The title of my posting today, "The numbers say it all" comes from the final line of "After Leviticus," by Detroit poet Philip Levine. Levine (1928-2015) died this past Saturday. Often termed "a working class poet," this fine writer won many awards for his work.
After Leviticus by Philip Levine
The seventeen metal huts across the way
from the great factory house seventeen
separate families. Because the slag heaps
burn all day and all night it’s never dark,
so as you pick your way home at 2 A.M.
on a Saturday morning near the end
Monday, February 16, 2015
Friday, February 13, 2015
America, land of equals (perhaps)
Preparing to celebrate (after Valentine's Day) Presidents' Day, remembering particularly George Washington (b February 22, 1732) and Abraham Lincoln (b February 12,1809), I offer a few lines by Walt Whitman (1819-1892).
America by Walt Whitman
Centre of equal daughters, equal sons,
All, all alike endear'd, grown, ungrown, young or old,
Strong, ample, fair, enduring, capable, rich,
Perennial with the Earth, with Freedom, Law and Love,
A grand, sane, towering, seated Mother,
Chair'd in the adamant of Time. [1888]
This poem is found here in the Walt Whitman Archive.
America by Walt Whitman
Centre of equal daughters, equal sons,
All, all alike endear'd, grown, ungrown, young or old,
Strong, ample, fair, enduring, capable, rich,
Perennial with the Earth, with Freedom, Law and Love,
A grand, sane, towering, seated Mother,
Chair'd in the adamant of Time. [1888]
This poem is found here in the Walt Whitman Archive.
Monday, February 9, 2015
Surreal parabola, Mobius strip
When a math term appears in a poem, will its usage make sense to a mathematician? Some mathematical folks are critical of poetic use of math words because precision may be lost to "poetic license." Others feel a pleasing tension between the mathness of a term and the stretched or layered meanings suggested by the poem. With these thoughts in mind, consider these two mathematically-titled poems "Mobius Strip" and "Parabola" by Robert Desnos (France, 1900-1945), translated by Amy Levin and selected from "A sampling of French surrealist poetry."
Mobius Strip by Robert Desnos (trans. Amy Levin)
The track I'm running on
Won't be the same when I turn back
It's useless to follow it straight
I'll return to another place
Mobius Strip by Robert Desnos (trans. Amy Levin)
The track I'm running on
Won't be the same when I turn back
It's useless to follow it straight
I'll return to another place
Labels:
Amy Levin,
mathematics,
Mobius band,
parabola,
poetic license,
poetry,
Robert Desnos
Friday, February 6, 2015
Celebrate Black History, Valentine's Day
February is Black History Month and on the 14th we celebrate love with Valentine's Day. To find in this blog a variety of mathy poems on these topics (and many others) use the SEARCH box found at the top of the right-hand column of this blog.
Labels:
Black History Month,
love,
mathy,
poem,
Valentine
Thursday, February 5, 2015
Moebius Strip
Following a lead from Francisco, I found (here) this tiny poem by Michael Hessel-Mial:
moebius strip
a belt of clouds
twist it, latch it
twisted
which way will it rain?
To find more poems that feature the Mobius strip locate the SEARCH box at the top of the this blog's right-hand column -- and enter the term mobius. Alternatively, the search box also works for a myriad of other topics.
moebius strip
a belt of clouds
twist it, latch it
twisted
which way will it rain?
To find more poems that feature the Mobius strip locate the SEARCH box at the top of the this blog's right-hand column -- and enter the term mobius. Alternatively, the search box also works for a myriad of other topics.
Labels:
Michael Hessel-Mial,
Mobius strip,
rainbow,
twist
Monday, February 2, 2015
Is winter half over?
Today (February 2) those of us with roots in Pennsylvania join enthusiasts from everywhere as we look to mythical groundhog Punxsutawney Phil for a forecast concerning prolonged winter or early spring. This morning Phil's forecast was bleak but not unexpected: we will have six more weeks of winter.
This news that our winter is only half over has led me to a poem (found in the illustrated anthology Talking to the Sun, edited by Kenneth Koch and Kate Farrell, published in 1985 by the Metropolitan Museum of Art):
Another Sarah by Anne Porter (1911-2011)
for Christopher Smart
When winter was half over
God sent three angels to the apple-tree
Who said to her
"Be glad, you little rack
Of empty sticks,
Because you have been chosen.
In May you will become
A wave of living sweetness
A nation of white petals
A dynasty of apples."
Another winter poem by Porter with a bit of mathematics is included in this post for 25 November 2012.
This news that our winter is only half over has led me to a poem (found in the illustrated anthology Talking to the Sun, edited by Kenneth Koch and Kate Farrell, published in 1985 by the Metropolitan Museum of Art):
Another Sarah by Anne Porter (1911-2011)
for Christopher Smart
When winter was half over
God sent three angels to the apple-tree
Who said to her
"Be glad, you little rack
Of empty sticks,
Because you have been chosen.
In May you will become
A wave of living sweetness
A nation of white petals
A dynasty of apples."
Another winter poem by Porter with a bit of mathematics is included in this post for 25 November 2012.
Labels:
Anne Porter,
groundhog,
half,
mathematics,
poetry,
Punxsutawney,
winter
Friday, January 30, 2015
Twined Arcs, Defying Euclid
The English language has adopted into current usage many terms from other languages. French terms like coup de grace and haut monde have for many years been found in English dictionaries. Recently, computer terms such as bite and captcha and google have achieved widespread use. In addition, those of us who are fluent in the language of mathematics find that its terms sometimes offer a concise best way to describe a non-mathematical phenomenon.
Mathematician-poet Sarah Glaz weaves mathematical terms into her poem, "Departures in May" -- a poem that uses the language of geometry to vivify the presence of loss, death and other dark forces.
Departures in May by Sarah Glaz
Big things crush, inside the brain,
like plaster of Paris on stone;
a taste of splintered metal;
terra-cotta hardness of heart's desire.
Statues motionless
at railroad depots,
proclaim imitation as life.
Mathematician-poet Sarah Glaz weaves mathematical terms into her poem, "Departures in May" -- a poem that uses the language of geometry to vivify the presence of loss, death and other dark forces.
Departures in May by Sarah Glaz
Big things crush, inside the brain,
like plaster of Paris on stone;
a taste of splintered metal;
terra-cotta hardness of heart's desire.
Statues motionless
at railroad depots,
proclaim imitation as life.
Labels:
arcs,
curve,
Euclid,
infinity,
mathematics,
poem,
Sarah Glaz
Monday, January 26, 2015
Poetry-math images; Expectation
Search engines are very useful in my search for mathy poets and poems. Recently I have noticed that a link to images has been offered prior to the verbal links when I have queried Google using "mathematics poetry." Some of the visuals are quotations, some are book-covers, some are poems. When you have time, explore and enjoy!
Finding more via Google that I expected connected me with an old poem. Here, unearthed recently, is "Expectation" -- some lines from the 1980s, when I was beginning to write poems.
Expectation
teach you to expect two teach you to expect one
to be more than one. to be the sum of its parts.
Labels:
expectation,
Google,
mathematics,
Parable of the Watchmakers,
poetry,
time
Thursday, January 22, 2015
Girls who like math
Often I think about the interactions of girls with mathematics and recently I have been feeling delighted that all of my school-age granddaughters like math. In fact, Harvey Mudd mathematician Rachel Levy has included views from these girls (and from me) here in her blog, "Grandma Got STEM."
S u m
f o r
f u n
To read selections from several of my favorite poems about girls-in-math (including Sharon Olds' poem "The One Girl at the Boys' Party" and Kyoko Mori's poem, "Barbie Says Math is Hard") follow this link to a posting made on 10 June 2010. Another math-girls post was back on 26 December 2010. Or use the SEARCH box (upper right) to find poems related to your own choice of topics.
T h i s
g i r l
d o e s
m a t h
g i r l
d o e s
m a t h
S u m
f o r
f u n
s o
i f
1
i f
1
To read selections from several of my favorite poems about girls-in-math (including Sharon Olds' poem "The One Girl at the Boys' Party" and Kyoko Mori's poem, "Barbie Says Math is Hard") follow this link to a posting made on 10 June 2010. Another math-girls post was back on 26 December 2010. Or use the SEARCH box (upper right) to find poems related to your own choice of topics.
Labels:
girls,
Grandma,
Kyoko Mori,
math,
poetry,
Rachel Levy,
Sharon Olds,
STEM
Sunday, January 18, 2015
Probability and Coincidence
On page 26 of my copy of the latest New Yorker is a poem by Lia Purpura entitled "Probability." In her brief poem Purpura renders with poetic power the astonishment each of us feels when meeting a long-ago classmate at an out-of-town super market or some other unexpected event. Take time to follow the link and read this poem.
Recently several friends have shared with me their amazement at unexpected coincidences and I have been tempted to illustrate -- perhaps with the birthday paradox -- how likely to happen unexpected events may be.
Recently several friends have shared with me their amazement at unexpected coincidences and I have been tempted to illustrate -- perhaps with the birthday paradox -- how likely to happen unexpected events may be.
With more than 23 persons in a room the chances are more than 50-50
that two of them will share a birthday (same day, maybe different years).
Many websites offer explanation of this "birthday paradox" -- here is one.
Wednesday, January 14, 2015
To add two and two
Today I call attention again (as in my post for 6 January, 2015) to the extensive Science-Poetry collection edited by Norman Hugh Redington and Karen Rae Keck. Mathy (rather than bawdy) limericks are featured in the collection; for example, this one by an unknown author:
There was an old man who said, "Do
Tell me how I'm to add two and two?
I'm not very sure
That it doesn't make four --
But I fear that is almost too few."
There was an old man who said, "Do
Tell me how I'm to add two and two?
I'm not very sure
That it doesn't make four --
But I fear that is almost too few."
Saturday, January 10, 2015
Opposites, Balance
Recently, and perhaps always, opposites have interested me. For example, the complementary and sometimes conflicting nuggets of advice contained in "Pinch a penny, waste a pound" and "It is best to prepare for the days of necessity." And in "Kindness effects more than severity" and "Spare the rod, spoil the child." Maybe what I like best is the challenge of synthesizing opposite truths.
Mathematics contains many pairs of entities that are, each in some different sense, opposites:
In an ideal world, opposites exist with "Balance" -- which is the title of the following lovely and contemplative poem by Adam Zagajewski :
Mathematics contains many pairs of entities that are, each in some different sense, opposites:
2 and -2 2 and 1/2
horizontal and vertical differentiation and integration
And there are some arbitrary subdivisions that often are treated as if they are disconnected opposites:
pure vs. applied (creating mathematics vs. solving problems)
teaching and learning, creating vs. teaching, arts and sciences
In an ideal world, opposites exist with "Balance" -- which is the title of the following lovely and contemplative poem by Adam Zagajewski :
Labels:
Adam Zagajewski,
balance,
Clare Cavanagh,
count,
measure,
nothing,
opposite
Thursday, January 8, 2015
The Geometry of Winter, with Eagles
A poetry-listening opportunity in the Washington, DC area:
Poet Martin Dickinson will read from his new collection, My Concept of Time,
on Sunday, January 11 at Arlington's Iota Cafe.
on Sunday, January 11 at Arlington's Iota Cafe.
AND -- if you 're San Antonio on January 11, 2015 you'll want to attend
the 5:30 PM poetry-with-math reading (details here)
at the Gonzales Convention Center, sponsored by JHM.
From My Concept of Time, here's a poem of the geometry of our winter world.
for Phyllis
We spot them, first almost imaginary
thin pencil lines or scratches on our glasses.
The earth's disk flattens out
where this pale land becomes the bay,
Tuesday, January 6, 2015
from MIT Science-Poetry -- The Cal-Dif-Fluk Saga
Recently I have enjoyed browsing a voluminous online 19th century Science-Poetry collection (Watchers of the Moon) hosted by MIT, gathered and edited by Norman Hugh Redington and Karen Rae Keck. Google led me to the site in a search for " poetry of calculus" and I found there found a fascinating item by J. M. Child:
The Cal-Dif-Fluk Saga (from The Monist: A Quarterly Magazine Devoted to the Philosophy of Science -- Open Court Publishing, 1917) and described as "a pseudo-epic about the invention of calculus."
Child was a translator (from Latin into English) of the works of Isaac Barrow and Gottfried Leibniz and his poem presents the names of well-known mathematicians in clever scrambles: Isa-Tonu is Newton, Zin-Bli is Leibniz, Isa-Roba is Barrow, Gen-Tan-Agg stands for Barrow's Gen-eral method of Tan-gents and of Agg-regates while Shun-Fluk and Cal-Dof refer to the methods of Newton and Leibniz. One may, with a fair amount of work, enjoy this dramatization of warriors and weapons -- battles that were part of the development of calculus. Here from the middle of the Saga (from Section 6 (of 17)), is a sample of Child's lines illustrating the struggles that calculus required.
Child was a translator (from Latin into English) of the works of Isaac Barrow and Gottfried Leibniz and his poem presents the names of well-known mathematicians in clever scrambles: Isa-Tonu is Newton, Zin-Bli is Leibniz, Isa-Roba is Barrow, Gen-Tan-Agg stands for Barrow's Gen-eral method of Tan-gents and of Agg-regates while Shun-Fluk and Cal-Dof refer to the methods of Newton and Leibniz. One may, with a fair amount of work, enjoy this dramatization of warriors and weapons -- battles that were part of the development of calculus. Here from the middle of the Saga (from Section 6 (of 17)), is a sample of Child's lines illustrating the struggles that calculus required.
Saturday, January 3, 2015
The Role of Zero
In mathematics, as in poetry, multiple meanings are common and create power for the language. For example, the number 0 is an idempotent element, an additive identity, a multiplicative annihilator -- and it also plays the role of something that may represent nothing.
In Dorothea Tanning's poem below -- I found it at poets.org -- zero takes on still another of its roles, that of place-holder -- as in the numbers 101 and 5000, for example.
Zero by Dorothea Tanning (1910-2012)
Now that legal tender has
lost its tenderness,
and its very legality
is so often in question.
it may be time to consider
the zero--
long rows of them.
empty, black circles in clumps
of three,
In Dorothea Tanning's poem below -- I found it at poets.org -- zero takes on still another of its roles, that of place-holder -- as in the numbers 101 and 5000, for example.
Zero by Dorothea Tanning (1910-2012)
Now that legal tender has
lost its tenderness,
and its very legality
is so often in question.
it may be time to consider
the zero--
long rows of them.
empty, black circles in clumps
of three,
Labels:
decimal place,
Dorothea Tanning,
Graywolf Press,
mathematics,
place-holder,
poem,
poetry,
Poets.org,
zero
2014 (and prior) -- titles, dates of posts
Scroll
down to find titles and dates of posts in 2014. At the bottom are links to lists of posts through 2013 and 2012 and 2011 -- and all the way back to March 2010 when this
blog was begun. This link leads to a PDF file that lists searchable topics and names of poets and mathematicians presented herein.
Dec 30 Be someone TO COUNT ON in 2015
Dec 28 A Fractal Poem
Dec 25 A thousand Christmas trees
Dec 24 The gift of a poem
Dec 20 The Girl Who Loved Triangles
Dec 30 Be someone TO COUNT ON in 2015
Dec 28 A Fractal Poem
Dec 25 A thousand Christmas trees
Dec 24 The gift of a poem
Dec 20 The Girl Who Loved Triangles
Tuesday, December 30, 2014
Be someone TO COUNT ON in 2015
By any means of counting,
the number of incarcerated persons in the United States
is TOO LARGE
and the proportion of prisoners with BLACK SKIN
is TOO GREAT
and there is TOO MUCH VIOLENCE and DEATH in our prisons.
and there is TOO MUCH VIOLENCE and DEATH in our prisons.
To the voice of the retired warden of Huntsville Prison
(Texas death chamber) by Averill Curdy
Until wolf-light I will count my sheep,
Adumbrated, uncomedic, as they are.
One is perdu, two, qualm, three
Is sprawl, four, too late,
Labels:
2015,
Averill Curdy,
count,
distance,
mathematics,
poem,
Poetry Foundation,
prison,
RSVP,
violence
Sunday, December 28, 2014
A Fractal Poem
A fractal is an object that displays self-similarity -- roughly, this means that the parts have the same shape as the whole -- as in the following diagram which shows successive stages in the development of the "box fractal" (from Wolfram MathWorld).
Michigan poet Jack Ridl and I share an alma mater (Pennsylvania's Westminster College) and we recently connected when I found mathematical ideas in the poems in his collection Broken Symmetry (Wayne State University Press, 2006); from that collection, here is "Fractals" -- offering us a poetic version of self-similar structure:
Fractals by Jack Ridl
On this autumn afternoon, the light
falls across the last sentence in a letter,
just before the last movement of Brahms’
Fourth Symphony, a recording made more
than 20 years ago, the time when we were
looking for a house to rehabilitate, maybe
Michigan poet Jack Ridl and I share an alma mater (Pennsylvania's Westminster College) and we recently connected when I found mathematical ideas in the poems in his collection Broken Symmetry (Wayne State University Press, 2006); from that collection, here is "Fractals" -- offering us a poetic version of self-similar structure:
Fractals by Jack Ridl
On this autumn afternoon, the light
falls across the last sentence in a letter,
just before the last movement of Brahms’
Fourth Symphony, a recording made more
than 20 years ago, the time when we were
looking for a house to rehabilitate, maybe
Labels:
fractal,
Jack Ridl,
JoAnne Growney,
line,
math,
poetry,
symmetry,
Westminster College
Thursday, December 25, 2014
A thousand Christmas trees
My email poem-a-day today from www.poets.org is "Christmas Trees" by Robert Frost (1874-1963); this 1916 poem includes some calculations and reflections based on the line:
“A thousand trees would come to thirty dollars.”
Frost's poem has provoked me to thoughts of inflation and conservation; for the full poem, follow the link given with the title above. And, if your time permits, go back to previous "Christmas" postings in this blog at these links: 23 December 2013, 24 December 2012, 21 December 2012, 22 December 2011, and 2 September 2010.
“A thousand trees would come to thirty dollars.”
Frost's poem has provoked me to thoughts of inflation and conservation; for the full poem, follow the link given with the title above. And, if your time permits, go back to previous "Christmas" postings in this blog at these links: 23 December 2013, 24 December 2012, 21 December 2012, 22 December 2011, and 2 September 2010.
Labels:
calculation,
Christmas,
conservation,
inflation,
JoAnne Growney,
mathematics,
poetry,
Robert Frost,
tree
Wednesday, December 24, 2014
The gift of a poem
In this holiday season of giving, sometimes the gifts are poems -- and sometimes mathy poems. A few days ago, "Zero" by Robert Creeley (1926-2005) arrived in an email from Francisco José Craveiro de Carvalho, a Portuguese mathematician who loves poetry and has translated many math-related poems into his native language -- a seeker and finder of such poems who shares them with me. (See also 23 October 2010 and 17 September 2013.) At this time of giving and receiving, enjoy playing with these thoughts of zero as nothing or something.
Zero by Robert Creeley
for Mark Peters
Not just nothing,
Not there's no answer,
Not it's nowhere or
Nothing to show for it --
Zero by Robert Creeley
for Mark Peters
Not just nothing,
Not there's no answer,
Not it's nowhere or
Nothing to show for it --
Labels:
Christmas,
F. J. Craveiro de Carvalho,
gift,
mathematics,
nothing,
poetry,
Robert Creeley,
zero
Saturday, December 20, 2014
The Girl Who Loved Triangles
I found this poem by Michigan poet Jackie Bartley when I was browsing old issues of albatross (edited by Richard Smyth) and she has give me permission to post it here. Like Guillevic (see, for example, this earlier post), Bartley has found personalities in geometric figures.
To the Girl Who Loved Triangles by Jackie Bartley
Triangulation: Technique for establishing the distance between two points
using a triangle with at least one side of known length.
One girl in a friend's preschool class
loves the triangle. Tanya's favorite shape,
the children call it. Simple, three sided, at least
one slope inherent, slip-slide down
in the playground of mind. Tension and its
release. Sure balance, solid as the pyramids. The
To the Girl Who Loved Triangles by Jackie Bartley
Triangulation: Technique for establishing the distance between two points
using a triangle with at least one side of known length.
One girl in a friend's preschool class
loves the triangle. Tanya's favorite shape,
the children call it. Simple, three sided, at least
one slope inherent, slip-slide down
in the playground of mind. Tension and its
release. Sure balance, solid as the pyramids. The
Labels:
axiom,
Guillevic,
Jackie Bartley,
mathematics,
measure,
poetry,
pyramid,
Richard Smyth,
shape,
square,
three,
triangle
Tuesday, December 16, 2014
Fractals -- poems and photos
Marc Frantz and Annalisa Crannell have written about mathematics and art (Viewpoints: Mathematical Perspectives and Fractal Geometry in Art: Princeton University Press, 2011) and now Frantz (who is both a mathematician and an artist, a painter) has collaborated with a poet -- Robin Walthery Allen -- to develop a collection entitled Dance of Eye and Mind (not yet published). I am honored to present a poem-photo pair from this exquisite collection.
What is in us that must reach the top,
that longs to look down upon the world as if a god?
Don’t we know that in this infinite space
the same rocks at the seashore know the secret of each peak?
What is in us that must reach the top,
that longs to look down upon the world as if a god?
Don’t we know that in this infinite space
the same rocks at the seashore know the secret of each peak?
Labels:
dance,
fractal,
geometry,
infinite,
Marc Frantz,
mathematician,
photograph,
poetry,
Robin Walthery Allen,
space
Saturday, December 13, 2014
Our curve is a parabola
Found in the essay, "Intellect" (1841) -- these words by 19th century American philosopher and poet Ralph Waldo Emerson (1803-1882):
When we are young, we spend much time and pains
in filling our note-books with all definitions
of Religion, Love, Poetry, Politics, Art,
in the hope that, in the course of a few years,
we shall have condensed into our encyclopaedia
the net value of all the theories
at which the world has yet arrived.
But year after year our tables get no
completeness, and at last we discover
that our curve is a parabola,
whose arcs will never meet.
When we are young, we spend much time and pains
in filling our note-books with all definitions
of Religion, Love, Poetry, Politics, Art,
in the hope that, in the course of a few years,
we shall have condensed into our encyclopaedia
the net value of all the theories
at which the world has yet arrived.
But year after year our tables get no
completeness, and at last we discover
that our curve is a parabola,
whose arcs will never meet.
Wednesday, December 10, 2014
A mathy Haiku
Found at the froth magazine website, this Haiku by Christopher Daniel Wallbank.
Mathematics
I, mathematics,
One plus root five over 2.
My soul is golden.
Here is a link to another mathy froth poem, this one "Division" by Ryley-Sue.
Mathematics
I, mathematics,
One plus root five over 2.
My soul is golden.
Note: In mathematics, two quantities p and q (p>q) are in the golden ratio
if the ratio p/q is equal to the ratio (p+q)/q. The value of the
golden ratio --
often represented by the Greek letter phi (φ) -- is
1.618... or (1+√5)/2.
Here is a link to another mathy froth poem, this one "Division" by Ryley-Sue.
Labels:
Christopher Daniel Wallbank,
froth,
golden ratio,
haiku,
mathematics,
Ryley-Sue,
square root
Saturday, December 6, 2014
A scientist writes of scientists
Wilkes-Barre poet Richard Aston is many-faceted -- a teacher, an engineer, a textbook author, a technical writer. And Aston writes of those whose passion he admires-- in his latest collection, Valley Voices (Foothills Publishing, 2012) we meet laborers, many of them miners from the Wyoming Valley where he makes his home. Aston also writes of scientists and mathematicians -- and he has given permission for me to offer below his poems that feature Marie Curie, Isaac Newton, and Galileo Galilei. With the mind of a scientist and the rhythms of poetry, Aston brings to us clear visions of these past lives.
Scientist by Richard Aston
It took more than a figure, face, skin, and hair
for me to become Marie Curie,
wife of simple, smiling, selective, Pierre
who could recognize — because he was one — my genius.
Scientist by Richard Aston
It took more than a figure, face, skin, and hair
for me to become Marie Curie,
wife of simple, smiling, selective, Pierre
who could recognize — because he was one — my genius.
Labels:
center,
clock,
Galileo Galilei,
gravity,
idea,
Isaac Newton,
Marie Curie,
pendulum,
poem,
poet,
poetry,
Richard Aston,
scientist
Tuesday, December 2, 2014
Poet as mathematician
Lillian Morrison (1917-2014) was a NYC poet and librarian whose work I first met in the poetry-with-math anthology, Against Infinity. Here is one of her poems from that collection.
Poet as Mathematician by Lillian Morrison
Having perceived the connexions, he seeks
the proof, the clean revelation in its
simplest form, never doubting that somewhere
waiting in the chaos, is the unique
elegance, the precise, airy structure,
defined, swift-lined, and indestructible.
Morrison's insightful poem disappoints me in one important way: her mathematician-poet is "he." Another Morrison poem, "The Locus of a Point," may be found in my posting for 15 September 2014.
Poet as Mathematician by Lillian Morrison
Having perceived the connexions, he seeks
the proof, the clean revelation in its
simplest form, never doubting that somewhere
waiting in the chaos, is the unique
elegance, the precise, airy structure,
defined, swift-lined, and indestructible.
Morrison's insightful poem disappoints me in one important way: her mathematician-poet is "he." Another Morrison poem, "The Locus of a Point," may be found in my posting for 15 September 2014.
Labels:
Against Infinity,
Lillian Morrison,
mathematician,
poet,
proof
Sunday, November 30, 2014
Geometry of Love
A couple of weeks ago my "Google Alert" linked me to a posting of a science poem concerning "the geometry of love." The posting -- at The Finch and Pea -- is a poem that is both elegant and precise (and one that has been included in the anthology, Strange Attractors: Poems of Love and Mathematics, that Sarah Glaz and I collected and edited several years ago). Here it is:
The Definition of Love by Andrew Marvell (England, 1621-1678)
My love is of a birth as rare
As ‘tis for object strange and high;
It was begotten by Despair
Upon Impossibility.
The Definition of Love by Andrew Marvell (England, 1621-1678)
My love is of a birth as rare
As ‘tis for object strange and high;
It was begotten by Despair
Upon Impossibility.
Labels:
Andrew Marvell,
angle,
conjunction,
geometry,
infinite,
mathematics,
parallel,
planisphere,
poem,
union
Wednesday, November 26, 2014
Giving thanks for poems
As Thanksgiving approaches I am thankful not only for many blessings but also for the numbers I use to count them -- eight grandchildren, four children, two parents, one sister, one brother, an uncountable number of friends. And I am thankful for poetry. Here is one of my favorite math-related poems.
How to Find the Longest Distance Between Two Points
by James Kirkup (England, 1919 - 2009)
From eye to object no straight line is drawn,
Though love's quick pole directly kisses pole.
The luckless aeronaut feels earth and moon
Curve endlessly below, above the soul
His thought imagines, engineers in space.
How to Find the Longest Distance Between Two Points
by James Kirkup (England, 1919 - 2009)
From eye to object no straight line is drawn,
Though love's quick pole directly kisses pole.
The luckless aeronaut feels earth and moon
Curve endlessly below, above the soul
His thought imagines, engineers in space.
Friday, November 21, 2014
The Math Lady Sings
One of my daily emails results from a Google Alert -- which I have set up to let me know of new web-postings (or old information newly accessed) that contain the terms "mathematics" and "poetry." (Another online delight comes when I Google "mathematics poetry" (or "math poetry") and browse the images that occur at the top of the list that Google offers. What fun!)
It is through a Google Alert notification that I learned of the poetry book It Ain't Over Till the Math Lady Sings by Michelle Whitehurst Goosby (Trafford, 2014). This Math Lady was the subject of an article by Jennifer Calhoun in the Dotham Eagle (Dotham, AL) -- and Calhoun put me in in touch with the poet who graciously offered permission for me to present one of her poems here. Goosby is a teacher and the poem poses a number puzzle for readers to solve.
It is through a Google Alert notification that I learned of the poetry book It Ain't Over Till the Math Lady Sings by Michelle Whitehurst Goosby (Trafford, 2014). This Math Lady was the subject of an article by Jennifer Calhoun in the Dotham Eagle (Dotham, AL) -- and Calhoun put me in in touch with the poet who graciously offered permission for me to present one of her poems here. Goosby is a teacher and the poem poses a number puzzle for readers to solve.
Five Naturals
Consecutively Odd
by Michelle Whitehurst Goosby
Labels:
alert,
composite,
factor,
Google,
Hedy Lamarr,
images,
Jennifer Calhoun,
Michelle Whitehurst Goosby,
natural,
odd,
prime
Tuesday, November 18, 2014
In Praise of Fractals
Philosopher Emily Grosholz is also a poet -- a poet who often writes of mathematics. Tessellations Publishing has recently (2014) published her collection Proportions of the Heart: Poems that Play with Mathematics (with illustrations by Robert Fathauer) and she has given me permission to present one of the fine poems from that collection.
In Praise of Fractals by Emily Grosholz
Variations on the Introduction to
The Fractal Geometry of Nature by Benoit Mandelbrot
(New York: W. H. Freeman and Company, 1983)
Euclid’s geometry cannot describe,
nor Apollonius’, the shape of mountains,
puddles, clouds, peninsulas or trees.
Clouds are never spheres,
In Praise of Fractals by Emily Grosholz
Variations on the Introduction to
The Fractal Geometry of Nature by Benoit Mandelbrot
(New York: W. H. Freeman and Company, 1983)
Euclid’s geometry cannot describe,
nor Apollonius’, the shape of mountains,
puddles, clouds, peninsulas or trees.
Clouds are never spheres,
Labels:
curve,
Emily Grosholz,
Euclid,
fractal,
geometry,
Mandelbrot,
mathematical,
poetry,
Robert Fathauer,
shape
Friday, November 14, 2014
Imaginary Number
Last week (on November 6) I was invited to read some of my poems at the River Poets reading in Bloomsburg, PA (where I lived and taught for a bunch of years). Among the friends that I had a chance to greet were Susan and Richard Brook -- and, from them, received this mathy poem by Pullitzer-Prize-winning-poet Vijay Seshadri.
Imaginary Number by Vijay Seshadri
The mountain that remains when the universe is destroyed
is not big and is not small.
Big and small are
comparative categories, and to what
could the mountain that remains when the universe is destroyed
be compared?
Imaginary Number by Vijay Seshadri
The mountain that remains when the universe is destroyed
is not big and is not small.
Big and small are
comparative categories, and to what
could the mountain that remains when the universe is destroyed
be compared?
Labels:
Bloomsburg,
imaginary,
impossibility,
number,
PA,
Richard Brook,
River Poets,
square root,
Susan Brook,
Vijay Seshadri
Tuesday, November 11, 2014
In college she studied mathematics
In the third paragraph of the Wikipedia bio for Marguerite Duras (1914-1996), we read "At 17, Marguerite went to France, her parents' native country, where she began studying for a degree in mathematics." I had the opportunity, several weeks ago at AFI Silver, to enjoy a screening of an exquisite restoration of "Hiroshima Mon Amour," a 1959 film for which Duras wrote the screenplay (nominated for an academy award).
At the website goodreads.com I found this mathy (and poetic) quote that I recognized as from the film:
At the website goodreads.com I found this mathy (and poetic) quote that I recognized as from the film:
Labels:
figures,
Hiroshima Mon Amour,
Marguerite Duras,
mathematics,
poetry
Sunday, November 9, 2014
Composite or Prime?
Her age
is 9.
Is that 9
composite
or prime?
Labels:
composite,
factor,
Franny Vergo,
grandchildren,
math,
poem,
prime
Wednesday, November 5, 2014
A big voice, Galway Kinnell (1927-2014)
Last week master poet Galway Kinnell died (NYTimes obituary). One finds a detailed bio and a baker’s dozen of his best poems at the Poetry Foundation website -- do a search using the poet's name. Many of Kinnell's poems are about nature -- somewhat in the way that mathematics may be about science -- that is, he uses the images of nature to speak multiply of complex issues. Here is a poem about identity that includes several math terms.
The Gray Heron by Galway Kinnell (1927-2014)
It held its head still
while its body and green
legs wobbled in wide arcs
The Gray Heron by Galway Kinnell (1927-2014)
It held its head still
while its body and green
legs wobbled in wide arcs
Sunday, November 2, 2014
Poetry from the words of Lord Kelvin
Do not imagine that mathematics
is hard and crabbed, and repulsive
to common sense.
It is merely the etherealization
of common sense.
Labels:
common sense,
Lord Kelvin,
mathematics,
measure,
numbers,
poem
Thursday, October 30, 2014
Tomorrow is Halloween
Typing Halloween in this blog's SEARCH Box will lead you to a 2010 posting of "Ghost Stories Written" -- an algebra-related poem by Charles Simic; this Poetry Foundation link will lead to a host of other seasonal poems.
Tuesday, October 28, 2014
Counting into the Future . . .
Remember that you have only until November 1 to submit a winning "poem of provocation and witness" to the Split This Rock Poetry Contest. If you don't already, you will want also to subscribe to Split This Rock's Poem of the Week. This week's poem ("Past Tense" by Sam Taylor) opens with these numbers:
In the Great Depression of 2047,
a time of sorrow rivaled only
by the Global Unification Wars
of Spring 2029 to 2033,
in the Merlona Plague of 2104,
in the year of the forest die-off,
after the atmospheric hue reduction . . . .
From Nude Descending an Empire (University of Pittsburgh Press, 2014). Apatelodes merlona is a species of moth.
In the Great Depression of 2047,
a time of sorrow rivaled only
by the Global Unification Wars
of Spring 2029 to 2033,
in the Merlona Plague of 2104,
in the year of the forest die-off,
after the atmospheric hue reduction . . . .
From Nude Descending an Empire (University of Pittsburgh Press, 2014). Apatelodes merlona is a species of moth.
Labels:
contest,
count,
future,
poetry,
Sam Taylor,
Split This Rock,
year
Sunday, October 26, 2014
Dimensions of Discovery
Along the one-dimensional straight line
there are points and segments
but no curves or squares.
there are points and segments
and squares and spheres.
there are points and segments
but no curves or squares.
In the flat plane of two dimensions
there are points and segments
and circles and squares.
In the vast space of three dimensions there are points and segments
and squares and spheres.
In a space of four dimensions
there is more than
we can imagine.
Thursday, October 23, 2014
ABC of statistics
Songwriter Larry Lesser is a co-organizer (with Gizem Karaali) of a poetry-with-mathematics reading at the Joint Mathematics Meetings in San Antonio next January. And sometimes Lesser writes poetry. He has told me that his poem below was in response to an abecedarian poem in a 2006 paper of mine, "Mathematics of Poetry" published in the online journal JOMA -- and available here.
Statistic Acrostic by Lawrence Mark Lesser and Dennis K. Pearl
A
Better
Confidence:
Data.
Expectations
Fit
Good.
Statistic Acrostic by Lawrence Mark Lesser and Dennis K. Pearl
A
Better
Confidence:
Data.
Expectations
Fit
Good.
Monday, October 20, 2014
Martin Gardner collected poems
Last week the Mathematical Association of America (MAA) had a special program honoring Martin Gardner (1914-2010); tomorrow (October 21) is the 100th anniversary of his birth. The shelving in the MAA meeting room displayed copies of many of Gardner's approximately one hundred books. However, none of the books displayed were books of poetry and, indeed, Gardner referred to himself as "an occasional versifier" but not a poet. Nonetheless he helped to popularize OULIPO techniques in his monthly (1956-81) Scientific American column, "Mathematical Games," and he also was a collector and editor of anthologies, parodies, and annotated versions of familiar poetic works. Here is a link to his Favorite Poetic Parodies. And one may find Famous Poems from Bygone Days and The Annotated Casey at the Bat and half a dozen other titles by searching at amazon.com using "martin gardner poetry."
Labels:
city,
game,
John William Burgon,
Jonathan Vos Post,
MAA,
Martin Gardner,
mathematical,
Oulipo,
parody,
poetry,
Scientific American,
time
Wednesday, October 15, 2014
Poetry Reading 1-11-15 at JMM in San Antonio
at the 2015 Joint Mathematics Meetings (JMM)
Although last-minute decisions to participate are possible -- you may simply show up and sign up to read -- we invite and encourage poets to submit poetry (≤ 3 poems, ≤ 5 minutes) and a bio in advance, and, as a result, be listed on our printed program. Inquiries and submissions (by December 1, 2014) may be made to Gizem Karaali (gizem.karaali@pomona.edu).
Friday, October 10, 2014
Taken out of context . . .
Sometimes good lines fit so well into their poems that their individual merits go unrecognized. And then, taken out of context, they can lead lives of their own. Here is a start for a collection of such lines.
From Poets.org here are two lines from "Ceriserie" by Joshua Clover:
Mathematics: Everyone rolling dice and flinging Fibonacci, going to the opera, counting everything.
Fire: The number between four and five.
From Poets.org here are two lines from "Ceriserie" by Joshua Clover:
Mathematics: Everyone rolling dice and flinging Fibonacci, going to the opera, counting everything.
Fire: The number between four and five.
Labels:
counting,
Fibonacci,
five,
four,
Heather Green,
Joshua Clover,
Lana Turner,
poem,
right angle,
zero
Wednesday, October 8, 2014
Love Physics
It turns out that one of the disadvantages of a long-term blog with lots of worthy material is that sometimes I lose track of fine work that I want to post. And sometimes I find it again. This morning I came across this poem by California conservationist Richard Retecki.
Love Physics by Richard Retecki
equal forces
oppositely directed
canceled to zero
then we tricked you
exchanging pressure for light
Love Physics by Richard Retecki
equal forces
oppositely directed
canceled to zero
then we tricked you
exchanging pressure for light
Saturday, October 4, 2014
Can poetry change the climate for frogs?
Poems affect our spirits as well as our minds. And Split This Rock is looking for poems that protest and witness, world-changing poems. Go here for information about their Eighth Annual Poetry Contest (with submission deadline November 1, 2014).
Here in this blog, as I present connections between poetry and mathematics, I provide some poems of protest and advocacy. I advocate attention to problems of climate change -- to keep our world habitable; I advocate full recognition of women in the sciences -- for a not dissimilar reason. We must not waste our resources.
Here in this blog, as I present connections between poetry and mathematics, I provide some poems of protest and advocacy. I advocate attention to problems of climate change -- to keep our world habitable; I advocate full recognition of women in the sciences -- for a not dissimilar reason. We must not waste our resources.
Sunday, September 28, 2014
Journal of Math in the Arts features Poetry
A special issue of the Journal of Mathematics and the Arts entitled "Poetry and Mathematics" is now available online at this link. An introduction by guest editor Sarah Glaz is available (for free download) here. In this opening piece, one of the items that Glaz includes is her own translation of a math-puzzle poem from Bhaskara's (1114-1185) Lilavati that is charming. I offer it here:
Ten times the square root of a flock
of geese, seeing the clouds collect,
flew towards lake Manasa, one-eighth
took off for the Sthalapadmini forest.
But unconcerned, three couples frolicked
in the water amongst a multitude of
lotus flowers. Please tell, sweet girl,
how many geese were in the flock.
Ten times the square root of a flock
of geese, seeing the clouds collect,
flew towards lake Manasa, one-eighth
took off for the Sthalapadmini forest.
But unconcerned, three couples frolicked
in the water amongst a multitude of
lotus flowers. Please tell, sweet girl,
how many geese were in the flock.
Tuesday, September 23, 2014
Clearing the Air with a Poem
Every poem has a climate -- a collection of emotional tones that overlay and underlay its words. Today -- as the U.N. meets in NY to discuss the future climate of our planet -- I have been looking for mathy poems with a climate of advocacy, verses that let the world know that we must, soon and vigorously, take action to keep our earth habitable.
One of the things I found is a poem (involving a couple of numbers and mathy words) by Simon Armitage that is printed on material that cleanses the air around it by absorbing pollutants. A small photo from the website of Sheffield University is shown below -- and I urge you to follow the Sheffield link for the story of the poem and this link to see the full poem more clearly and the story behind it. Here is Armitage's opening stanza.
One of the things I found is a poem (involving a couple of numbers and mathy words) by Simon Armitage that is printed on material that cleanses the air around it by absorbing pollutants. A small photo from the website of Sheffield University is shown below -- and I urge you to follow the Sheffield link for the story of the poem and this link to see the full poem more clearly and the story behind it. Here is Armitage's opening stanza.
Saturday, September 20, 2014
Marching for Climate
Today I want to call attention to the growing global concern about climate change accentuated by the United Nations Climate Summit that opens September 23. Tomorrow (September 21) I will travel on a 6 AM bus from Silver Spring to NYC to be part of the People's Climate March. It is said that more than 500 buses of protesters are heading to New York. 29 marching bands will provide the soundtrack. 26 city blocks are being cordoned off for the march's line-up. At the same time, more than 2,000 People's Climate events are taking place in over 160 countries around the world—from Hong Kong to Buenos Aires and from New York to San Francisco.
To have a small carbon footprint I will march tomorrow with only a small sign -- one that wears a 3x3-square reminder that dates back to a 1968 essay, "Tragedy of the Commons," by ecologist Garrett Hardin (1915-2003).
There is no
place to throw
that's away.
WHY is it taking us so long to act to preserve a habitable planet? Do we not care about the world we are leaving for our grandchildren?
To have a small carbon footprint I will march tomorrow with only a small sign -- one that wears a 3x3-square reminder that dates back to a 1968 essay, "Tragedy of the Commons," by ecologist Garrett Hardin (1915-2003).
There is no
place to throw
that's away.
WHY is it taking us so long to act to preserve a habitable planet? Do we not care about the world we are leaving for our grandchildren?
Monday, September 15, 2014
Remembering Lee Lorch
Lee Lorch was a mathematician known for his social activism on behalf of black Americans as well as for his mathematics. He died in February of this year in Toronto, at age 98. A life-long communist and a life-long crusader. Last Thursday I attended a memorial service (organized by Joe Auslander, a poetry-lover who one day had introduced me to the work of Frank Dux) for Lorch -- sponsored by the Mathematical Association for America and held at the MAA Carriage House in Washington, DC. Friends and colleagues of Lorch spoke of his positive energy and the ways that he had enriched the lives of students and colleagues, of friends and strangers. One of the speakers, Linda Braddy, a staff member of the Mathematical Association of America (MAA), did not talk about Lorch but about strategies for opening mathematical doors (as he had done) to new students.
Labels:
Against Infinity,
arc,
circles,
Joseph Auslander,
Lee Lorch,
Lillian Morrison,
Linda Braddy,
locus,
MAA,
point
Thursday, September 11, 2014
Hailstone numbers shape a poem
One of my favorite mathy poets is Halifax mathematician Robert Dawson -- his work is complex and inventive, and fun to puzzle over. Dawson's webpage at St Mary's University lists his mathematical activity; his poetry and fiction are available in several issues of the Journal of Humanistic Mathematics and in several postings for this blog (15 April 2012, 30 November 2013, 2 March 2014) and in various other locations findable by Google.
Can a poem be written by following a formula? Despite the tendency of most of us to say NO to this question we also may admit to the fact that a formula applied to words can lead to arrangements and thoughts not possible for us who write from our own learning and experiences. How else to be REALLY NEW but to try a new method? Set a chimpanzee at a typewriter or apply a mathematical formula.
Below we offer Dawson's "Hailstone" and follow it with his explanation of how mathematics shaped the poem from its origin as a "found passage" from the beginning of Dickens' Great Expectations.
Can a poem be written by following a formula? Despite the tendency of most of us to say NO to this question we also may admit to the fact that a formula applied to words can lead to arrangements and thoughts not possible for us who write from our own learning and experiences. How else to be REALLY NEW but to try a new method? Set a chimpanzee at a typewriter or apply a mathematical formula.
Below we offer Dawson's "Hailstone" and follow it with his explanation of how mathematics shaped the poem from its origin as a "found passage" from the beginning of Dickens' Great Expectations.
Sunday, September 7, 2014
Hypertext poetry
We computer-screen readers all know hypertext; when we read along in Wikipedia or some other online document and come across an underlined term whose font color is light blue -- at such a point we may decide to keep on reading as if we had not noticed the light blue "hyperlink," or we may locate our cursor on that text, click our mouse, and link to a new screen of visual information.
My first encounter with hypertext poetry was the work of Stephanie Strickland -- in her 1999 love poem, "The Ballad of Sand and Harry Soot," available at this link. If you, however, are someone who is not yet comfortably familiar with hypertext poetry, I invite you to gain some experience with hyperlinked reading via a prose essay -- reading it first as a traditional essay and then exploring ways that hypertext can vary the experience of reading.
My first encounter with hypertext poetry was the work of Stephanie Strickland -- in her 1999 love poem, "The Ballad of Sand and Harry Soot," available at this link. If you, however, are someone who is not yet comfortably familiar with hypertext poetry, I invite you to gain some experience with hyperlinked reading via a prose essay -- reading it first as a traditional essay and then exploring ways that hypertext can vary the experience of reading.
Labels:
ballad,
electronic literature,
hyperlink,
hypertext,
poem,
poetry,
Stephanie Strickland
Wednesday, September 3, 2014
Mathy poems via e-mail
Publishing a blog about poetry and mathematics brings me new connections -- it is not unusual for a day to begin with an email from another poetry-math enthusiast who wants to share a link or a poem. One of these is retired USC biochemist Paul Geiger.
Using as raw material a poem by Shel Silverstein, Geiger created a 9x9 syllable-square:
S.C.S. STOUT by Paul Geiger
Apologizing and Acknowledging Shel Silverstein's 1974 poem
"SARAH CYNTHIA SYLVIA STOUT WOULD NOT TAKE THE GARBAGE OUT"
Using as raw material a poem by Shel Silverstein, Geiger created a 9x9 syllable-square:
S.C.S. STOUT by Paul Geiger
Apologizing and Acknowledging Shel Silverstein's 1974 poem
"SARAH CYNTHIA SYLVIA STOUT WOULD NOT TAKE THE GARBAGE OUT"
Labels:
math,
Paul Geiger,
poetry,
Shel Silverstein,
square
Saturday, August 30, 2014
Mathy Poetry from Bridges 2014
This year's math-arts conference, Bridges 2014, was in Korea. And a dozen of us who write poetry-with-mathematics -- unable to attend in person -- worked with coordinator Sarah Glaz to offer (on August 16, hosted by Mike Naylor) a virtual reading of work videotaped in advance by the poets and edited into a coherent whole by Steve Stamps.
The virtual reading is here on YouTube.
The virtual reading is here on YouTube.
Labels:
2014,
Bridges Conference,
Mark Willey,
mathematics,
Mike Naylor,
poetry,
poetry reading,
Sarah Glaz,
YouTube
Wednesday, August 27, 2014
Grandma Got STEM
It was my good fortune last weekend to meet the sister-in-law of one of my neighbors, mathematician and Harvey Mudd professor, Rachel Levy. Levy is also a blogger and her postings in Grandma Got
STEM tell of achievements of women in science.
I have looked for a poem to pair with my mention here of Grandma Got STEM. Although the following poem by Tami Haaland (found at the Poetry Foundation website) is not mathematical, it nicely brings to life a relationship between a grandmother and granddaughter -- and we wish for both of them "places to explore beyond the frame."
Little Girl by Tami Haaland
She’s with Grandma in front
of Grandma’s house, backed
by a willow tree, gladiola and roses.
Who did she ever want
to please? But Grandma
seems half-pleased and annoyed.
I have looked for a poem to pair with my mention here of Grandma Got STEM. Although the following poem by Tami Haaland (found at the Poetry Foundation website) is not mathematical, it nicely brings to life a relationship between a grandmother and granddaughter -- and we wish for both of them "places to explore beyond the frame."
Little Girl by Tami Haaland
She’s with Grandma in front
of Grandma’s house, backed
by a willow tree, gladiola and roses.
Who did she ever want
to please? But Grandma
seems half-pleased and annoyed.
Labels:
explore,
frame,
Grandma,
Rachel Levy,
STEM,
Tami Haaland
Saturday, August 23, 2014
Changing colors, counting syllables
Changing Colors
by JoAnne Growney
Blue
yoyo --
awkwardly
stopping-starting,
rising-plummeting,
seeking self-control. Please,
mother-friend-lover-child, don't
pull string. Let me collect myself.
I lift myself to the treetops,
soar with the golden eagle,
find rest on fleecy clouds.
My orb embraces
everybody --
powerful,
yellow
sun.
Tuesday, August 19, 2014
Poetry in Math Journals
The Mathematical Intelligencer (publisher of the poem by Gizem Karaali given below) and the Journal of Humanistic Mathematics (an online, open-access journal edited by Mark Huber and Gizem Karaali) are periodicals that include math-related poetry in each issue. For example, in the most recent issue of JHM, we have these titles:
Articles:
Joining the mathematician's delirium to the poet's logic'': Mathematical Literature and Literary Mathematics by Rita Capezzi and Christine Kinsey
How Do I Love Thee? Let Me Count the Ways for Syllabic Variation in Certain Poetic Forms by Mike Pinter
Poems:
And here, from Gizem Karaali, is a poetic view of the process of mathematical discovery: the blank white page, the muddy flow of thoughts, the clarity that eventually (sometimes) blooms:
Articles:
Joining the mathematician's delirium to the poet's logic'': Mathematical Literature and Literary Mathematics by Rita Capezzi and Christine Kinsey
How Do I Love Thee? Let Me Count the Ways for Syllabic Variation in Certain Poetic Forms by Mike Pinter
Poems:
Computational Compulsions by Martin Cohen
Jeffery's Equation by Sandra J. Stein
The Math of Achilles by Geoffrey A. Landis
And here, from Gizem Karaali, is a poetic view of the process of mathematical discovery: the blank white page, the muddy flow of thoughts, the clarity that eventually (sometimes) blooms:
Friday, August 15, 2014
My best dream is floating . . .
Today I want to urge you to visit several sites in addition to my blog. For example, there is the recent announcement of 2014 Fields Medal (equivalent to a Nobel prize) winners -- the four winners include the first female mathematician (Maryam Mirzakhani) ever to be selected as a Fields Medalist (equivalent to a Nobel Prize) and a mathematician who loves poetry (Manjul Bhargava).
With the help of a "Google Alert" I found a YouTube video of Alexandria Marie reading "The Mathematics of Heartbreak" at a Dallas Poetry Slam. A link in an email from Texas computer scientist, Dylan Shell, alerted me to these mathematical lyrics (new words for old tunes) in a mathbabe posting by Cathy O'Neil.
As we have been floating from topic to topic, it may be apt to end with the final stanza of my relevantly titled poem:
With the help of a "Google Alert" I found a YouTube video of Alexandria Marie reading "The Mathematics of Heartbreak" at a Dallas Poetry Slam. A link in an email from Texas computer scientist, Dylan Shell, alerted me to these mathematical lyrics (new words for old tunes) in a mathbabe posting by Cathy O'Neil.
As we have been floating from topic to topic, it may be apt to end with the final stanza of my relevantly titled poem:
Labels:
Alexandria Marie,
Cathy O'Neil,
Fields Medal,
infinity,
Maryam Mirzakhani,
mathematics,
number,
poetry
Monday, August 11, 2014
Narrated by a mathematician
Recently translated by Adam Morris, the novel With My Dog-Eyes (Melville House, 2014) by Brazilian writer Hilda Hilst (1930-2004) is narrated by a mathematician-poet. That fact of narration is what first drew me to the book. (See also this July 3 posting.) And then there is (related in Morris's introduction to the translation) Hilst's sad life, perhaps mirrored in her characters. These are the opening lines from the novel's narrator:
The cross on my brow
The facts of what I was
Of what I will be:
I was born a mathematician, a magician
I was born a poet.
The cross on my brow
The facts of what I was
Of what I will be:
I was born a mathematician, a magician
I was born a poet.
Labels:
Adam Morris,
edges,
faces,
Hlda Hilst,
magician,
mathematician,
poet,
polyhedron,
vertices
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