To love, in perfect syllables

     While looking for Valentine verse with a math connection, I opened my copy of The Complete Illustrated Works of Lewis Carroll (Chancellor Press, 1982).  And found this one in which Carroll (a pen name for English mathematician Charles Lutwidge Dodson (1832-1898)) uses the word one twice and the word half twice and has counted sounds so that in each line the number of syllables is either a cube of an integer or is perfect.

        Lesson in Latin     by Lewis Carroll    (May 1888)   

Remembering Israel Lewis Schneider

     On Monday, October 17, 2011, Israel Lewis Schneider (1924-2011) --  Silver Spring poet and mechanical engineer -- passed away.  I did not learn of this death until yesterday -- when my colleague, Sarah Glaz, let me know that an e-mail to him had bounced back and I went online searching for him.

     It has been my pleasure to get to know "Lew" (who published poetry under the name, Israel Lewis) at local poetry readings where we connected over our common interest in poetry-with-mathematics.  Lew's poem, "I Find My Faith in the Flatness of Space," appeared in the anthology Strange Attractors:  Poems of Love and Mathematics (edited by Glaz and me) and his poem for two voices, "Cantor:  Not Eddie,"  appeared here in this blog on 24 July 2010.  Shortly after that July posting, Lew sent another poem for my review.  To celebrate the life of this kind, funny, and very talented man, I offer here that poem -- with its playful examination of mathematical and other identities -- "Who Steals My Trash . . . ":  

Valley Voices

With Richard Aston I share a love for science and logic, a love for poetry, and a love for the Susquehanna Valley.  His home is Wilkes-Barre and mine was (for 25 years) Bloomsburg -- both Northeastern Pennsylvania Susquehanna River towns.  We met long ago at a gathering of the Mulberry Poets (a group in which Richard remains active) in Scranton.  His recent collection of poetry Valley Voices (Foothills Publishing, 2012) has recently arrived in my mailbox and I'd like to share one of the voices in his collection -- a gathering of poems from a writer who has listened to the members of the communities in which he lives and has created memory portraits so that they will not be forgotten.  Here is one of his Susquehanna valley voices. 

Submit math-science poetry

During the month of November, the online journal Talking Writing is seeking submission of poetry with connections to mathematics and the science.  Submit 4-6 poems to editor@talkingwriting.com.
  

          O                                T     T                 

          ON                                 E               
          ONE                           N     N                

These visual poems "One" and "Ten," above, are mine.

Counting on things -- a prose poem

Russell Edson is one of the contemporary masters of the prose poem (a poem whose words are organized into paragraphs rather than stanzas). A selection from May Swenson's prose poem (and short novel) "Giraffe" is available in the October 19 blog posting. Here is Edson's poem "One Two Three, One Two Three" -- which considers the secrets hidden inside one's head.  Another mind, even that of one of our children, is a mystery incompletely known to any of us.

Teaching Numbers

Californian Gary Soto  writes for both children and adults and much of his work suits both groups.  Here from A Fire in My Hands (Houghton Mifflin, 2006) is "Teaching Numbers":

Can we trust numbers?

Poet Lucia Perillo was honored Monday evening, December 13 at the Library of Congress -- as her collection Inseminating the Elephant won the 2010 Bobbit National Prize for Poetry.  It was my good fortune to be there to hear her read.  She is direct and upretentious, tough and witty.  An evening of good poetry read well.  Perillo has an undergraduate degree in wildlife management and her deep understandings of the natural world are evident in her poems.  In  an earlier collection, we find "In Light of the Absent Constant," a Perillo poem of science and number: 

The Fib -- a form that gathers strength

The "Fib" is a poetry form in which the numbers of syllables per line follow the pattern of the Fibonacci numbers.  (See also April 19 and April 29 postings.)   The sequence of Fibonacci numbers starts with 0 and 1 and then each successive Fibonacci number is the sum of the two preceding.  Thus, the non-zero members of the sequence are:
          1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, . . .
Poet Athena Kildegaard's collection Red Momentum (Red Dragonfly Press, 2006 ) consists entirely of Fibonacci poems.  The following samples from Kildegaard's collection illustrate the way that increasing line lengths can build to dramatic effect. From a simple start, complexity grows.

"The Reckoning" by M. Sorescu (Romania,1936-96)

Works by poet and playwright  Marin Sorescu (1936-1996) continue to be popular with Romanian readers--and he is one of the most-frequently translated of Romanian poets.  In "The Reckoning" we see and hear his irony twisting among images chosen from mathematics.

Snowballs -- growing/shrinking lines

Today's post explores poetic structures called snowballs developed by the Oulipo (see also March 25 posting) and known to many through the writings of Scientific American columnist Martin Gardner (1914-2010).  TIME Magazine's issue for January 10, 1977 had an article entitled "Science:  Perverbs and Snowballs" that celebrated both Gardner and the inventive structures of the Oulipo. Oulipian Harry Mathews' "Liminal Poem" (to the right) is a snowball (growing and then melting) dedicated to Gardner.  The lines in Mathew's poem increase or decrease by one letter from line to line.   Below left, a poem by John Newman illustrates the growth-only snowball.

A wedding song -- shaped by mathematics

This posting includes a stanza from of "A Wedding on Earth" by Annie Finch.  In the poet's words: the poem has 11 stanzas with 11 lines for a total of 121 lines, this number symbolizing the two single members of a pair joining into a 2, which is the prevailing theme of the poem; and each stanza combining [averaging] the stanza of Spenser's epithalamion (18 lines)  with Sappho's stanza (4 lines).

Poets who Count

For some poets, counting is part of the language of the poem. For others, counting determines the structure. Here are two poems of the former sort -- "Counting" by British poet Philip Larkin (1922-1985) and "Adding It Up" by New England poet Philip Booth (1925-2007) -- followed by opening stanzas of a poem for which counting is part of both content and structure:  "Millennium" by mathematician Peter Cameron .

The infinitude of ecstacy -- a la Israel Lewis

Israel Lewis is the pen name of a polymath who earned his living as a scientist and is a writer in his retirement.  His webpage offers a variety of his creations--many of them permeated with mathematics.