Songwriter Larry Lesser is a co-organizer (with Gizem Karaali) of a poetry-with-mathematics reading at the Joint Mathematics Meetings in San Antonio next January. And sometimes Lesser writes poetry. He has told me that his poem below was in response to an abecedarian poem in a 2006 paper of mine, "Mathematics of Poetry" published in the online journal JOMA -- and available here.
Statistic Acrostic by Lawrence Mark Lesser and Dennis K. Pearl
A
Better
Confidence:
Data.
Expectations
Fit
Good.
Thursday, October 23, 2014
Monday, October 20, 2014
Martin Gardner collected poems
Last week the Mathematical Association of America (MAA) had a special program honoring Martin Gardner (1914-2010); tomorrow (October 21) is the 100th anniversary of his birth. The shelving in the MAA meeting room displayed copies of many of Gardner's approximately one hundred books. However, none of the books displayed were books of poetry and, indeed, Gardner referred to himself as "an occasional versifier" but not a poet. Nonetheless he helped to popularize OULIPO techniques in his monthly (1956-81) Scientific American column, "Mathematical Games," and he also was a collector and editor of anthologies, parodies, and annotated versions of familiar poetic works. Here is a link to his Favorite Poetic Parodies. And one may find Famous Poems from Bygone Days and The Annotated Casey at the Bat and half a dozen other titles by searching at amazon.com using "martin gardner poetry."
Labels:
city,
game,
John William Burgon,
Jonathan Vos Post,
MAA,
Martin Gardner,
mathematical,
Oulipo,
parody,
poetry,
Scientific American,
time
Wednesday, October 15, 2014
Poetry Reading 1-11-15 at JMM in San Antonio
at the 2015 Joint Mathematics Meetings (JMM)
Although last-minute decisions to participate are possible -- you may simply show up and sign up to read -- we invite and encourage poets to submit poetry (≤ 3 poems, ≤ 5 minutes) and a bio in advance, and, as a result, be listed on our printed program. Inquiries and submissions (by December 1, 2014) may be made to Gizem Karaali (gizem.karaali@pomona.edu).
Friday, October 10, 2014
Taken out of context . . .
Sometimes good lines fit so well into their poems that their individual merits go unrecognized. And then, taken out of context, they can lead lives of their own. Here is a start for a collection of such lines.
From Poets.org here are two lines from "Ceriserie" by Joshua Clover:
Mathematics: Everyone rolling dice and flinging Fibonacci, going to the opera, counting everything.
Fire: The number between four and five.
From Poets.org here are two lines from "Ceriserie" by Joshua Clover:
Mathematics: Everyone rolling dice and flinging Fibonacci, going to the opera, counting everything.
Fire: The number between four and five.
Labels:
counting,
Fibonacci,
five,
four,
Heather Green,
Joshua Clover,
Lana Turner,
poem,
right angle,
zero
Wednesday, October 8, 2014
Love Physics
It turns out that one of the disadvantages of a long-term blog with lots of worthy material is that sometimes I lose track of fine work that I want to post. And sometimes I find it again. This morning I came across this poem by California conservationist Richard Retecki.
Love Physics by Richard Retecki
equal forces
oppositely directed
canceled to zero
then we tricked you
exchanging pressure for light
Love Physics by Richard Retecki
equal forces
oppositely directed
canceled to zero
then we tricked you
exchanging pressure for light
Saturday, October 4, 2014
Can poetry change the climate for frogs?
Poems affect our spirits as well as our minds. And Split This Rock is looking for poems that protest and witness, world-changing poems. Go here for information about their Eighth Annual Poetry Contest (with submission deadline November 1, 2014).
Here in this blog, as I present connections between poetry and mathematics, I provide some poems of protest and advocacy. I advocate attention to problems of climate change -- to keep our world habitable; I advocate full recognition of women in the sciences -- for a not dissimilar reason. We must not waste our resources.
Here in this blog, as I present connections between poetry and mathematics, I provide some poems of protest and advocacy. I advocate attention to problems of climate change -- to keep our world habitable; I advocate full recognition of women in the sciences -- for a not dissimilar reason. We must not waste our resources.
Sunday, September 28, 2014
Journal of Math in the Arts features Poetry
A special issue of the Journal of Mathematics and the Arts entitled "Poetry and Mathematics" is now available online at this link. An introduction by guest editor Sarah Glaz is available (for free download) here. In this opening piece, one of the items that Glaz includes is her own translation of a math-puzzle poem from Bhaskara's (1114-1185) Lilavati that is charming. I offer it here:
Ten times the square root of a flock
of geese, seeing the clouds collect,
flew towards lake Manasa, one-eighth
took off for the Sthalapadmini forest.
But unconcerned, three couples frolicked
in the water amongst a multitude of
lotus flowers. Please tell, sweet girl,
how many geese were in the flock.
Ten times the square root of a flock
of geese, seeing the clouds collect,
flew towards lake Manasa, one-eighth
took off for the Sthalapadmini forest.
But unconcerned, three couples frolicked
in the water amongst a multitude of
lotus flowers. Please tell, sweet girl,
how many geese were in the flock.
Tuesday, September 23, 2014
Clearing the Air with a Poem
Every poem has a climate -- a collection of emotional tones that overlay and underlay its words. Today -- as the U.N. meets in NY to discuss the future climate of our planet -- I have been looking for mathy poems with a climate of advocacy, verses that let the world know that we must, soon and vigorously, take action to keep our earth habitable.
One of the things I found is a poem (involving a couple of numbers and mathy words) by Simon Armitage that is printed on material that cleanses the air around it by absorbing pollutants. A small photo from the website of Sheffield University is shown below -- and I urge you to follow the Sheffield link for the story of the poem and this link to see the full poem more clearly and the story behind it. Here is Armitage's opening stanza.
One of the things I found is a poem (involving a couple of numbers and mathy words) by Simon Armitage that is printed on material that cleanses the air around it by absorbing pollutants. A small photo from the website of Sheffield University is shown below -- and I urge you to follow the Sheffield link for the story of the poem and this link to see the full poem more clearly and the story behind it. Here is Armitage's opening stanza.
Saturday, September 20, 2014
Marching for Climate
Today I want to call attention to the growing global concern about climate change accentuated by the United Nations Climate Summit that opens September 23. Tomorrow (September 21) I will travel on a 6 AM bus from Silver Spring to NYC to be part of the People's Climate March. It is said that more than 500 buses of protesters are heading to New York. 29 marching bands will provide the soundtrack. 26 city blocks are being cordoned off for the march's line-up. At the same time, more than 2,000 People's Climate events are taking place in over 160 countries around the world—from Hong Kong to Buenos Aires and from New York to San Francisco.
To have a small carbon footprint I will march tomorrow with only a small sign -- one that wears a 3x3-square reminder that dates back to a 1968 essay, "Tragedy of the Commons," by ecologist Garrett Hardin (1915-2003).
There is no
place to throw
that's away.
WHY is it taking us so long to act to preserve a habitable planet? Do we not care about the world we are leaving for our grandchildren?
To have a small carbon footprint I will march tomorrow with only a small sign -- one that wears a 3x3-square reminder that dates back to a 1968 essay, "Tragedy of the Commons," by ecologist Garrett Hardin (1915-2003).
There is no
place to throw
that's away.
WHY is it taking us so long to act to preserve a habitable planet? Do we not care about the world we are leaving for our grandchildren?
Monday, September 15, 2014
Remembering Lee Lorch
Lee Lorch was a mathematician known for his social activism on behalf of black Americans as well as for his mathematics. He died in February of this year in Toronto, at age 98. A life-long communist and a life-long crusader. Last Thursday I attended a memorial service (organized by Joe Auslander, a poetry-lover who one day had introduced me to the work of Frank Dux) for Lorch -- sponsored by the Mathematical Association for America and held at the MAA Carriage House in Washington, DC. Friends and colleagues of Lorch spoke of his positive energy and the ways that he had enriched the lives of students and colleagues, of friends and strangers. One of the speakers, Linda Braddy, a staff member of the Mathematical Association of America (MAA), did not talk about Lorch but about strategies for opening mathematical doors (as he had done) to new students.
Labels:
Against Infinity,
arc,
circles,
Joseph Auslander,
Lee Lorch,
Lillian Morrison,
Linda Braddy,
locus,
MAA,
point
Thursday, September 11, 2014
Hailstone numbers shape a poem
One of my favorite mathy poets is Halifax mathematician Robert Dawson -- his work is complex and inventive, and fun to puzzle over. Dawson's webpage at St Mary's University lists his mathematical activity; his poetry and fiction are available in several issues of the Journal of Humanistic Mathematics and in several postings for this blog (15 April 2012, 30 November 2013, 2 March 2014) and in various other locations findable by Google.
Can a poem be written by following a formula? Despite the tendency of most of us to say NO to this question we also may admit to the fact that a formula applied to words can lead to arrangements and thoughts not possible for us who write from our own learning and experiences. How else to be REALLY NEW but to try a new method? Set a chimpanzee at a typewriter or apply a mathematical formula.
Below we offer Dawson's "Hailstone" and follow it with his explanation of how mathematics shaped the poem from its origin as a "found passage" from the beginning of Dickens' Great Expectations.
Can a poem be written by following a formula? Despite the tendency of most of us to say NO to this question we also may admit to the fact that a formula applied to words can lead to arrangements and thoughts not possible for us who write from our own learning and experiences. How else to be REALLY NEW but to try a new method? Set a chimpanzee at a typewriter or apply a mathematical formula.
Below we offer Dawson's "Hailstone" and follow it with his explanation of how mathematics shaped the poem from its origin as a "found passage" from the beginning of Dickens' Great Expectations.
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