One of the most interesting and productive mathematicians of all time was Paul Erdos (1913-1996). He was author of more than 1416 papers, and his name became associated with a labeling process for mathematicians, an idea called the Erdos Number. A mathematician who co-authored a paper with Erdos could claim Erdos Number 1. A mathematician who co-authored with a co-author of Erdos had Erdos Number 2. And so on.
Tatiana Bonch-Osmolovskaya (one of the poets at the 2019 Bridges MathArts Conference) has written a wonderful poem to celebrate Erdos; I offer below the central stanza of Bonch-Osmolovskaya's poem; the complete poem is available here.
from: Paul Erdos by Tatiana Bonch-Osmolovskaya
he inhaled and exhaled mathematics
Showing posts with label Paul Erdos. Show all posts
Showing posts with label Paul Erdos. Show all posts
Monday, August 12, 2019
Thursday, September 11, 2014
Hailstone numbers shape a poem
One of my favorite mathy poets is Halifax mathematician Robert Dawson -- his work is complex and inventive, and fun to puzzle over. Dawson's webpage at St Mary's University lists his mathematical activity; his poetry and fiction are available in several issues of the Journal of Humanistic Mathematics and in several postings for this blog (15 April 2012, 30 November 2013, 2 March 2014) and in various other locations findable by Google.
Can a poem be written by following a formula? Despite the tendency of most of us to say NO to this question we also may admit to the fact that a formula applied to words can lead to arrangements and thoughts not possible for us who write from our own learning and experiences. How else to be REALLY NEW but to try a new method? Set a chimpanzee at a typewriter or apply a mathematical formula.
Below we offer Dawson's "Hailstone" and follow it with his explanation of how mathematics shaped the poem from its origin as a "found passage" from the beginning of Dickens' Great Expectations.
Can a poem be written by following a formula? Despite the tendency of most of us to say NO to this question we also may admit to the fact that a formula applied to words can lead to arrangements and thoughts not possible for us who write from our own learning and experiences. How else to be REALLY NEW but to try a new method? Set a chimpanzee at a typewriter or apply a mathematical formula.
Below we offer Dawson's "Hailstone" and follow it with his explanation of how mathematics shaped the poem from its origin as a "found passage" from the beginning of Dickens' Great Expectations.
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