Word-Play with Mathematics -- On-Stage

      One of the rewards from time spent with mathematics or from time spent with poetry is the array of multiple meanings that we find . . . usually not all-at-once but accumulating.  A master of word-play with mathematical terms and ideas is Mathematics Professor Colin Adams of Williams College.  Each time I attend the annual Joint Mathematics Meetings I look on the schedule for Mathematically Bent Theater -- with a presentation by Adams and the Mobiusbandaid Players. Here is a link to an interview with Adams; and here on YouTube are videos of some of the mathy presentations; EXPLORE and ENJOY!

To add a bit of poetry to this post, I offer below a photo of a visual poem by scientist and writer Bern Porter, found in the anthology Against Infinity.

"Formula" -- by Bern Porter

Against Infinity is an anthology of mathy poems edited by Ernest Robson and Jet Wimp and published by Primary Press in 1979 -- now out of print but available at used-book websites.  Here is a link to other selections from Against Infinity in earlier postings in this blog.

A Visit to Mathland -- where Reason rules!

Published in 1979 by PRIMARY PRESS, out of print -- try your library!

Before purchasing this anthology (found at a math conference) I had never seen a collection of mathy poems -- but then, many years later, I helped to edit one (Strange Attractors:  Poems of Love and Mathematics).   Today I offer an old favorite from Against Infinity  -- the poem "A Visit to Mathland" by Naomi Replansky (born May 23, 1918):

A Visit to Mathland  by Naomi Replansky  (for M., Z., and L., citizens thereof)

 I was a timid tourist
 to the land of mathematics:
 how do you behave in a country
 where Reason rules?   

Poetry with Mathematics -- Anthologies

More than thirty years ago at a mathematics conference book exhibit I stumbled upon Against Infinity:  An Anthology of Contemporary Mathematical Poetry, edited by Ernest Robson and Jet Wimp.  This collection, now out of print, became a resource for my mathematics courses--an opportunity for students to see the links between mathematics and the surrounding world.   One of my early loves was "Arithmetic Lesson:  Infinity" by Linda Pastan.  Found also in Carnival Evening, the poem opens with these these lines:

April -- Mathematics & Statistics Awareness Month

      Found at the website of the American Statistical Association this fine page of resources for Mathematics and Statistics Awareness Month for students and teachers.  

This photos shows resource topics available at the link given above.

     One of my own recent activities has been to revisit an old book, Poetry and Mathematics by Scott Buchanan (J. B. Lippincott, 1962), originally published in 1929.   Buchanan (1895-1968) was a philosopher who had majored in mathematics as an undergraduate; his career involved both teaching and consulting -- and work at a political think tank.  Here are some of his words:

Films about math and math-people

    One of my recent finds has been an article that offers a list of 20 films about math, mathematicians, and math-geniuses.  Eagerly, I opened the article to read about the films and to see which of them also involved poetry.  ALAS, I did not find that these math-people connected with poetry.  Following that non-find, I turned to a favorite source of mathy poems to discover something to post.

    That favorite source is Against Infinity, edited by Ernest Robson and Jet Wimp (Primary Press, 1979 and now out of print); this collection has been on my shelf for many years and is the first math-poetry anthology that I ever encountered.  Here is a poem from that collection, written by a Missouri high school senior, Carol Clark.

Remembering Lee Lorch

      Lee Lorch was a mathematician known for his social activism on behalf of black Americans as well as for his mathematics. He died in February of this year in Toronto, at age 98.  A life-long communist and a life-long crusader.  Last Thursday I attended a memorial service  (organized by Joe Auslander, a poetry-lover who one day had introduced me to the work of Frank Dux) for Lorch -- sponsored by the Mathematical Association for America and held at the MAA Carriage House in Washington, DC.  Friends and colleagues of Lorch spoke of his positive energy and the ways that he had enriched the lives of students and colleagues, of friends and strangers.  One of the speakers, Linda Braddy, a staff member of the Mathematical Association of America (MAA), did not talk about Lorch but about strategies for opening mathematical doors (as he had done) to new students. 

Geometry of a Neighborhood

     As we walk around, our views of our surroundings change;  lines that look parallel from one view appear to be converging from another . . . and so on.  The following poem by Massachusetts poet Martha Collins reflects on such view-changes:

House, Tree, Sky     by Martha Collins

If, when the pond is still
and nothing is moved
and the light is right.
you consider the angles
and make the proper approach,
you come to a bend
where a small white house
against a deep sky meets
the same white house against
the blue water:
stair rests on stair,
door opens on door,
tree grows out of tree.

Number theory is like poetry

     Austrian-born Olga Taussky-Todd (1906-1995) was a noted and prolific mathematician who left her homeland for London in 1935 and moved on to California in 1945. Her best-known work was in the field of matrix theory (in England during World War II she started to use matrices to analyze vibrations of airplanes) and she also made important contributions to number theory. In the math-poetry anthology, Against Infinity, I found a poem by this outstanding mathematician.  

Miroslav Holub, poet and scientist

Miroslav Holub (1923-1998), Czech poet and immunologist who excelled in both endeavors, is one of my favorite poets.  He combines scientific exactitude with empathy and absurdity.  Here are samples:

The Corporal Who Killed Archimedes

With one bold stroke

he killed the circle, tangent

and point of intersection

in infinity.

Struggling -- and then, after a while, Knowing

      Most of my experiences with solving mathematical problems have been challenging at first -- but often, after I explore and collect my thoughts, a pattern emerges.  The notion of "difficult at first" is vividly expressed in the following poem (found in the anthology Against Infinity (edited by Ernest Robson and Jet Wimp, now available at various used-book sites).

Geometry Test     by Larry Rubin

Thirty minutes, we had, to prove the theorem.
For twenty I sat staring at circles,
My inner angles frozen
When nothing came out equal.
The bisectors I drew were tilted wrong
While fear of the circular face of time
Stiffened my blood like clock-hands
Tracing arcs I never knew existed.
Suddenly that curve stretched perpendicular --
Longer that my longest transverse line --
Reaching beyond the limits of the page;
And the tallest segments of the intersected cone
Slit the seal of infinity.

My mind was washed like windshields after rain
And circles glided smoothly into place,
The arcs connecting in their shrunken frames,
I left that room, all theorems proved.

Considering my Point of View

       Today, on Earth Day, I am listening to news of the COVID-19 pandemic and wondering how to interpret what I hear . ..  

"Do you see the center . . . " by William Elliott

Elliott's poem appears on my shelf in the math-poetry anthology,  Against Infinity, edited by Ernest Robson and Jet Wimp (Primary Press, 1979).

The music of twelve tones -- in poems

     Inspired by the musical composition strategy twelve-tone technique -- devised by Austrian composer Arnold Schoenberg (1974-1951), in which all 12 notes of the chromatic scale are sound as often as one another in a piece of music -- American poet Elizabeth Bartlett (1911-1994) has developed the twelve-tone poem.  In Bartlett's words:
       The poem consists of 12 lines, divided into couplets. 
       Each couplet contains 12 syllables, using the natural cadence of speech. 
       The accented sounds of the words are considered tones. 
       Only 12 tones are used throughout the poem, repeated various times. 
       As a result, the poem achieves a rare harmony that is purely lyrical, 
                    enriching its imagery and meaning

The following poem is on my shelf in Memory Is No Stranger (Ohio Univ. Press, 1981), a collection of Bartlett's twelve-tone poems; it also is found in the math-poetry anthology Against Infinity (Primary Press, 1979).

       The Infinite Present   by Elizabeth Bartlett

       Because I longed
       to comprehend the infinite  

Presenting Gauss in Verse

     German mathematician Karl Friedrich Gauss (1777-1855) is one of history's most prolific and influential mathematicians -- and he is interestingly described in the following acrostic poem. 

 K arl Friedrich Gauss       by Stuart J, Silverman

A puzzle, that his brash genius often shrank,
R eluctant to publish? Hardly. The fact is he
L ingered, perfecting this or that theory
F orged in the heat of his private think tank.
R eworked his proofs until some thought they stank.
I nside and out, of misplaced purity.
E ntered the ages, one of a company
D ecidedly small -- not its only crank.
R ancor and jealousy, admittedly touched him,
I mpelled the pettish note to Bolyai,
C ruelly sent, perhaps on a whim,
H ead and heart each going its separate way.
G ranted the meanness, vanity, display,
A ll such human failings, what he worked would change
U nder his hand to the gold of a new day.
S ettled into its fame, his thought would range
S ecurely through the numinous and strange.

This poem by Silverman is on my shelf in the collection Against Infinity:  An Anthology of Contemporary Mathematical Poetry, edited by Ernest Robson and Jet Wimp (Primary Press, 1979).  This collection is out of print but copies may be located here at bookfinder.com.  

What are the COSTS of GENIUS?

Solving equations . . .

Although poets as long ago as Henry Lok (1553?-1608?), Elizabeth Tollett (1694-1854), and William Blake  (1757-1827) used mathematical imagery in their poems, the first collection of poetry-with-mathematics that I came to was Against Infinity:  An Anthology of Contemporary Mathematical Poetry (Primary Press, 1979), collected and edited by Ernest Robson and Jet Wimp.  This volume introduced me to poems I could use with my math students and one of my long-term favorites is "Algebra" by Linda Pastan who has, in turn, become one of my favorite poets. 

Poet as mathematician

     Lillian Morrison (1917-2014) was a NYC poet and librarian whose work I first met in the poetry-with-math anthology, Against Infinity.  Here is one of her poems from that collection.

       Poet as Mathematician    by Lillian Morrison

       Having perceived the connexions, he seeks
       the proof, the clean revelation in its

       simplest form, never doubting that somewhere
       waiting in the chaos, is the unique

       elegance, the precise, airy structure,
       defined, swift-lined, and indestructible.

Morrison's insightful poem disappoints me in one important way:  her mathematician-poet is "he."  Another Morrison poem, "The Locus of a Point," may be found in my posting for 15 September 2014.

Poetry and the Fields Medal

     It has been exciting to learn that a woman -- Maryna Viazovska of Ukraine -- has won a Fields Medal (often called "the Nobel prize of mathematics"); Viazovska is one of four persons who have been recognized (announced on June 5) for her outstanding contributions to mathematics.  Fields medals were first awarded in 1936 and are awarded every four years to up to four mathematicians under the age of forty.  The only other female mathematician who has received this award was Maryam Mirzakhani in 2014.

One of my syllable-squares

     Also of much interest to me concerning this year's Fields Medal winners is that one of them, June Huh, was in high school interested in becoming a poet -- and dropped out of school to pursue that goal.  Later, however, in his university years, Huh began to see his future in mathematics.

What would I do without NUMBERS?

     Sometimes familiar things that are very important are taken for granted.  Many of us do that with numbers . . . California poet and artist Mary Fabilli (1914-2011) considered their importance in the following thoughtful poem:

     Numbers     by Mary Fabilli

     What would I do
     without numbers?
     A 7 there and a 3 here,
     days in a month
     months in a year
     AD and BC
     and all such symbols

     the track of time

Inequality of Compromise

This past week I attended a wonderfully stimulating BIRS (Banff International Research Station) Conference  -- a gathering of creative writers in mathematics and the sciences -- and, as I told colleagues at Banff of early days in my long-term interest in the poetry of mathematics, I recalled the fine collection Against Infinity:  An Anthology of Contemporary Mathematical Poetry (Primary Press, 1979), collected and edited by Ernest Robson and Jet Wimp.  Today I pulled it from my shelves and again turned its pages.  "Compromise" by Missouri mathematician Charles S. Allen caught my eye.  Here it is: 

Triangular Poems

      A recent return to one of my favorite poetry collections -- alas, now out of print -- Against Infinity: An Anthology of Contemporary Mathematical Poetry, Edited by Ernest Robson and Jet Wimp (Primary Press, 1979), reacquainted me with this poem by Catherine M. Lynch (1939-2021)  -- a poem with its title and its syllable counts bieng Triangular Numbers):

A
Tripod is
A perfect plane as well
As the base of a triple point pencil.

The
Tripleness
In truth, is a kind of
Glory and power just being itself

And
Not even
Sacredness symbolized.
There is something triangular in love.

 Follow this link to find more blog postings that involved triangular poems.

In the same family -- a poet and a mathematician

When a poet and a mathematician are members of the same family, understandings result.  Ohio poet Cathryn Essinger is a twin of a mathematician and writes about this relationship.  Here are opening stanzas of two of her poems.