String Theory is a theoretical framework that attempts to explain, among other things, quantum gravity. Its basic elements are open and closed strings -- rather than point-like particles. The poem "String Theory" by Ronald Wallace offers imaginative and thoughtful interplay between these strings of theoretical physics and the strings of musical instruments -- I found the poem at the VerseDaily website and Wallace has given me permission to use it here.
String Theory by Ronald Wallace
I have to believe a Beethoven
string quartet is not unlike
the elliptical music of gossip:
one violin excited
to pass its small story along
Monday, July 18, 2016
Tuesday, July 12, 2016
Continue to celebrate Szymborska
If you are a frequent visitor to this blog, you know that Polish Nobelist (1996) Wislawa Szymborska (1923-2012) is one of my favorite poets. My Romanian friend Doru Radu, who now lives in Poland, visited New York recently and during my visit with him there he surprised me with a gift -- a posthumous bilingual Szymborska collection, Enough (Wydawnictwo a5, translated by Clare Cavanagh). Here is the English version of a small poem with numbers from that collection:
Hand
Twenty seven bones,
thirty five muscles,
around two thousand nerve cells
in every tip of all five fingers.
It's more than enough
to write "Mein Kampf"
or "Pooh Corner."
Links to additional postings of Szymborska's work may be found here.
Remember also to visit the wonderful Spring 2016 issue of TalkingWriting -- with its smorgasbord of mathy poems.
Hand
Twenty seven bones,
thirty five muscles,
around two thousand nerve cells
in every tip of all five fingers.
It's more than enough
to write "Mein Kampf"
or "Pooh Corner."
Links to additional postings of Szymborska's work may be found here.
Remember also to visit the wonderful Spring 2016 issue of TalkingWriting -- with its smorgasbord of mathy poems.
Labels:
Clare Cavanagh,
Doru Radu,
Nobel Prize,
Pooh Corner,
Wislawa Szymborska
Thursday, July 7, 2016
Remembering Reza Sarhangi
In 1998 at Southwestern College in Winfield, KS an Iranian mathematician, Reza Sarhangi, organized the first of a series of annual Bridges conferences that celebrate the intersection of mathematics and the arts. On July 1, 2016, this vital mathematician-artist passed away. Many will celebrate the life of this warm and generous and talented man.
where you can learn a bit about Reza Sarhangi and about this year's conference in Finland.
Here is a link to an article by Sarhangi on Persian art -- indeed, it includes a poem.
Sarhangi was at the time of his death, a professor at Towson University.
Here is a link to his informative Towson webpage which I hope the university will keep alive.
Tuesday, July 5, 2016
What Math Teachers Do
They ignore me. I
raise my hand -- wave it
to ask questions, to
offer answers -- but
they call on the boys.
raise my hand -- wave it
to ask questions, to
offer answers -- but
they call on the boys.
A 5x5 syllable-square of protest, from JoAnne Growney
Wednesday, June 29, 2016
Revolutions and singularities
Early in June it was my privilege to hear poet Lesley Wheeler read as part of the Joaquin Miller Poetry Series on summer Sundays in Washington, DC's Rock Creek Park. Lesley read from her wonderful 2015 collection, Radioland, in which I found this mathy sonnet, a poem of twists and singularities and rich with double meanings:
Concentric Grooves, 1983 by Lesley Wheeler
Every whorl in the floorboard spins clockwise,
the grain widening round the stain, a stream
of years circling a burn-brown knot. Strum
and crackly gap. Music drowns a wheeze
Concentric Grooves, 1983 by Lesley Wheeler
Every whorl in the floorboard spins clockwise,
the grain widening round the stain, a stream
of years circling a burn-brown knot. Strum
and crackly gap. Music drowns a wheeze
Sunday, June 26, 2016
Important online sources for mathy poems
Every issue of the Journal of Humanistic Mathematics contains poetry.
The Spring 2016 issue of TalkingWriting has more than a score of mathy poems.
This blog has offered math-linked poetry online since 2010, now with over 800 posts. Scroll down to browse OR use the SEARCH box to look for poems with a particular mathematical image. The lower right-hand-column offers key-words that can be useful search terms.
Friday, June 24, 2016
Exponential power
From this week's New Yorker (June 27, 2016) from a poem by Maya Ribault entitled "Society of Butterflies" this mathy statement:
. . . I save
for retirement—to my bohemian eyes,
a fortune—though they say you need more
than a million. Immerse yourself in the exponential
power of dividends. . . .
Read the entire poem here.
. . . I save
for retirement—to my bohemian eyes,
a fortune—though they say you need more
than a million. Immerse yourself in the exponential
power of dividends. . . .
Read the entire poem here.
Labels:
dividend,
exponential,
Maya Ribault,
New Yorker,
power
Thursday, June 23, 2016
A sonnet with numbers
Sonnet: Now I see them by Michael Palmer
Now I see them sitting me before a mirror.
There’s noise and laughter. Somebody
mentions that hearing is silver
before we move on to Table One
with the random numbers. I look down
a long street containing numbers.
Now I see them sitting me before a mirror.
There’s noise and laughter. Somebody
mentions that hearing is silver
before we move on to Table One
with the random numbers. I look down
a long street containing numbers.
Monday, June 20, 2016
Wanting things proportional . . .
Here is a reflective poem by San Diego poet Ben Doller (found also at Poets.org and included here with permission of the poet).
Proportion by Ben Doller
Just want things
proportional.
Just things,
not all.
Not kings, kings
should be below:
Proportion by Ben Doller
Just want things
proportional.
Just things,
not all.
Not kings, kings
should be below:
Thursday, June 16, 2016
Women occupy mathematics
Poems thrive on imagery created from specific (rather than vague) details -- and numbers and other math terms are very specific! Below I present several samples of mathematical imagery in poems from an excellent and important recent anthology Raising Lilly Ledbetter: Women Poets Occupy the Workspace.
Here are the opening lines of "Circle of Silence" by Stacey K. Vargas:
Like an electron trapped in an unstable orbit, I am seated
in a circle of powerful men.
In an awkward moment small talk ends
and the meeting abruptly begins.
The superintendent turns to me and says,
"This was not sexual harassment."
And the opening lines of "The Typist" by Barbara Drake:
I made 87 1/2 cents an hour typing,
when I was a college student.
Here are the opening lines of "Circle of Silence" by Stacey K. Vargas:
Like an electron trapped in an unstable orbit, I am seated
in a circle of powerful men.
In an awkward moment small talk ends
and the meeting abruptly begins.
The superintendent turns to me and says,
"This was not sexual harassment."
And the opening lines of "The Typist" by Barbara Drake:
I made 87 1/2 cents an hour typing,
when I was a college student.
Monday, June 13, 2016
When parallel lines meet, that is LOVE
Bernadette Turner teaches mathematics at Lincoln University in Missouri. And, via a long-ago email (lost for a while, and then found) she has offered this love poem enlivened by the terminology of geometry.
Parallel Lines Joined Forever by Bernadette Turner
We started out as just two parallel lines
in the plane of life.
I noticed your good points from afar,
but always kept same distance.
I assumed that you had not noticed me at all.
Parallel Lines Joined Forever by Bernadette Turner
We started out as just two parallel lines
in the plane of life.
I noticed your good points from afar,
but always kept same distance.
I assumed that you had not noticed me at all.
Thursday, June 9, 2016
Symbols shape our thoughts
In mathematics -- as in spoken languages -- we have learned to use symbols to shape our thoughts. Pioneering artist Marcel Duchamp (1887-1968) carefully expresses this important idea in terms of chess.
“The chess pieces are the block alphabet
which shapes thoughts; and these thoughts, although
making a visual design on the chess-board,
express their beauty abstractly, like a poem...
I have come to the personal conclusion
that while all artists are not chess players,
all chess players are artists.”
During these days of celebration of the life of Muhammad Ali (1942-2016) I have refreshed my memory of his notable quotes (many of which are found here). Here is one with some numbers:
“The chess pieces are the block alphabet
which shapes thoughts; and these thoughts, although
making a visual design on the chess-board,
express their beauty abstractly, like a poem...
I have come to the personal conclusion
that while all artists are not chess players,
all chess players are artists.”
―Marcel Duchamp
This and other stimulating statements from Duchamp are available here.
During these days of celebration of the life of Muhammad Ali (1942-2016) I have refreshed my memory of his notable quotes (many of which are found here). Here is one with some numbers:
A man who views the world
the same at 50
as he did at 20
has wasted 30 years of his life.
Labels:
alphabet,
artist,
chess,
Marcel Duchamp,
Muhammad Ali
Monday, June 6, 2016
A poem, a contradiction . . .
One strategy for proving a mathematical theorem is a "proof by contradiction." In such a proof one begins by supposing the opposite of what is to be proved -- and then reasons logically to obtain a statement that contradicts a known truth. This contradiction verifies that our opposite-assumption was wrong and that our original statement-to-be-proved is indeed correct. (An easily-read introduction to "proof-by-contradiction" is given here.)
Peggy Shumaker is an Alaskan poet whom I had the pleasure of meeting at a reading at Bloomsburg University where I was a math professor a few years ago. Her poem, "What to Count On," below, has a beautiful surprise after a sequence of negations -- and reminds me of the structure of a proof-by-contradiction.
What to Count On by Peggy Shumaker
Not one star, not even the half moon
on the night you were born
Not the flash of salmon
nor ridges on blue snow
Not the flicker of raven’s
never-still eye
Peggy Shumaker is an Alaskan poet whom I had the pleasure of meeting at a reading at Bloomsburg University where I was a math professor a few years ago. Her poem, "What to Count On," below, has a beautiful surprise after a sequence of negations -- and reminds me of the structure of a proof-by-contradiction.
What to Count On by Peggy Shumaker
Not one star, not even the half moon
on the night you were born
Not the flash of salmon
nor ridges on blue snow
Not the flicker of raven’s
never-still eye
Labels:
Alaska,
arc,
contradiction,
count,
Peggy Shumaker,
proof
Tuesday, May 31, 2016
Aesop's fables in verse ... the price of greed ...
The farmhouse* in which I grew up had a room we called "The Library" because of its small bookshelf with my father's books -- including selections from Kipling and Twain and Aesop's Fables. I liked to read. And a lot of the morals are now stored in my head. Recently I have found and enjoyed poetry versions of some of these in Jean de La Fontaine's Selected Fables (Dover, 2000) -- see also Project Gutenberg. Here is one about the mathematics of greed ... .
The Hen with the Golden Eggs by Jean de La Fontaine (1621-1695)
An olden maxim, which expresses
How Avarice, in search of gain,
May lose the hoard that it possesses.
The Hen with the Golden Eggs by Jean de La Fontaine (1621-1695)
translated by Walter Thornbury
My little story will explainAn olden maxim, which expresses
How Avarice, in search of gain,
May lose the hoard that it possesses.
Labels:
Aesop,
fable,
greed,
Jean de La Fontaine,
Walter Thornbury
Thursday, May 26, 2016
Mathy poems OUT LOUD
Here is a link to "Applied Mathematics" written and recited by London poet Dan Simpson. This link leads to several math-arts samples (including two poems -- the first is by Gizem Karaali and you may scroll down to hear my poem, "A Taste of Mathematics") recorded by Samuel Hansen. (The complete text of "A Taste of Mathematics" is available here.) This link connects to information about a 2014 YouTube video featuring a varied list of mathy poets.
Labels:
Dan Simpson,
Gizem Karali,
JoAnne Growney,
Samuel Hansen,
YouTube
Tuesday, May 24, 2016
The Man Who Knew Infinity
A few days ago I followed a broken link on the Poetry Foundation website and the site offered me this cryptic quatrain by American poet J. V. Cunningham (1911-1985) -- it is the final stanza of a poem I have posted here.
Error is boundless.
Nor hope nor doubt,
Though both be groundless,
Will average out.
– J.V. Cunningham, from “Meditation on Statistical Method”
Often on my mind these recent days has been the film I saw last week -- "The Man Who Knew Infinity" -- and I invite you to follow these links to poetry concerning its central characters, mathematicians Srinivasa Ramanujan (1887-1920) and G. H. Hardy (1877-1947).
Error is boundless.
Nor hope nor doubt,
Though both be groundless,
Will average out.
– J.V. Cunningham, from “Meditation on Statistical Method”
Often on my mind these recent days has been the film I saw last week -- "The Man Who Knew Infinity" -- and I invite you to follow these links to poetry concerning its central characters, mathematicians Srinivasa Ramanujan (1887-1920) and G. H. Hardy (1877-1947).
Labels:
G H Hardy,
J.V. Cunningham,
Srinivasa Ramanujan
Friday, May 20, 2016
In Wyalusing, counting pelicans
The number in the title of Robin Chapman's poem first attracted me to it and the mention of Wyalusing in the first line drew me further in -- for Wyalusing is the name of a small town in northeastern Pennsylvania (a region in which I lived and taught -- at Bloomsburg University -- for many years). But, of course, Google was able to tell me of another Wyalusing, a park in Wisconsin, home state of the poet, and a place advertised as having plentiful bird-watching. Enjoy:
One Hundred White Pelicans by Robin Chapman
Over Wyalusing, riding thermals, they shine
and disappear, vanish like thought,
re-emerge stacked, stretched,
a drifting fireworks' burst.
One Hundred White Pelicans by Robin Chapman
Over Wyalusing, riding thermals, they shine
and disappear, vanish like thought,
re-emerge stacked, stretched,
a drifting fireworks' burst.
Wednesday, May 18, 2016
A math problem or a word problem?
One of my recent poetry-finds has been the anthology Regreen: New Canadian Ecological Poetry, edited by Madhur Anand and Adam Dickinson (Scrivener Press, 2009) and in it some small mentions of mathematics. The following poem by artist and poet Erin Robinsong considers things big and small -- and observes some paradoxes. Is math the puzzle or the explanation or . . .?
SEED : CEDE by Erin Robinsong
Looking into the peach-pit, we find a vast spaciousness, as if actually looking into a pit –
A math problem:
A peach pit is weighed against
the year’s yield plus the tree:
30 g, 900 kg.
Which weighs more?
SEED : CEDE by Erin Robinsong
Looking into the peach-pit, we find a vast spaciousness, as if actually looking into a pit –
A math problem:
A peach pit is weighed against
the year’s yield plus the tree:
30 g, 900 kg.
Which weighs more?
Labels:
Adam Dickinson,
ecology,
Erin Robinsong,
Madhur Anand,
paradox,
Regreen
Monday, May 16, 2016
Squaring the Circle -- from the POETRY App
One of my smart-phone delights is the App (available from PoetryFoundation.org) that gives me a selection of poems on the go. (My posting for 15 October 2015 gives a description of how the App works.) A few days ago, spinning its dials -- matching the categories "Humor," "& Arts and Sciences"-- I found the exceptional poem "Squaring the Circle" in which poet Philip Fried has some fun with the impossible problem. ("Squaring the Circle" first appeared in the July /August 2014 issue of Poetry and Fried has given me permission to include it here.)
Squaring the Circle by Philip Fried
It’s a little-known fact that God’s headgear —
A magician’s collapsible silk top hat,
When viewed from Earth, from the bottom up —
Is, sub specie aeternitatis,
It’s a little-known fact that God’s headgear —
A magician’s collapsible silk top hat,
When viewed from Earth, from the bottom up —
Is, sub specie aeternitatis,
Labels:
circle,
impossible,
Philip Fried,
POETRY App,
square
Tuesday, May 10, 2016
A 6 x 6 syllable-square -- and links to more . . .
Last Sunday's paper had
an essay by a clown
who said as long as I
play dumb people let me
do what I want. And I
cannot stop wondering.
6, a perfect number
Find lots of mathy poems here at TalkingWriting.com; this week featuring Sarah Glaz.
At this link find poems, etc. by Spelman College math students working with Colm Mulcahy.
Labels:
6,
clown,
Colm Mulcahy,
perfect,
Sarah Glaz,
square
Friday, May 6, 2016
Poems that count: Eight Buffalo
In mid-April at the Split This Rock Poetry Festival, one of the sessions I attended and valued had the title " "Eco-Feminist Poetry, Intersectionality, & the End of the Earth." In the midst of my concern about ecology and women is my addiction to mathematics -- and a poem by Cecilia Llompart started me counting. See if you, too, count the word "buffalo" eight times during this poem; and shudder when you read the final word.
Eight Buffalo by Cecilia Llompart
An obstinacy of buffalo
is not to say that the buffalo
are stubborn. No, not like
a grass stain. More that
the very bulk of one—
Eight Buffalo by Cecilia Llompart
An obstinacy of buffalo
is not to say that the buffalo
are stubborn. No, not like
a grass stain. More that
the very bulk of one—
Labels:
buffalo,
Cecilia Llompart,
count,
ecology,
eight,
feminist,
Split This Rock
Tuesday, May 3, 2016
Can you multiply with Roman numerals?
Canadian writer Siobhan Roberts (whom I know from BIRS workshops) has a recent New Yorker article that celebrates the 100th birthday and achievements of Claude Shannon (1916 -2001) -- often referred to as "the father of the information age." Most of the important information in that article I leave for you to read for yourself, but I call to your attention to one of Shannon's accomplishments featured therein -- Claude Shannon built a machine for doing arithmetic with Roman numerals. This connects to poetry via a poem by Ron Padgett, below.
The Roman Numerals by Ron Padgett
It must have been hard
for the Romans to multiply
—I don’t mean reproduce,
but to do that computation.
The Roman numeral system has largely been abandoned
because arithmetic is less cumbersome with a place-value system.
Here is a link to a site that exhibits procedures for Roman numeral arithmetic.
The Roman Numerals by Ron Padgett
It must have been hard
for the Romans to multiply
—I don’t mean reproduce,
but to do that computation.
Labels:
arithmetic,
BIRS,
Claude Shannon,
computation,
Roman numerals,
Ron Padgett,
Siobhan Roberts
Thursday, April 28, 2016
Talking-Writing offers Math Poems
In recent weeks, the online journal Talking-Writing has been featuring math poems and last Monday they posted my "Skagway Study" -- which follows a style explored in one of my favorite poems by Wislawa Szymborska.
Carol Dorf, poetry editor of Talking-Writing, is a math teacher as well as a poet and her work as well as those of others with math interest are explored in "Wild Equations," the Spring 2016 Issue of Talking-Writing. Here are some links:
Bays with a Stream and Another Both Flowing
All Through Them along Enfolded Paths)"
Earlier this week in an American Mathematical Society blog posting entitled "Math and Verbal Gymnastics," Duquesne University mathematician Anna Haensch also celebrated the join of mathematics and poetry.
Carol Dorf, poetry editor of Talking-Writing, is a math teacher as well as a poet and her work as well as those of others with math interest are explored in "Wild Equations," the Spring 2016 Issue of Talking-Writing. Here are some links:
By Giavanna Munafo
"Twenty-Four Hours"
By JoAnne Growney "Skagway Study"
By Alice Major
"Euclid's Iron Hand" and "Bird Singularities"
By Amy Uyematsu "Three Quick Studies of Math-Art"
By Carol Dorf "Action Potential" and "e"
By Eveline Pye "Celestial Navigation," "Three," and "The Law of Statistics"
By Larry Lesser "Margins"
By Katie Manning "28, 065 Nights" and "Week by Week" (Fibonacci poem)
By Stephanie Strickland
"Doomed calculations which God acknowledged
Islands (Invaginated by SaltwaterBays with a Stream and Another Both Flowing
All Through Them along Enfolded Paths)"
Earlier this week in an American Mathematical Society blog posting entitled "Math and Verbal Gymnastics," Duquesne University mathematician Anna Haensch also celebrated the join of mathematics and poetry.
Monday, April 25, 2016
"The Mathematician"
Here is a selection from "The Mathematician," a long poem -- found in its entirety in The Rumpus -- by Oregon poet Carl Adamshick and recommended to me by poet R Joyce Heon -- for a sample of her ekphrastic poems, follow this link and go to pages 37-42. And this link leads to more poems (in this blog) starring mathematicians --- and a few of them are women!!
from The Mathematician by Carl Adamshick
What I do is calculate.
I’ve always seen the world as numbers,
buildings and trees factors,
math as a language better suited for explaining
how things work
than the formula of grammar.
from The Mathematician by Carl Adamshick
What I do is calculate.
I’ve always seen the world as numbers,
buildings and trees factors,
math as a language better suited for explaining
how things work
than the formula of grammar.
Thursday, April 21, 2016
Women in Mathematics Count!
The theme for 2016 Mathematics Awareness Month is "The Future of Prediction." And today I am wondering what date can be predicted for when the achievements of women in mathematics will be recognized with the same awareness as those of men.
How many female mathematicians can you name?
Here are links to two articles to to help you lengthen your list of math-women: "12 Brilliant Female Mathematicians You Should Know" -- an article by Olivia Harrison whose list starts with Hypatia (who lived around 400 AD) and continues to the 21st century, featuring Maryam Mirzakhani, an Iranian mathematician at Stanford who in 2014 won the prestigious Fields Medal for her work related to the symmetry of curved surfaces. Judy Green adds important names in her article "How Many Women Mathematicians Can You Name?"For still more, visit my 2015 post "The culture for women in math and the sciences"; additionally, a search of this blog using "math women" will lead to a host of names and links. Enjoy!
Here are the closing lines of a poem of mine about the brilliant mathematician, Emmy Noether (1883-1935):
In spite of Emmy's talents,
always there were reasons
not to give her rank
or permanent employment.
She's a pacifist, a woman.
She's a woman and a Jew.
Her abstract thinking
is female and abstruse.
Today, history books proclaim that Noether
is the greatest mathematician
her sex has produced. They say she was good
for a woman.
The full poem is available here.
Monday, April 18, 2016
Friday, April 15, 2016
From a math-friend and an Ohio poet
One of the wonderful things about writing a blog about my paired passions of poetry and mathematics is that the blog connects me with fascinating and generous people whom I might not otherwise meet. One of these is Marylander Greg Coxson -- physicist, engineer, mathematician, Operations Researcher -- who took three years of Latin in high school and loves words. With interests in art and poetry, Greg has organized exhibits of math-related art -- and is a regular recommender of mathy poems for this blog.
A week or so ago Greg alerted me to an NPR interview with Ohio Poet Laureate Amit Majmudar (a radiologist as well as a poet) -- letting me know that Majmudar's poetry was rich with mathematical imagery. Following Greg's lead, I found Majmudar's website and was able to contact both Majmudar and his publisher, Knopf, for permission to offer these mathematical poems.
Here, from Amit Majmudar's new book Dothead, are two sections of the poem "Logomachia" -- sections alive with geometry and logic. The first, "radiology," is visually vivid; the second, "the waltz of descartes and mohammed," is a sestina that plays with the logic of word-order.
A week or so ago Greg alerted me to an NPR interview with Ohio Poet Laureate Amit Majmudar (a radiologist as well as a poet) -- letting me know that Majmudar's poetry was rich with mathematical imagery. Following Greg's lead, I found Majmudar's website and was able to contact both Majmudar and his publisher, Knopf, for permission to offer these mathematical poems.
Here, from Amit Majmudar's new book Dothead, are two sections of the poem "Logomachia" -- sections alive with geometry and logic. The first, "radiology," is visually vivid; the second, "the waltz of descartes and mohammed," is a sestina that plays with the logic of word-order.
Labels:
Amit Majmudar,
Descartes,
geometry,
Greg Coxson,
logic,
Mohammed,
NPR,
Ohio,
radiology
Wednesday, April 13, 2016
"The Giraffe" -- a poem for my pocket
I've found the poem I want to carry in my pocket (and in my head) on "Poem in Your Pocket Day" -- coming soon on April 21. It includes at least one number; here it is:
The Giraffe by Ron Padgett
The 2 f's
in giraffe
are like
2 giraffes
running through
the word giraffe
The 2 f's
run through giraffe
like 2 giraffes.
The Giraffe by Ron Padgett
The 2 f's
in giraffe
are like
2 giraffes
running through
the word giraffe
The 2 f's
run through giraffe
like 2 giraffes.
Monday, April 11, 2016
A Diagonal . . . and so little time . . .
On my mind in recent days is the problem of "so little time." About a year ago I posted a wonderful mathy poem by Californian Brenda Hillman
about time. The complete poem is available here; below I supply the opening lines:
Time Problem by Brenda Hillman
The problem
of time. Of there not being
enough of it. ...
Over the six years of this blog, the most-visited post has been "Varieties of Triangles" with poetry by Guillevic. Here is another of that poet's charming geometric offerings:
Diagonal by Guillevic (Englished by Richard Sieburth)
To get where I have to go
I claim right of way.
Because I provide communication
Between two angles
I take precedence
I take up residence.
I cross first,
Come what may.
"Diagonal" is found in Guillevic's Geometries,from Ugly Duckling Presse (2010). Buy it!
Time Problem by Brenda Hillman
The problem
of time. Of there not being
enough of it. ...
Over the six years of this blog, the most-visited post has been "Varieties of Triangles" with poetry by Guillevic. Here is another of that poet's charming geometric offerings:
To get where I have to go
I claim right of way.
Because I provide communication
Between two angles
I take precedence
I take up residence.
I cross first,
Come what may.
"Diagonal" is found in Guillevic's Geometries,from Ugly Duckling Presse (2010). Buy it!
Labels:
angles,
Brenda Hillman,
diagonal,
Guillevic,
Richard Sieburth,
square,
time
Thursday, April 7, 2016
"The Computation"
Here is a favorite poem of mine -- and it available with many others in the anthology, Strange Attractors: Poems of Love and Mathematics (A K Peters, 2008), edited by Sarah Glaz and me.
For the first twenty years, since yesterday,
I scarce believed thou couldst be gone away,
For forty more, I fed on favours past,
And forty on hopes, that thou wouldst, they might last.
Tears drowned one hundred, and sighs blew out two,
A thousand, I did neither think, nor do,
Or not divide, all being one thought of you;
Or in a thousand more, forgot that too.
Yet call not this long life; but think that I
Am, by being dead, immortal; can ghosts die?
I scarce believed thou couldst be gone away,
For forty more, I fed on favours past,
And forty on hopes, that thou wouldst, they might last.
Tears drowned one hundred, and sighs blew out two,
A thousand, I did neither think, nor do,
Or not divide, all being one thought of you;
Or in a thousand more, forgot that too.
Yet call not this long life; but think that I
Am, by being dead, immortal; can ghosts die?
How clever of Donne, writing all those years ago, to speak (indirectly, at least) to 2016's Math Awareness Month theme, "The Future of Prediction."
Thursday, March 31, 2016
The Future of Prediction
As well as being National Poetry Month, April is Mathematics Awareness Month and this year's theme is "The Future of Prediction." In search of a poem on the theme, I found the following sonnet by poet Joyce Nower -- third in a section of 20 sonnets, "Meditations of Hypatia of Alexandria," in her collection, The Sister Chronicles and Other Poems (IUniverse, 2012), available in both print and electronic versions.
3. Scales Can't Calculate* by Joyce Nower
Hypatia, Math, God One, can't plot the locus
of soul and star, predict exactly where
and when you die, whose hand deals death. No hocus
3. Scales Can't Calculate* by Joyce Nower
Hypatia, Math, God One, can't plot the locus
of soul and star, predict exactly where
and when you die, whose hand deals death. No hocus
Labels:
April,
Hypatia,
Joyce Nower,
math,
Mathematics Awareness Month,
predict,
prediction
Monday, March 28, 2016
Contemplating the heavens
English writer G. K. Chesterton (1874-1936) was a poet but was better known for his pithy sayings. For example, we have the following statement (originally found here).
The
difference
between the poet
and the mathematician
is that the poet tries to get
his head into the heavens
while the mathematician
tries to get the heavens
into his head.
Alas, Chesterton's comment obeys the common assumption that the male pronoun should be used for mathematicians. Another poetic comment on mathematicians is found in a poem by Anthony Hecht -- "Mathematics Considered As a Vice" -- available here at PoetryFoundation.org. Hecht's poem offers a strongly negative view of the abstract nature of mathematics.
Rivalry between mathematics and poetry comes to a head in April -- during which we will celebrate both "National Mathematics Awareness Month" and "National Poetry Month."
The
difference
between the poet
and the mathematician
is that the poet tries to get
his head into the heavens
while the mathematician
tries to get the heavens
into his head.
Alas, Chesterton's comment obeys the common assumption that the male pronoun should be used for mathematicians. Another poetic comment on mathematicians is found in a poem by Anthony Hecht -- "Mathematics Considered As a Vice" -- available here at PoetryFoundation.org. Hecht's poem offers a strongly negative view of the abstract nature of mathematics.
Rivalry between mathematics and poetry comes to a head in April -- during which we will celebrate both "National Mathematics Awareness Month" and "National Poetry Month."
Wednesday, March 23, 2016
The Shape of the World -- a dream of equality
One of the most vital components of the Washington DC poetry scene is Split This Rock -- an organization that speaks and acts against injustice. (Co-founder and Executive Director, Sarah Browning, is a long-time activist and a fine poet.) One of STR's 2016 programs has been Al-Mutanabbi Street Starts Here DC 2016, a book arts and cultural festival that commemorates the 2007 bombing of Baghdad’s historic bookselling street, and emphasizes free exchange of ideas and knowledge, in solidarity with the people of Iraq. Several weeks ago at one of these events I met poet Dunya Mikhail and her translator, Kareem James Abu-Zeid, and was involved in discussion and reading from The Iraqi Nights (New Directions, 2015). Here is a mathy poem from that collection.
The Shape of the World by Dunya Mikhail
translated from the Arabic by Kareem James Abu-Zeid)
If the world were flat
like a flying carpet,
our sorrow would have a beginning
and an end.
If the world were square,
we'd lie low in a corner
whenever the war
plays hide and seek.
If the world were round,
our dreams would take turns
on the Ferris wheel,
and we'd all be equal.
A link to the Arabic original version of this poem is shown at the bottom of Mikhail's webpage -- a link that also offers a recording of her reading this poem, set to music.
And please note that coming up soon is the 2016 Split This Rock Poetry Festival (April 14-17, 2016) with many excellent workshops and readings. Learn about it here and register (online registration closes March 31). See you there.
The Shape of the World by Dunya Mikhail
translated from the Arabic by Kareem James Abu-Zeid)
If the world were flat
like a flying carpet,
our sorrow would have a beginning
and an end.
If the world were square,
we'd lie low in a corner
whenever the war
plays hide and seek.
If the world were round,
our dreams would take turns
on the Ferris wheel,
and we'd all be equal.
A link to the Arabic original version of this poem is shown at the bottom of Mikhail's webpage -- a link that also offers a recording of her reading this poem, set to music.
And please note that coming up soon is the 2016 Split This Rock Poetry Festival (April 14-17, 2016) with many excellent workshops and readings. Learn about it here and register (online registration closes March 31). See you there.
Monday, March 21, 2016
World Poetry Day -- Celebrate favorites!
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;
Gently they go, the beautiful, the tender, the kind;
Quietly they go, the intelligent, the witty, the brave.
I know. But I do not approve. And I am not resigned.
Friday, March 18, 2016
Poems that Count
On January 6 of this year I attended a wonderful poetry reading (sponsored by The Word Works) that featured the work of poets Tera Ragan and James Ragan (Tera's father). Their poetry is rich in imagery of their birthplaces -- near Pittsburgh -- and Czechoslovakia (where James' parents were born and a place they visited often). Please enjoy these lovely and varied poems that include a few well-chosen numbers: "Alcove" by Tera Vale Ragan; "Beckett Had Only One Student" and "The Eskimo's Twelve Expressions of White" by James Ragan.
Alcove by Tera Vale Ragan
Brick upon stone, a growing
foundation,
he builds a new family home up
from the ground
cement and marble
tile to ceiling
beam and red oak
he paid for with cash.
Alcove by Tera Vale Ragan
Brick upon stone, a growing
foundation,
he builds a new family home up
from the ground
cement and marble
tile to ceiling
beam and red oak
he paid for with cash.
Labels:
Czechoslovakia,
Eskimo,
James Ragan,
Pittsburgh,
Tera Ragan,
Word Works
Wednesday, March 16, 2016
A poem is an equation?
Exiled Romanian poet Nina Cassian (1924-2014) spoke with a daring and imaginative voice that I have much admired. And she occasionally used mathematical imagery in her work -- as in the following poem:
Controversy by Nina Cassian
(translated from Romanian by William Jay Smith)
I wrote a poem, an oblique poem,
a kind of calligram, I mean.
Someone said it was an equation
being solved behind a screen.
Controversy by Nina Cassian
(translated from Romanian by William Jay Smith)
I wrote a poem, an oblique poem,
a kind of calligram, I mean.
Someone said it was an equation
being solved behind a screen.
Labels:
equation,
Nina Cassian,
Romanian,
William Jay Smith
Friday, March 11, 2016
Celebrate Math Women
March is Women's History Month and, although this year's theme focuses on women in public service and government, my own thoughts tend toward women in mathematics. My post on July 21, 2015 focuses on math women -- and a google search of the blog using "math women" will lead to a host of additional poems and links. Enjoy!
To celebrate math-women one must first be able to name them; here is a link to an important and relevant article by Judy Green, "How Many Women Mathematicians Can You Name?"
To celebrate math-women one must first be able to name them; here is a link to an important and relevant article by Judy Green, "How Many Women Mathematicians Can You Name?"
I am the girl voice,
Drafts scribed--thoughts stretched, smoothed, squared, sighed --
Catch here now my I.
Labels:
haiku,
Judy Green,
math women,
mathematics,
Women's History Month
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Ritual by Nichita Stanescu (trans. Sean Cotter)
I cry before the number five --
the last supper, minus six.