Truth and Beauty

     In both mathematics and poetry, truth and beauty are linked.  The true is likely to be beautiful, the beautiful is considered likely to be true.  
     Early in April I visited an interdisciplinary mathematics-and-literature class at Arcadia College to talk with them about some of the ways mathematics influences poetry.  The course I visited was was aptly titled "Truth and Beauty."  Thanks to Marion Cohen -- mathematician, poet, and course professor -- and to her students for the enjoyable time we had together.     
     Today, thinking back to that Arcadia class, I offer a translation of a poem by Romanian poet Marin Sorescu (1936-1996) which links the mathematics of counting to the literary god, Shakespeare.  Enjoy. 

Mathematics in Romanian poetry

     When I first visited Romania, I met Doru Radu, then a teacher of English at Scoala Generala "Andre Muresanu" in Deva. And Doru introduced me to his favorite poet, George Bacovia (1881 - 1957). Over time, we together translated many of Bacovia's poems -- and the bilingual collection plumb de iarnă / lead of winter was published in 2002 (Ed., Gabriel Stanescu, Criterion Publishing). Recently I scrutinized that collection (no longer available in print, but here, online) to look for mathematical lines to post in this blog. Alas, Bacovia offers no more than a couple images from geometry: "alone in deserted squares" (in Pălind / Fading) and "the wide, oval mirror, framed with silver" (in Poemă în oglindă / Poem in the Mirror).
     Although Bacovia did not use mathematical imagery, a considerable number of Romanian poets do, and below I offer links to my earlier blog postings of work by Ion Barbu, Nina Cassian, Martin Sorescu, and Nichita Stanescu. Enjoy!  

Conditional statements

The "If ... , then ... ." statements of mathematical theorems are often termed "conditionals." We have, for example, the conditional, "If x < 3, then x² < 9."  And so on.  Formal conditional statements in a poem can give it the feel of mathematics, even if no mathematical terminology is used.  This is  illustrated in "Omens" by the Romanian poet Marin Sorescu (1936-1996); Sorescu's poem also treats us to word-play  -- with allusions that range from nursery rhymes to religious narratives. 

"The Reckoning" by M. Sorescu (Romania,1936-96)

Works by poet and playwright  Marin Sorescu (1936-1996) continue to be popular with Romanian readers--and he is one of the most-frequently translated of Romanian poets.  In "The Reckoning" we see and hear his irony twisting among images chosen from mathematics.