Calculating Pi -- a poet's view

     Initially I was drawn to a reading at The Writer's Center in Bethesda a couple of weeks ago because my neighbor, non-fiction writer and editor, Josh Tyree was reading from his London explorations, Vanishing Streets.  But the two writer's who read with Tyree also were known to me and are remarkable:
                    Annie Finch, a poet I have known through WomPo, an online community (founded by her) that supports women-poets.  Links to Annie's work in this blog -- which feature items that pay careful attention to syllable-counts -- are here, (for July 29, 1010) and here, (for June 27, 2015).
                    Gary Fincke, who was once almost a neighbor of mine -- I taught mathematics at Bloomsburg (PA) University and he taught and developed a creative writing program at nearby Susquehanna University -- and, before I moved south to the Washington, DC area, Gary and I knew each other through local literary events.  It was great fun to hear Gary read not only poetry -- I offer a sample of his mathy work below -- but also short fiction; I came away from the November 11 reading with a copy of his new book of short stories, The Killer's Dog (Elixir Press, 2017), which is a very intriguing collection.

Fincke's poetry does not shy from mathematics and "The Butterfly Effect" was posted in this blog back on November 22, 2010.  Here, from Fincke's collection, Blood Ties:  Working-Class Poems (Time Being Press, 2002) is "Calculating Pi."

Calculating Pi     by Gary Fincke

          "Pi has been calculated to 480 million decimal points."
                                                                                 --  Newsweek

Printed out, this means six hundred miles of digits,
A paper carpet from Pittsburgh to Chicago  

The power of eleven

One of my recent poetry acquisition treasures is Measure for Measure:  An Anthology of Poetic Meters, edited by Annie Finch and Alexandra Oliver (Everyman's Lbrary, 2015).  From a DC poet and friend, Paul Hopper, a few weeks ago I received comments about one of the sections of this collection  -- a section containing stanzas in hendecasyllabics, that is, in 11-syllable lines  Hopper has sent a sample quatrain of hendecasyllabics that points to "Into Melody" by Lewis Turco.  A bit of mathematical terminology is found in the opening lines of Peter Kline's "Hendecasyllabics for Robert Frost" -- and I offer these samples below.

Hopper's quatrain:

Someone should build a large dodecahedron,
with a poem in hendecasyllabics
on each pentagonal face except the base.
I'd start with this poem by Lewis Turco. 

A wedding song -- shaped by mathematics

This posting includes a stanza from of "A Wedding on Earth" by Annie Finch.  In the poet's words: the poem has 11 stanzas with 11 lines for a total of 121 lines, this number symbolizing the two single members of a pair joining into a 2, which is the prevailing theme of the poem; and each stanza combining [averaging] the stanza of Spenser's epithalamion (18 lines)  with Sappho's stanza (4 lines).