Math-Poetry -- when distinct worlds collide . . .

     Carol Dorf has been a long-time leader in math poetry projects.  A now-retired secondary school math teacher from California, Carol is the poetry editor of  the online journal Talking Writing -- an online journal that has included a variety of mathy poems.   Recently, at the Joint Mathematics Meetings, Carol gave a presentation entitled "Poetry of Mathematical Definitions" -- the abstract for this talk begins with this provocative sentence:

Mathematical poetry begins when worlds we consider distinct collide.

Carol's poetry-editorship for Talking Writing has led to many math-related poems being published therein.  Here is a link to those poems and a bit of other math-related content;  the following list includes names of writers whose work has been included there:  Robin Chapman,    Marion Deutsche Cohen,    Allison Hedge Coke,    Mary Cresswell,    Catherine Daly,    Carol Dorf,    Iris Jamahl Dunkle,    Sarah Glaz,    JoAnne Growney,    Athena Kildegaard,    Larry Lesser,      Elizabeth Langosy , Marco Maisto,    Alice Major,    Katie Manning,    Daniel May,    David Morimoto,    Giavanna Munafo,    Karen Ohlson,    Eveline Pye,    Stephanie Strickland,    Amy Uyematsu,    Sue Brannan Walker,    and Jean Wolff.  Some of the poets have been featured more than once and to find all work by a particular author, SEARCH is recommended.

And here, from Talking Writing,  is one of Carol Dorf's fascinating poems:

       Lost Information     by Carol Dorf

       Visualize groups: there’s the babysitting co-op,
       with slips of scrip the children color during
       quarterly potlucks; and more than enough churches
       each with study evenings, and fundraising committees;    

New issue -- Journal of Humanistic Mathematics

     The online, open-access Journal of Humanistic Mathematics (JHM) publishes new issues twice each year -- and the first issue for 2022 is now available and is rich with math-poetry offerings.  One of the fun items is a folder of Fibs, featuring contributions (with email contact information) from:

Tatiana Bonch-Osmolovskaya, Gerd Asta Bones, Robin Chapman,
Marian Christie, Marion Deutsche Cohen, Stephen Day,
Carol Dorf, Susan Gerofsky, Sarah Glaz,
David Greenslade, Emily Grosholz, JoAnne Growney,
Kate Jones, Gizem Karaali, Lisa Lajeunesse,
Cindy Lawrence, Larry Lesser, Alice Major,
Kaz Maslanka, Dan May, Bjoern Muetzel,
Mike Naylor, Doug Norton, Eveline Pye,
Jacob Richardson, S. Brackett Robertson,
Stephanie Strickland, Susana Sulic,
Connie Tettenborn, Racheli Yovel.

And the current JHM issue contains five more poems -- thoughtful and thought-provoking: "What's So Great About Non-Orientable Manifolds?" by Michael McCormick, "Wrong Way" by Joseph Chaney, "The Solipsist’s First Paper" by Sabrina Sixta, "Heuristic or Stochastic?" by E Laura Golberg, and "So Long My Friend" by Bryan McNair.

In closing, I offer here a sample from the folder of Fibs, this one written by Gizem Karaali, one of the editors of JHM.

               Where does math come from?
                         If
                         You
                         Want to
                         Do some math,
                         Dive into the depths
                         Of your mind, climb heights of your soul.

Thank you, Gizem Karaali, for your work in humanizing mathematics!

Mathematics gives our world its shape . . . fractals

     Poet Robin Chapman and Julien Clinton Sprott both were professors at the University of Wisconsin-Madison when their art-poetry collection  Images of a Complex World -- The Art and Poetry of Chaos first appeared (World Scientific Publishing, 2005) -- and now both are emeritus professors: Chapman in the Department of Communication Studies and Disorders and Sprott in the Department of Physics.  Here is one of the poems from that collection: 

          Bifurcations     by Robin Chapman

           This is the path that pitchforks
           in the yellow wood -- the one
           where you wanted to travel both,
           science and poetry,
           physics and art,
           and so bounced unpredictably back and forth,
           taking each as far as you could.

Notes:  The pitchforking path in the opening lines draws my thoughts to Robert Frost's poem, "The Road Not Taken." A bifurcation is, in general, a division of a structure into two parts. But when it happens over and over, things might change from patterned to chaotic . . .  Here is a link to earlier postings in this blog on fractals and chaos; here is a link to previous postings of poems by Robin Chapman.  This link leads to discussion of "bifurcation" at WolframMathWorld.  On page 82 of the art-poetry collection by Chapman and Sprott is this comment about the term:  There are dozens of different types of bifurcations, and they represent an active area of current research.  Below (and appearing on page 83 of the collection) is the following illustration:

 

In the preface to Images of a Complex World -- The Art and Poetry of Chaos, Sprott describes his process of choosing mathematical patterns and colors that would appeal to the human eye and Chapman offers insight into the inspirations for her poems.

Images of a Complex World

     One of the treasures on my bookshelf is Images of a Complex World: The Art and Poetry of Chaos by University of Wisconsin poet Robin Chapman and physicist Julien Clinton Sprott (World Scientific, 2005).  The following image by Sprott accompanies a poem entitled "The Traveling Salesman's Problem is NP-Difficult." Beneath the art, I offer the poem's opening lines -- and the complete poem and other art-poetry samples from the collection are available at this link.   

an image of chaos by Julien Clinton Sprott

 

from:  The Traveling Salesman's Problem is NP-Difficult   by Robin Chapman 

 

     We were all for optimization of student opportunities

Mathy Poets plan for 2021 BRIDGES Conference

      The Annual BRIDGES Math-Art Conference will be virtual again this year (August 2-6, 2021) and mathematician-poet Sarah Glaz has developed an online array of poets and poetry to be part of this program.  Bios and sample poems are already available here.

      Participating poets include:  Marian Christie, Carol Dorf, Susan Gerofsky. David Greenslade, Emily Grosholz, JoAnne Growney, Lisa Lajeunesse, Marco Lucchesi, Mike Naylor, Osmo Pekonen, Tom Petsinis, Eveline Pye, Any Uyematsu, Ursula Whitcher -- and, also, these open-mike participants: Susana Sulic, S. Brackert Robertson, Stephen Wren, Marion Deutsche Cohen, Connie Tetteborn, Jacob Richardson, Robin Chapman. Stephanie Strickland.  (Bios and sample poems here.)

     Here is a sample from the BRIDGES poetry program:

Descartes   by Eeva-Liisa Manner
                        translated from the Finnish by Osmo Pekonen

I thought, but I wasn't.
I said animals were machines.
I had lost everything but my reason.  

Math-Poetry for a virtual BRIDGES Conference

     Due to the COVID-19 pandemic this year's 2020 Bridges Math-Arts Conference will not be held.  One of the regular events at this international conference has been a poetry reading organized by mathematician and poet Sarah Glaz.  This year, Glaz has prodded math-poets to develop on-line videos of their poems and offers a wonderful program of poetry here at this link.  (Brief poet-bios and links to more info about each are also found at the preceding link.)

Participating poets, with links to their poetry videos are: 

Sarah Glaz,  Tatiana Bonch-Osmolovskaya,   Robin Chapman,  Marian Christie,  Carol Dorf,  Susan Gerofsky,  Emily Grosholz,  Gizem Karaali,  Lisa Lajeunesse,  Marco Lucchesi,   Alice Major,   Mike Naylor,   Eveline Pye,  Stephanie Strickland,  Ursula Whitcher,

Marion Cohen,   Maria Mannone reads Federico Favali's poem,   JoAnne Growney    Hedy Hempe,   Philip Holmes,    Lawrence (Larry) Lesser,  Kaz Maslanka,  Daniel May,   Iggy McGovern,   Tom Petsinis,   Susan Sulic.

Thank you, Sarah Glaz, for organizing and presenting all of this poetry!

We look forward to the forthcoming BRIDGES 2020 Poetry Anthology

Math-poetry in The Mathematical Intelligencer

     In a recent e-mail, this message:  "The Mathematical Intelligencer. Vol. 42 No. 2 is now available online."  Most Intelligencer articles require a subscription or a fee-payment but one that is freely available to all of us is the poem, "Pandemic Math:  X and Y Axes" by Wisconsin painter and poet Robin Chapman.  Here are its opening lines:

          I'm thinking of those graphs we anxiously scan each day
          carry news of infection's spread, asking if we
          will find death stalking our neighborhoods . . .

Chapman's complete poem is available here.  

A CENTO from BRIDGES 2017 Poets

     A cento is a literary work made from quotations from other works -- most often it is a poem, assembled from lines by other poets.    Below I have created a cento from lines written by the poets who have been invited to participate in the July 30 Poetry Reading at the 2017 Bridges Math-Arts Conference in Waterloo, Ontario.  A wonderful program is planned -- it's not too late to register and join us.

       All is number,      mysterious proportions             
       Like Egyptians      burying gold with the dead       
       Golden Fear                    
       that divides and leaves     no remainder   

They Say She Was Good -- for a Woman

      Regulars to this blog know of my appreciation and support for the Journal of Humanistic Mathematics -- an online journal that publishes poetry and fiction as well as articles that link the arts with mathematics.  Bravo to editors Gizem Karaali and Mark Huber -- a new issue (Vol. 7, Issue 2) has come online today.
     I am honored to announce that my article, "They Say She Was Good -- for a Woman," -- a collection of poems and musings about women in mathematics (and featuring a poem about Emmy Noether) -- is part of the current issue.  

     Other key items in this issue of JHM that I have already found time to enjoy include a visual poem of  geometry and numbers by Sara Katz, a collection of poems about "infinity" by Pam Lewis, a review of poetry anthologies by Robin Chapman, a call (deadline, 11/1/17) for "mathematical" Haiku; a call (deadline 1/1/2018) for papers on mathematics and motherhood.  Go to the Table of Contents and enjoy it ALL.

2017 is prime!

     For her December 31 posting in Roots of Unity (Scientific American blog) mathematician Evelyn Lamb wrote about favorite primes -- and starring in her list is our new year-number, 2017.
     My own relationship with primes also is admiring-- here is an excerpt from my poem, "Fool's Gold," (found in full here) that suggests a prime as a suitable birthday gift:

          Select and give a number.  I like large primes—
          they check my tendency to subdivide
          myself among the dreams that tease
          like iron pyrites in declining light.

     "Fool's Gold" appears in my chapbook, My Dance is Mathematics (Paper Kite Press, 2006); the collection is now out-of-print but is available online here. 
     Several poems about primes have been included in earlier postings in this blog.  For example, here is a link to a 2013 posting of "The Sieve of Erastosthenes" by Robin Chapman.  And, for further exploration, here is a link to the results of searching the six years of postings using the term "prime." 

In Wyalusing, counting pelicans

     The number in the title of Robin Chapman's poem first attracted me to it and the mention of Wyalusing in the first line drew me further in -- for Wyalusing is the name of a small town in northeastern Pennsylvania (a region in which I lived and taught -- at Bloomsburg University -- for many years).  But, of course, Google was able to tell me of another Wyalusing, a park in Wisconsin, home state of the poet, and a place advertised as having plentiful bird-watching.  Enjoy:

       One Hundred White Pelicans     by Robin Chapman

       Over Wyalusing, riding thermals, they shine
       and disappear, vanish like thought,
       re-emerge stacked, stretched, 
       a drifting fireworks' burst.   

Sieve of Eratosthenes

The Sieve of Eratosthenes     by Robin Chapman

He was an ancient Greek
looking for primes,
those whole numbers divisible
only by 1 and themselves,
those new arrivals on the block,
fresh additions to the stock
of indivisibles spilling through
future time (for what is time

Journal of Humanistic Mathematics -- V1, Issue 1

A new door has opened for those of us interested in the humanistic aspects of mathematics.  Under the able leadership of editors Mark Huber (Claremont McKenna College) and Gizem Karaali (Pomona College), the idea of the former Humanistic Mathematics Network Journal has been revived and Volume 1 Issue 1 of the Journal of Humanistic Mathematics is now available online.  The inaugural issue contains several poems, including the following one by Caleb Emmons, "Seeing Pine Trees,"  in which Emmons characterizes the views of a poet and a mathematician as two halves of one whole. 

Dividing by Zero

Fairy godmothers have their magic wands and mathematician have division by zero as a way to make the impossible happen -- for example, we can show that 2 equals 3:

Poetry inspired by Chaos

Poet Robin Chapman studies the language learning of children -- and has collaborated with physics professor Julien Sprott on a lovely and fascinating collection The Art and Poetry of Chaos:  Images from a Complex World (World Scientific, 2005).  In the following poem Chapman offers (as she does throughout the poetry of the collection) a human interpretation of technical terminology.