Choose the right LINE

     Recently, looking through my copies of POETRY Magazine, in the September 2008 issue I found this quote (used as an epigraph) from a poet whose work I greatly admire, British poet Philip Larkin (1922-1985):

The whole point of drawing is choosing the right line.

Finding the Larkin quote led me to look back in my blog for poems that feature the concept of line  -- with its multiple meanings -- and I offer this link to search-results that offer a variety of choices for poems with line for you to explore.

And here are links to a couple of my own recent attempts to choose the right line:

    The online journal TalkingWriting has recently interviewed me

 and a link to their ten-minute video is available here.    In it I read  

a portion of my poem, "My Dance is Mathematics,"  

that stars mathematician Emmy Noether.  

Also, this recent article in the Journal of Humanistic Mathematics, 

"They Say She Was Good -- for a Woman,"  features that same poem 

and some additional reflections on the struggles of women in mathematics.

Behind the cards -- mathematics

A couple of weeks ago at an MAA math lecture by Alissa Crans on the Catalan numbers, I sat near card-trick mathematician Colm Mulcahy.  And I asked him if he knew any poems about card tricks and their mathematics.
   Though he at first said "no," Mulcahy turned out to have a couple of connections up his sleeve.  From Matthew Wright he learned of "The Card Players" -- a colorful sonnet from Philip Larkin's 1974 collection High Windows and available here with selections of Adriaen Brouwer's art.  
     And Bruce Reznick reminded him of the lyrics for "The Gambler" by Kenny Rogers.  The complete lyrics may be found here; I include below a stanza that offers some instruction about counting.

Poets who Count

For some poets, counting is part of the language of the poem. For others, counting determines the structure. Here are two poems of the former sort -- "Counting" by British poet Philip Larkin (1922-1985) and "Adding It Up" by New England poet Philip Booth (1925-2007) -- followed by opening stanzas of a poem for which counting is part of both content and structure:  "Millennium" by mathematician Peter Cameron .