to share their math-related poems.  Participating poets include: Gizem Karaali, Katharine Merow, Karen Morgan Ivy, Mary-Sherman Willis, Alex Walsh, Ted Theodosopoulos, Stephanie Strickland, Myra Sklarew, JoAnne Growney, E. Laura Golberg, Sandra DeLozier Coleman, Rosanna Iembo, and Irene Iaccarino (musician).

Sunrise gives

each  of  us

a shadow.

Graffiti Calculus

     In my dreams I am an artist -- a cartoonist, perhaps, or a graffiti artist -- so skilled with lines and curves and so clever that my art gives pleasure AND delivers a punch.
     And so I am gratefully into the math-art connections provoked by a new book by Mary-Sherman Willis -- aptly titled Graffiti Calculus (CW Books, 2013).  I first met Willis in December, at Cafe Muse (where I will read next Monday, Feb 3 with Stephanie Strickland) and it was my pleasure also to hear her read again from that collection at the Joint Mathematics Meetings.  These poems by Willis give us, in sixty poetic chapters, the story of a mother seeking her son by following his graffiti tags through the city.  Here is a sample, sections 5 and 6: