Math and Poetry and Climate

Canadian poet Madhur Anand is also an Environmental Scientist; her love of nature and concerns for preserving a habitable climate pervade her work -- and she also scatters throughout it some mathematics.  You can imagine my delight when I found in her new collection (A New Index for Predicting Catastrophes) a poem (included below) that features the identity matrix.  Read on!

No Two Things Can Be More Equal    by Madhur Anand

In undergrad I learned about the identity 
matrix. Ones on the main diagonal and zeros 
elsewhere. Anything multiplied by it is itself. 

Homage to Euclid

In my preceding post (20 March 2014) Katharine Merow's poem tells of the new geometries 

developed with variations of Euclid's Parallel Postulate.  

Martin Dickinson's poem, on the other hand, tells of richness within Euclid's geometry.

Poet and attorney Martin Dickinson is with the Environmental Law Institute and is a long term activist. The Nora School Poetry Series has scheduled both of us (along with Michele Wolf) to be part of a reading next month on April 24, 2014 .  It is my additional good fortune that conversations with Dickinson have included his sharing with me this mathy poem:

     Homage to Euclid       by Martin Dickinson

     What points are these,
     visible to us, yet revealing something invisible—
     invisible, yet real? 

Latitude, longitude, and inauguration

Elizabeth Bodien now lives in a rural area in eastern Pennsylvania -- settling there after other lives in California, in Japan, in West Africa.  Here is a narrative poem using the geographic numbers of latitude and longitude drawn from the years that she was a childbirth instructor in West Africa.

Zero-Zero     by Elizabeth Bodien

Word Play -- "Of Time and the Line"

Charles Bernstein, poet and teacher,  experiments with poetry  and prefers "opaque" and "impermeable" writing -- to awaken readers "from the hypnosis of absorption."  In the poem below he does, as mathematicians also do, multiplies ideas by playing with them -- here using "line."

     Of Time and the Line     by Charles Bernstein

     George Burns likes to insist that he always
     takes the straight lines; the cigar in his mouth
     is a way of leaving space between the
     lines for a laugh.  He weaves lines together
     by means of a picaresque narrative;

Geometry of Trees

     Donna Masini, one of my poetry teachers at Hunter College, offered this rule of thumb for use of a particular word in a poem:  the word should serve the poem in (at least) two ways -- in meaning and sound, or sound and motion, or motion and image, or  . ..  .
     Richard Wilbur (1921 - ) is a former US Poet Laureate (1987-88), a prolific translator, and one of my favorite poets -- and perhaps this is because he seems to maximize his word-choices with multiple uses.  When I read Wilbur, I see and hear and feel -- and, after multiple readings, these sensory impressions coalesce into understanding.  Here is one of his sonnets, a poem of the geometry of absence:

More from Guillevic

     My October 13 post presented three small poems by the French poet Guillevic (1909-97).  Strongly drawn to his work, I have purchased the collection Geometries (translated by Richard Sieburth, Ugly Duckling Presse, 2010);  Guillevic has found in each geometric figure a personality and a voice.  Buy the book and enjoy!
     Here are three additional samples from Geometries: